Blizz From Juice / Another Crowd Killer Interview
DJ Metal Monkey Radio Show
0:00 Uh, ladies and gentlemen, this is the honorable DJ Melbucket Radio Show and I
0:03 got one of my favorite artists in the[ __] world, man.
0:06 Blizz juice on this[ __] I appreciate that cuz
0:11 we behave like [music] animals in a cage.
0:16 Mainstream media, NRA, FDA,
0:20 plus the USA to cast [music] spells on the home of the brave free minimum wage.
0:26 [music] And I can't vote for the games we play.
0:29 And I came out for a better place at a red race pace.
0:33 Ain't no time to pray cuz the spelling be [music] spelling out the life we made.
0:37 Cherish the moment of a wonderful place.
0:39 Cuz the rain ain't worried about mistakes [music] today.
0:42 Cutting the grass ain't keeping them snakes away.
0:45 Only me and you can we the people.
0:50 Only me [music] and you can we the people.
0:54 Only [music] the people.
1:02 Yeah, man.
1:03 Yo, I've been a fan of your music, man, since I first heard you, man.
1:06 I was, you know, um 5'8 is like one
1:08 of them dudes that I was looking around for music
1:11 at at one point and[ __] just going through records
1:13 and[ __] And I don't know who had a 5'8 record.
1:16 I was like, "Yo, this dude's solid." So, I got on a 5'8 for a while.
1:22 Huh?
1:23 Fever.
1:23 Yeah.
1:23 Yeah.
1:23 Yeah.
1:24 fever.
1:25 Yeah.
1:25 Yeah.
1:25 Yeah.
1:26 Yeah.
1:26 And then um through that I found you, man.
1:29 And your[ __] dope as[ __]
1:32 __] man.
1:32 I appreciate it, bro.
1:35 Um
1:35 Yeah.
1:35 Yeah.
1:35 You always be you be bumping that[ __] heavy, bro.
1:38 I really appreciate that, man.
1:40 __] it.
1:40 If a[ __] spinning something right now, like, boy, y'all, hey,
1:43 man,[ __] sleeping if they ain't spinning your[ __] right now, fam.
1:46 Like, that's what I'm saying, bro.
1:49 You the real baby Manson.
1:51 Like, so let let me get into this[ __] before I even start.
1:53 Like how did you get started in this[ __]
1:56 Cuz I know that's cliche but I really want
1:58 to know how did you get started in hip-hop
2:00 and like how did you get started in music?
2:01 Cuz you're beyond hip-hop to me.
2:04 Yeah man.
2:05 Um well sh I go by Bliss from Juice now.
2:07 It used to be Puppet Puppet the Grimy.
2:09 I still go by Pup.
2:10 That's like been a baby name of mine.
2:13 Yeah.
2:14 But
2:14 __] I don't I think I I got first started when
2:17 I first started[ __] with I mean like I fell in love
2:20 with hip-hop when I was like early early like probably you
2:23 know like four or five years old just you know cousins
2:26 had tapes and[ __] like that just pretty much every other
2:28 story of how you get put onto music as a kid
2:30 and[ __] like um but like I always like all music
2:35 bro like I just I like writing you know what I mean?
2:37 So like I would write lyrics.
2:41 I like I remember being in like[ __] like third, second,
2:43 third grade and I would like I told myself I would tell
2:47 people I was in a band and like you know I wasn't like
2:50 in my mind I was like I had like friends in school who
2:53 didn't even know they didn't give a[ __] about music like I did.
2:56 I'd be like all right yeah so so and so is
2:58 going to be the drummer and like you know what I mean?
3:01 like
3:01 I I just wanted to do something with music.
3:03 So, I just was like creating[ __] in my head
3:06 and I would just write all the time, man.
3:07 And like like I just I liked I liked everything, bro.
3:12 But, um when I started when I started like making my own[ __]
3:16 like I remember I had uh remember the uh the Home Alone Talk Boys?
3:23 Yeah.
3:22 Yeah.
3:23 So, I had one of those.
3:24 I got it for some, you know, gift, birthday, Christmas, whatever.
3:28 And I would just[ __] like run around the apartment complex
3:32 that I lived in and like with my friends or whatever
3:35 and I would always have that[ __] and I would just
3:36 be like freestyling dumb[ __] I didn't even know I was freestyling.
3:39 I was just like coming up with[ __] that like rhymed.
3:43 And then my grandma caught me and she whooped my ass
3:46 with a wooden spoon [laughter] and um you know what I mean?
3:51 But she was like you know put it put it toward
3:53 like you know what made you say this and[ __] like that.
3:56 And then she like when I was really young like put me
3:59 on to like crazy[ __] Like she had books about like you know
4:03 like like the government and like aliens and all this crazy[ __]
4:08 So I was putting[ __] like when I'm like I'm talking like six,
4:11 seven years old, bro.
4:12 Like I remember I like I was writing[ __] devil and[ __]
4:16 on the back of my uh eighth grade spelling bees that we took every Friday.
4:19 I'd get done first ace spelling bee, flip the paper over and write[ __] bars.
4:25 Damn.
4:26 Yeah, man.
4:27 I I I recorded my first real track in a real studio.
4:31 Um DJ Tway Twoway Inscribe from Rochester.
4:35 Um in Two Way's basement out in East Rochester, man.
4:39 I was probably 11 years old.
4:40 My first song.
4:42 But damn.
4:45 Yeah.
4:45 Damn.
4:45 That[ __] that[ __] lit.
4:46 Like how did you come up with the Baby Manson thing?
4:49 Like all that[ __] fit you, bro.
4:50 Like that[ __] fits you.
4:52 Well, Baby Manson, that's just my my Instagram handle, bro.
4:56 Like, like I said, I went by Puppet forever.
4:59 Like, my my my rap name is Blizz from Juice, bro.
5:03 But Baby Manson, that's just that's my alias.
5:06 Like, like like that's just for Instagram, bro.
5:09 Like, that's my personal Instagram.
5:11 My my name is Blizz from Juice.
5:13 You know what I mean?
5:14 Right.
5:14 Right.
5:14 Right.
5:14 And that's what I call you, you know?
5:16 a bliss with like I I know that but I see that
5:19 that's just like like that just just makes sense.
5:22 You know what I mean?
5:22 Like um I don't even know where it came from.
5:26 I think my boy uh Gortex from non-fiction
5:30 um like I rep Super Coven with him but like I
5:33 think like in like one of his songs back in like 2003
5:36 2004 he just said Baby Manson's like talking about like little[
5:41 __] wild boys in the projects and he called them baby Manson.
5:44 So, I just use that as my Instagram title cuz
5:47 I don't want my name attached to my personal one.
5:50 You know what I mean?
5:50 Like, you can give me
5:52 official Bliss from Juice.
5:55 But, yeah, I feel you on that, man.
5:56 Like, yeah, because I see cuz you had see on BDOP too,
6:00 you had uh Charlie Manson on there and I was like, "Oh, yeah.
6:06 No, man." Like, always like I I've been in tune
6:09 with with Charles Manson and[ __] you know, for a while.
6:11 Me, too.
6:12 That's my[ __] dog.
6:13 You know what?
6:13 That[ __] was speaking the truth and then they was
6:16 feeding him LSD and[ __] You know what I'm saying?
6:18 Like that.
6:19 Yo, you ever read the book Chaos, bro?
6:21 No, I haven't.
6:22 Yo, read the book Chaos.
6:24 It shows you how like they used Charlie for MK Ultra and he they
6:28 kind of like planted him in to be uh to like he was a beatnick,
6:33 but they mess they like you know the CIA kind of like took him
6:37 and like you know used MK Ultra on him and like[ __] up the hippie.
6:41 It's it's it's a dope movie.
6:42 did the whole hippie movement like nah he[ __] up the whole hippie movement like
6:46 that's why where hell to scouter came from like
6:49 you know like those trigger words and everything
6:51 and like he was like the manerian candidate you
6:53 know what I mean they do that to a lot of like a lot of people bro
6:56 yeah but he wouldn't yeah and when you watch his[ __]
6:59 depending on your like your[ __] IQ that's how you
7:03 take it but that[ __] is saying some things that people
7:06 need to really listen to like if you know you know
7:09 nothing is at face value there's always more to the story.
7:12 You know what I'm saying?
7:13 Whether you believe it or
7:14 even if you don't believe it, you got to believe there's some truth there.
7:18 No matter what side of the argument you're on, you know what I mean?
7:21 Yeah.
7:21 Well, well, all right.
7:23 So, I've been like um I've been into your music for a while,
7:26 so I was g uh that vocal display of powder, man.
7:30 Like, how do you come up with these titles and[ __] bro?
7:33 Cuz it's it's[ __] crazy.
7:35 I like it.
7:37 Yo.
7:38 Uh, so the first one we did a few years ago, um,
7:42 we just recreated the cover of, uh, you know, the band Panta.
7:49 Yeah.
7:48 Panta has like one of my favorite albums ever, bro.
7:51 It's called Vulgar Display of Power.
7:56 And so like we just like we kind of like
7:58 like I forgot what we were going to call the album at first, bro.
8:02 It's been a long time,
8:02 but like we ended up on vulgar display of powder
8:06 and like but we kept saying it and it worked.
8:09 So like we redid the cover cuz if you if you look up the Panta cover,
8:13 you know what I mean?
8:14 It's like some dude in the pit.
8:15 He's getting[ __] snuffed.
8:17 And like we redid the cover because the original
8:19 cover we did was my my brother uh my [snorts] man Sean and like we redid
8:24 the cover to like just redo the actual cover.
8:27 My boy Chubs actually said we should do it this way
8:30 and it was Fever actually punching me in the face.
8:33 [laughter] So we got the same cover and we just used the same font
8:37 and like whatever and that that's just how that went and like that[ __] stuck.
8:43 So we just made part two and it's kind of like a play on of like that like
8:47 you know another crowd killer for part two like you know crowd killing is
8:51 is you know it's a style you know like when you're in the pit
8:55 like you got crowd killers in there who just they come bust your[ __]
8:58 up and they actually kind of[ __] it up for everybody or whatever but like
9:01 yeah they do.
9:02 Well, you know, crowd killing is obviously like a like a play on of like,
9:06 you know, because like I you know, it's it's hardcore rap, but like you know,
9:10 especially like nowadays with everything going on like another crowd killer,
9:14 like oh, another school shooting,
9:16 like another dead off of drugs, another, you know, another disaster,
9:21 another false flag of what's going on in the world.
9:24 It's just another crowd killer.
9:25 Like, you know, even yesterday or whatever, you know, ICE, you know what I mean?
9:29 Just blasting people in the street.
9:31 another crowd.
9:33 There's a lot of meanings to that[ __] bro.
9:35 But it was just it was it was meant like another crowd killer.
9:40 Like, you know, my music is just punch you in the face rap.
9:43 It is, man.
9:44 It's some good, man.
9:45 It's a perfect man.
9:46 You know what you doing.
9:47 It's It's so crazy.
9:49 You hear a lot of people that uh I I hear a lot of underground music.
9:53 I'm straight for the underground, but you one of them ones,[ __] Yeah.
9:58 Um the the thing about it is like like what's the All right.
10:03 So what's the growth part like what what
10:05 changed from like Mly Crew Phones to now?
10:09 Um so bro soiety heavy.
10:14 Um I love Mly Crew Phone.
10:17 Shout out to my brother Boo bro.
10:19 Um we Mly Cool Phones like yo like the way
10:23 that we did that that[ __] was so organic bro.
10:25 It was like you got like you wouldn't even
10:28 realize like we slapped that[ __] together bro like
10:31 that[ __] just came together like we we got up we got you know what I mean
10:35 we got to work bro and like you know um but like the way we orchestrated it
10:43 like yo if you ask boo like you know we were
10:46 both in a certain place at that time I can only speak
10:48 for myself but like there's songs in there like that I love
10:51 that he'll be like nah man like like not like it's unlistenable because
10:56 just can't stomach it.
10:57 Yeah.
10:58 Like yo, like it brings us both back to a time personally that like, you know,
11:03 that nobody understand where it's just like
11:05 y'all didn't want to hear that[ __] But
11:08 everyone loves it and I love it and I know he loves it.
11:11 That[ __] a banger.
11:12 The whole thing.
11:14 Yeah.
11:14 Thank you, bro.
11:14 And like I I you know me, I think so, too.
11:16 But like there'll be songs where like we don't even want to perform.
11:19 Soon as we hear the lyrics, we're like, yo, you know what I mean?
11:21 Like kill that, bro.
11:22 But like everyone like that[ __] is the hardest[ __] out.
11:26 So I think like that goes with interpretation, you know what I mean?
11:30 Like you hear it and it means something different
11:32 to you that you don't even know what I'm talking about.
11:34 You know what I mean?
11:35 And I might never want to listen to it again.
11:37 And I know that that shit's going to keep playing forever and ever, bro.
11:42 Yeah.
11:42 But is pretty much just the growth, bro?
11:44 Like, you know, like kind of get get my[ __] together and not really having
11:48 a choice but to get get my[ __] together and get out the way.
11:51 So
11:52 yeah, and that and that's a part that like, you know what I'm saying?
11:55 Like I I share with I mean it's part of the the music, man.
11:58 You know what I'm saying?
11:59 Like to be honest, it's just I think we all sort of go there in a way.
12:04 And then like when I listen to Mly Crews all the way
12:06 to like now the uh most VDP too like I I see the growth,
12:12 but dude, you got this sound that it's
12:15 the streets and that like let me ask you this.
12:18 What do what's your approach?
12:19 Like who are your influences?
12:21 Cuz you don't sound like no[ __] body at all, dog.
12:26 Yo, like honestly I'm not I'm not impressed by anybody anymore, bro.
12:30 You know what I mean?
12:31 Like Yeah.
12:32 Like I really listen to my peers, you know what I'm saying?
12:35 Like you know um I listen to people like
12:39 you know I don't I don't care if it hurts feelings or not, bro.
12:41 But like yo, like you could you could ask me if I heard so
12:44 and so's new[ __] Like I don't think I'm better than anybody by any means,
12:48 but like like I don't have time to listen
12:50 to something like yo like I'm just not interested, bro.
12:52 Like I my inspiration comes from other music, you know?
12:57 It comes from like different walks of life that I've dealt
13:00 with myself whether or not I'm still involved that way or not.
13:04 But like and like I I have a[ __] up way of perceiving things.
13:07 Like yo, like you know,
13:09 [laughter] mym is is a little different and like I'll I'll take that.
13:13 You know what I mean?
13:13 But like, you know, like um I've I've lived many many different lives, bro.
13:18 Like, so like, and the way I perceive[ __] it might seem humorous,
13:22 but it might seem kind of[ __] up, too.
13:24 But like, it's all very real to me.
13:26 You know what I mean?
13:26 Like, like I like I don't fake nothing or whatever.
13:29 And like everyone's got like whether or not, you know what I mean?
13:32 Like, like I said, like you could hear
13:35 something different than than I was actually mean.
13:37 And like by the time you get what I'm saying, it's 10 years from now.
13:40 You know what I mean?
13:42 Thanks.
13:42 Like I like anything, bro.
13:45 Like I'll go from from like my playlist is anything from like Prince
13:50 to uh you know like I like obviously everyone knows I like Death Tones
13:55 but like I'll go from like Port Head to Ma Deep back to like
14:01 you know what I'm saying like uh Slipnot like I'm all over the place.
14:07 Yeah.
14:07 So I I I could tell I could tell like
14:09 I could tell like you you know your[ __] man.
14:12 And uh like when it even come to sense of humor in this album,
14:16 you got[ __] Danny McBride at the end of that[ __] on uh Spirit Cooking.
14:21 Yeah.
14:21 Yeah.
14:22 Like I like I love this[ __] humor.
14:24 He gets it.
14:24 Some people get it, man.
14:26 You want a[ __] You get it.
14:28 Yeah.
14:29 Cuz yo, he's a[ __] up character and like what
14:31 he's talking about is mad selfish and[ __] up, but like that's us.
14:34 That's people and like it all circles around like yo he's
14:38 talking about like when he was on top and he was
14:39 he's talking to his brother like in the show he's like
14:42 you should have been to my cookouts I had Puerto everywhere
14:45 and his brother's just like yeah that sounds awesome man
14:47 but like he's talking about like you know selling out in Hollywood
14:50 and I'm talking about spirit cooking bro like spirit cooking is
14:52 a real disgusting thing in Hollywood and we just make humor out but
14:57 yeah yeah um let's let's let's get into this uh
15:01 can we get into the track list because what what
15:03 I do is I hope we time to cuz what I do is I do um three 20 minute sets.
15:09 You know what I'm saying?
15:10 We do this and then we'll go to commercial,
15:11 then we'll do another set, then we go to commercial and then do another.
15:15 Yeah.
15:15 So, you can take a piss or whatever you got to do in between.
15:18 But, okay, man.
15:19 So, getting into that cuz you on some[ __] man.
15:21 I I I[ __] with you.
15:23 Trust me, I'm a fan.
15:27 Um
15:26 Devil of our time, man.
15:28 Starting off.
15:29 All right.
15:29 Uh did And did you do the track listing?
15:33 Yes.
15:34 Okay, cool, cool, cool, cool.
15:36 Me and Fever did, but I name most the tracks or whatever and you know,
15:40 but like like all the all the uh the sound clips and stuff you hear,
15:43 that's me that's me and Fe, bro.
15:45 Like,
15:46 for real.
15:47 Yeah, but like yo, like like me and when me and Fe link up,
15:50 bro, like there ain't nothing like it, man.
15:52 Y'all[ __] is a y'all a real com y'all a real[ __] combination, man.
15:56 That's my brother, man.
15:57 Like, we're the same person, bro.
15:58 In many ways, but in so many of the same ways, bro.
16:02 Y'all some[ __] up individuals on that mic.
16:04 I love it.
16:05 And him on the beats.
16:06 Like y'all are like that that thing like you know what I'm saying?
16:10 That that that Dre and Snoop that[ __]
16:12 I mean like real[ __] Y'all mesh very good
16:16 and he get it cuz you have to get it in order to make your type music
16:20 right away, bro.
16:21 Like that[ __] should have been like that.
16:22 But like you know what I mean?
16:23 Like that's how that's what it is, bro.
16:25 We're vulgar.
16:27 Devil of our time.
16:28 How did you come up with that?
16:29 What's up?
16:30 Um, that was the sample.
16:32 Um, we found that I found that sample and I I like I loved
16:36 what he was talking about and that was like that was the main subject matter.
16:42 It was called that's actually what it was called.
16:44 The devil of our time and I heard what he said and just out of context, bro.
16:48 Like it's literally, you know, that's perfect for another crowd killer, bro.
16:53 Like talking about if you hear noise, bro,
16:55 that's just that's my girl's dog just running around being an[ __] right now.
16:59 But um n you'll just like like what he's talking about
17:03 like you know like the devil doesn't come in this creepy form.
17:06 He's just like some flabby like every day just like waiting for what's next.
17:12 What's to come but like still like not you know really not
17:15 uh not really giving a[ __] to do anything to change it.
17:18 Just accepting just like like I don't know.
17:21 I believe that we're in we're in like a glitch, bro.
17:24 Like where we living now.
17:25 Like this can't be real.
17:26 So this It's all just it.
17:30 What's the possibilities of us living in the simulation?
17:33 That's that's one of my beliefs.
17:35 I I think that's a very very strong possibility, bro.
17:39 That's probably the most realistic thing.
17:41 Either that or we're already dead, bro.
17:43 Like, I don't know what to say.
17:44 That part like Yeah.
17:46 What's going on can't be real like yo, try to think back.
17:52 Try to think try to think back seven,
17:55 eight years ago, bro, about a real real real memory, bro.
17:59 That[ __] has that[ __] is like glazed over.
18:02 That[ __] has no nostalgic like no real substance
18:06 to to your memory if you can even remember it, bro.
18:09 Like it's diff like I feel like we're just gone, bro.
18:12 We're somewhere else.
18:12 We're not supposed to be here.
18:14 It's our vibrations, man.
18:16 Like what crazy[ __] that I know.
18:19 Like we never touch nothing.
18:20 Like I could grab this all I want.
18:22 That's propulsion.
18:23 That's not That's not like actual touch.
18:25 It's space between my hand and this[ __] You know what I'm saying?
18:30 Yeah.
18:30 I just think somebody spilled water on the Matrix, bro.
18:34 And we're living in this[ __] up part of it.
18:36 We're stuck here.
18:38 Yeah.
18:38 Like if you search how do just ask uh Chat Chief PT how do the eyes work?
18:44 And then you'll be like what the[ __] We just
18:46 actually just interpreting[ __] So something can't like manipulate like what?
18:51 What the[ __] Like this is crazy.
18:54 Yeah.
18:54 Each time you blink they said it's like different and it's like Yeah.
18:58 I forgot what it said.
18:59 I just I just kind of saw something
19:01 __] crazy, man.
19:02 But back on the album right now, [laughter] man.
19:09 Well, no, because at the end of the day,
19:11 this is why like this is why your album is this[ __] good and you're
19:15 such a good artist is because you think you you you in the know.
19:20 You know what the[ __] up cuz I wouldn't even be able to say this to you.
19:24 The[ __] think I'm stupid, bro.
19:25 Like, yo, I'm not playing around, man.
19:27 But like that's why, you know, I don't sit at that cool kid's table, bro.
19:31 I I do[ __] carve out my own piece, bro.
19:34 And I'm cool with that.
19:35 I mean, like, you[ __] with it, cool.
19:37 I'm not here to make friends, bro.
19:40 I tell you what, you got the[ __] best video on the underground.
19:45 I agree.
19:45 That I probably ever seen.
19:47 And you know this[ __] too, dog.
19:49 You know this[ __][ __]
19:51 bro.
19:51 And that's the thing, you know what I mean?
19:52 Like, that just Sorry to cut you off.
19:55 I appreciate it.
19:55 Thank you.
19:56 But like, so you see it though.
19:57 Like, yo, like people, __] Yeah.
19:59 Let them hate, bro.
20:00 Like, like they know, bro.
20:02 My[ __] is fire, bro.
20:04 dog the[ __] spaghetti and eight balls.
20:07 Yeah, man.
20:08 Shout out to Shades Cruzfield, man.
20:11 Caller, they killed that[ __] bro.
20:13 That was a fun time.
20:14 Shout out to everyone who came out, too.
20:16 That was awesome.
20:17 You know what I mean?
20:20 Home for so long, man.
20:22 Like, so that was cool for everyone popped out.
20:25 people.
20:27 Yeah.
20:28 Like when you making these vid when you making these videos,
20:31 it's like like who's coming up with the ideas for this[ __] Yo,
20:38 like honestly I can't even take any credit for the video.
20:42 Like like so like I said, bro, like first of all, um,
20:48 so VDOP2 was written and recorded all like I wrote
20:54 the songs and recorded them within a month and a half, bro.
21:02 You[ __] no.
21:03 Maybe two months.
21:04 I'll give it I'll say two months, bro.
21:05 Like we started at the very end of August and I record and I
21:11 recorded my last verse was the song with uh with Element the Knockk Knockock.
21:18 Yeah.
21:17 Oh, that's a hard track.
21:19 Yeah, I love that song, bro.
21:20 Me and him coming out.
21:22 But um we did that song on I think Halloween
21:27 or the day before Halloween and then wrapped it up, bro.
21:31 And I flew back home to Rochester twice.
21:33 So that was all within two visits.
21:35 So like from my first video did like three songs.
21:38 Then I wrote everything came back like two three weeks later and me and Fee
21:43 locked in for like three days and we recorded like 20 something songs bro.
21:48 God damn.
21:49 Yeah.
21:49 And but um so that's all fresh.
21:52 Yo I recorded fresh out of surgery.
21:54 Like I I went from the hospital caught the medicab out of surgery.
21:58 I got like seven teeth pulled out of my mouth.
22:00 I was recording with bloody gauze in my mouth and[ __] like that.
22:03 my face all swollen,[ __] pained out, and I can't, you know what I mean?
22:07 I don't take any opiate pain pills, nothing like that.
22:10 So, that was[ __] just pain.
22:12 Like, that[ __] was dope.
22:13 Damn, that's[ __] up.
22:14 I would have had to.
22:15 So, like when we did spaghetti and bro,
22:18 I was writing it as I was recording it, you know what I mean?
22:22 And I had like kind of like an outline of it,
22:24 like the way I write, you know what I mean?
22:25 I had like the multi in order,
22:27 but like I I I didn't even know if I was going to get that beat yet.
22:30 So once I got the green light on it,
22:32 we I was writing as I recorded it and I I knew I wanted
22:36 that to be the joint fe like you know it took fe a few
22:39 times to be like yo this is the one bro but as far
22:43 as the you know like I said since I'm back short periods of time you know
22:47 I'm trying to hit like we were going to do the first video
22:50 to be we were going to do in use but the song kind of slow
22:53 and like I didn't want to be over the top too corny and get like
22:57 you know like I was thinking like too ahead of myself like yo Nobody cares.
23:00 Like the song speaks for itself.
23:02 I think it'd be corny if I like acted out everything I'm saying in it.
23:07 Yeah.
23:06 So, I just told everyone like, "Yo, we're doing a video in a couple hours.
23:10 If you can pop out, pop out." Some people, you know, couldn't make it.
23:13 Whoever came through, like I'm, you know, that that was plenty, bro.
23:16 Like, I didn't like if nobody came, we'd still done it.
23:19 But like, we just rocked out.
23:21 It was like I like that anyways.
23:23 It was more organic, you know what I mean?
23:25 Like, whoever pops up, your people come through.
23:28 They come through in and out, you know what I mean?
23:31 Record the[ __] but like Sage had this idea to do the props, bro,
23:36 and make it really like devilish and[ __] And like,
23:40 but like not in a corny ass way, you know what I mean?
23:42 Like like he made that[ __] work.
23:44 But that was all him.
23:45 That had nothing to do with me.
23:47 But damn.
23:48 Yo, man.
23:49 You know, the title was my idea.
23:52 Obviously, the just the whole energy of this[ __] man.
23:55 I couldn't do none of that[ __] without fe bro.
23:56 That[ __] is I mean it's like capturing a lightning bolt in a jar, bro.
24:01 You know what I mean?
24:01 It's like a moment in time.
24:03 Yeah.
24:03 Y'all timing y'all uh y'all execution work, man.
24:07 Like this I I mean this[ __] is mindblowing.
24:11 Like Spaghetti eightballs that that[ __] hit Widow
24:14 Maker with uh F uh with Brad uh[ __]
24:24 Yeah.
24:24 Yo, so um that joint was supposed to be just me and um that was
24:31 when I was home and I was just boom getting through songs whatever and like
24:36 you know that that's you know the studio is shared that's that's um
24:39 the nostalgic headquarters bro that's noisy
24:42 headquarters right there so that's Tup Gary
24:46 um FE and I think Luchi spot bro so like you know whoever
24:50 pops up pops up but like FE was like you telling them like,
24:53 "Yo, I got Pup here for, you know, like like less than like the next 3 4 days.
25:00 We're locking in." So people came through, they chilled, whatever.
25:03 Like, yo, like me and Tripe did the trafficking song that, you know,
25:07 during all that and[ __] like that.
25:09 But like, so like I'm trying to lock in.
25:11 I'm on like maybe like my fifth song for that day and he's like,
25:14 "Yo, Brad's about to slide through or whatever." So, you know, he comes up,
25:18 everyone's chilling for a minute, and I get back to it, and you know,
25:22 Fee's like, "Yo, which one you want to put on next?" So,
25:24 I was like, "Widowmaker or whatever the beat was called,
25:27 Misfits something or other." So, like the beat comes on and I was like,
25:32 "Yo, like if like if this is the time I'm going to get Brad,
25:34 bro, it's like right now." You know what I mean?
25:36 So, you know, we have plans to do something.
25:39 I look over, I'm ready to ask him.
25:40 And he's already right into the[ __] You know what I mean?
25:44 Yeah.
25:44 So like he changed the whole narrative of the track, bro.
25:47 Like the verse I had,
25:48 like I had a different verse on the joint and I
25:52 let you know like he went first like you know how
25:55 like you can hear a mess up and then he's like
25:57 ah and then he keeps going like that was all natural bro.
25:59 So like yeah that was ill.
26:02 So we you know what I mean?
26:03 We kept it moving and then I did my verse he did my ad
26:06 libs tried to like liven it up and it just didn't match bro.
26:09 Like I didn't know like I was kind of like bummed out
26:11 because I didn't know if that was going to be it or not.
26:13 Yeah.
26:13 and I hand him over the track, you know?
26:16 So, like I wanted to make sure I did it.
26:18 So, I I re redid the track and when I came back my next visit,
26:21 I redid the my verse.
26:23 This[ __] just happened, bro.
26:24 And that[ __] is fire, bro.
26:26 That's a sleeper track, honestly, considering how dope it is.
26:30 Yeah, it really is.
26:31 Well, it's so many heavy hitters on this album.
26:34 Like, you give us 18 tracks.
26:36 You You hit me up.
26:37 You was like, "What's your favorite track?" I'm like, "Nigga,
26:41 real shit." Like I I named something off the top of my head
26:44 like but how can you have a favorite track on here?
26:46 Like[ __][ __] even the hook I mean even the skits is like dope as[ __] on here.
26:53 Like this is a good this probably the best album
26:58 for what it is cuz I don't want to slight nobody else.
27:00 But what I am saying is[ __] I put my money on you right now.
27:06 Word man.
27:07 with this with this album, bro.
27:09 It's put together like you know like uh Bandana
27:12 P like what was the inspiration behind that there?
27:16 Yo, another one, bro.
27:17 So, um Oh, [clears throat] that's funny too, bro.
27:21 So, like the first three beats that I chose to start recording
27:24 with with FE were these beats that he forgot he even gave me.
27:28 Like, so he gave me these beats and he gave me this this one.
27:32 It was called like Punching Horses was the name of the beat.
27:35 And I love the beat.
27:38 He[ __] hated it.
27:39 Like the BPM was off.
27:40 He hated the beat.
27:42 Chup hate hated the beat.
27:44 Hated the beat.
27:46 Ed said like, "Yo." So like I wanted to I
27:49 wanted to make sure that I had that that.
27:51 So I wrote to that song and like the[ __] just kind of reminded
27:54 me of some Mob Deep[ __] like the original beat and I'm like,
27:57 "All right." Um, so I did that to it.
28:00 Fee was like, "All right, whatever." Like he couldn't tell me no.
28:03 You know what I mean?
28:04 Like we butt heads when when we record all the time.
28:06 He hates recording me, bro.
28:07 Like I record I punch in so much.
28:10 I'm all over the place.
28:11 He hates it, bro.
28:12 He hates it.
28:13 Like that[ __] works though.
28:15 That's what I'm saying.
28:16 And like it pays off.
28:17 Yo, when I got my own setup, bro, you couldn't he Yo, he he threw a party, bro.
28:22 He's like, "Fuck you.
28:23 Never doing this[ __] again." Like but so beat bro was you know like
28:29 I I even after he he remade the beat like it sounds real smooth
28:33 and it still sound like some M deep[ __] but like that[ __] was
28:36 heavily influenced by Prodigy that's why I put those Prodigy shits in the hook
28:40 but like I always wear bandanas I'm you know my name's Pup P
28:44 whatever so the bandana P you know what I mean like that was it
28:48 really simple but the beat was different and then I you know I I
28:53 finally started like falling in love with the song after everyone else was like,
28:57 "Yeah, cuz they hated they hated how it sounded
29:00 with the original beat." And I still love that beat, bro.
29:02 Like, yeah, but that like most of these tracks just happened on a whim, bro.
29:08 Like that's most of these stories, man.
29:10 For real.
29:11 Um, okay.
29:12 You got MTV Cribs.
29:14 Now, that was that that's that that[ __] right there said it off.
29:18 And when you get to that part of the album, if you playing it through,
29:21 because that's how you should have played
29:23 that[ __] from the beginning to the end, right?
29:26 Yeah.
29:26 Like, yeah.
29:27 No, go ahead.
29:28 No, when you get to that part of the album.
29:31 Oh, that[ __] turn up from that point on.
29:33 It get crazy.
29:34 That's why that uh Widowmaker is a sleeper track
29:38 because you'll go back to that and be like,
29:39 "Oh, yeah, that's banging, too." After you done went through,
29:42 you know what I'm saying?
29:43 Like, that was gonna That was going to be track two, bro.
29:46 that was going to I was going to have cuz I don't know
29:49 if you remember uh the first Vulgar I had Gates set my album off.
29:54 You know what I mean?
29:55 So Gates he raps before me.
29:58 He's uh the first track.
30:00 So he he's got the first verse and all that and like I like that.
30:04 Like I know a lot of people like they're like yo why'd you do that?
30:07 Like I definitely OD on collabs on the first one but like
30:10 like I I would I like setting it off like that.
30:14 like having your people come there without like you know any structure like um
30:19 Thanks.
30:19 If you if you hear like the Jedi Visions of Gandhi album,
30:23 um I think Cannabis sets off that album, you know what I'm saying?
30:27 Like Yeah.
30:28 And so like and like and it was hard like the uh so
30:32 like I just I kind of like had that energy in mind or whatever.
30:36 Like that was my only argument was visions of Gandhi, you know what I mean?
30:40 But like [laughter] and you know that's just as a fan
30:44 like I I put it together like as a fan
30:47 like how it would like take over like I like sequencing
30:51 albums and like curating how it's supposed to sound like every
30:55 movie clip and like effect on the voice but like
30:59 yeah by the time I got to uh MTV Cribs like yeah like I
31:03 think that's when Gor should come in and like just turn up the energy
31:06 a lot bro like cuz like Bandana P you know it's it's smooth
31:10 and[ __] like that and then you get right back to it like b.
31:13 So
31:14 then yeah then it gets the album gets crazy after that.
31:18 You know what I'm saying?
31:19 Then you got your sick old[ __] [clears throat] Man, listen man.
31:22 These titles is just I get I love it, bro.
31:25 Like I love the ridiculousness of this[ __] dog.
31:28 Like it's like you you know like you showing like basically in America, man.
31:35 You showing America America the real America, not the[ __] Exactly.
31:40 Yeah.
31:40 Like the real[ __] It's almost like and you
31:43 have no You're not even like this dude at all,
31:45 but like like how Ghost Face is.
31:47 Ghost Face is real street, straight to the point,
31:50 but you have your own style and you
31:54 favorite rapper of all time, bro.
31:56 Y Yeah, man.
31:57 Like definitely definitely definitely.
32:00 As a compliment, bro.
32:01 Like I I'll never be Ghost Face, but
32:03 No, you could get on the track with him and do your thing, though.
32:06 I that's that's
32:08 that's 100%.
32:10 Yeah.
32:10 I would love to get on the track with Ghost, man.
32:12 Yeah.
32:12 Yeah.
32:13 I I And I know it'd be honor for you, but I know you could do your thing.
32:16 I'm a huge Ghost fan, man.
32:17 But you can do your thing.
32:19 He was just here last night, bro.
32:20 I'm in Portland, Maine.
32:22 He was He just performed uh at some[ __] brewery last night, bro.
32:26 But
32:28 yeah, man.
32:28 I I was working.
32:29 I told you I worked my ass off, bro.
32:30 I was Yo, I was heartbroken, man.
32:32 Like, I didn't go.
32:34 I just went to Ray and Havoc's tour like a month ago though,
32:38 but I really want to go to Ghost[ __] bro.
32:40 Just I know that's right, man.
32:43 Hell yeah.
32:45 Um, Sicko[ __] bro.
32:46 I did that.
32:46 That was a cut from um You can even hear it in my voice.
32:50 I was That was from the first the first uh Vulgar.
32:54 That That was like two three years ago, bro.
32:56 You can hear it in my voice.
32:57 I was shitfaced.
32:58 I don't even remember doing that song.
33:00 [laughter] Tiffany Darwish are all uh Oh, I love that, man.
33:08 Yeah.
33:09 But um that's Yeah, I love that energy.
33:12 That I love[ __] bro, man.
33:14 I like the name.
33:15 The name is[ __] That's how that's my[ __] dog, man.
33:18 I love that[ __] [laughter] cuz we're we're big curb your enthusiasm fans.
33:24 And I think that's what uh Susie said to Larry.
33:27 You sick[ __] whatever.
33:31 You suffering greatly trying to[ __] with my paper.
33:34 [music] I got you screaming like
33:45 pig sticker was the name of the beat.
33:47 Um
33:48 oh trio[ __] Yeah fe named that one.
33:51 Um that was the name of the beat.
33:53 I love the name of it because to me you know it's
33:55 a lot of different you know what a pig sticker is bro.
33:57 You know what I mean?
33:58 like yeah yeah yeah
33:59 and and and that and like also like you know like you know you[
34:05 __] the fat[ __] [laughter] like you know what I mean like just like
34:13 man that's that's that[ __] about you I like
34:15 man [laughter] you have all that realness in your[ __]
34:19 yeah bro you know what I mean just like some
34:20 wild slang and[ __] but um so that that was
34:24 that right there but um[ __][ __] uh like if you
34:31 if you hear the sample at the very end of it,
34:33 it's[ __] New Jersey Drive.
34:36 Yeah.
34:35 And it's when[ __] is laughing at him when[ __]
34:39 when Robbie was uh was shooting at Jason or whatever.
34:43 Yeah.
34:44 [laughter]
34:45 And um I did a track with uh with Wreck Ali for my my first album, War Trophies.
34:50 And um I don't fidget with the tool.
34:53 I'm like[ __] on the roof.
34:55 Midget's aiming the[ __] he's aiming the 38
34:58 at the cops from the from the roof or whatever.
35:00 Shoots at the cop car
35:02 and like I just named the track[ __] basically off of him.
35:04 You know what I mean?
35:05 For sure.
35:06 For sure.
35:07 But um the both of those both of those beats were uh the same sample.
35:12 He just flipped them a little differently and[ __] like that.
35:14 So that's why I put them together like that.
35:16 I didn't realize it was going to be
35:18 six minutes long with the Charles Manson clips.
35:20 We just we tried to we tried to bust that down, bro,
35:22 from his interview and we just every time that we just played it through,
35:26 we're both like, "Oh," you know what I'm saying?
35:28 Like,
35:28 we needed that.
35:29 Yeah.
35:29 Yeah.
35:30 So, like,[ __] it.
35:31 If people get to the second track or the second half, you know what I mean?
35:34 __] it.
35:35 Yeah.
35:36 But you needed that.
35:37 Like, yeah.
35:37 I know sometimes you can't leave something out.
35:39 You know what I'm saying?
35:40 It's like, but on this on this on this project though, it's different though.
35:45 Like, it ain't many people that can give you 18 songs.
35:49 You know what I'm saying?
35:50 Like,
35:50 man, trust me, I didn't even want to, bro.
35:52 But I've been I've been away for years.
35:54 I mean, I wanted to give something.
35:56 We did almost 30 songs, you know what I mean?
35:58 I didn't want to get written on,
36:00 bro.
36:00 Like, these are these are perfect for This album is so good.
36:04 Not going to lie, it's gonna be I don't know if I mean, it'll be hard to top it.
36:08 I can't see past this right now.
36:10 I know you're capable of doing it, but this a good ass project, bro.
36:15 Um, yeah.
36:16 Like right here, I got that damn War Trophies video, man.
36:20 Remember that?
36:21 Oh, yeah.
36:21 I remember that.
36:23 Yeah.
36:23 I don't want to kind of I'mma sidetrack you a little bit, but yeah.
36:26 Like War Trophies videos, the the way you put your[ __] out like your vision.
36:33 Um, do I'm going ask you this.
36:34 Do you feel like you're the best rapper, world's best rapper?
36:40 Um, I know that I'm supposed to say yes.
36:42 You know what I mean?
36:42 Yeah, blood sport.
36:44 But um I will say I I'm my I'm I I like I I'm my favorite rapper for sure.
36:51 You know what I mean?
36:53 Yeah.
36:54 But um No, I don't know if I'm the world's best rapper.
36:56 There's a lot of songs that I wish I had made.
36:58 You know what I mean?
36:59 There's a lot of songs that definitely like still like influence me to be like
37:03 like, "Yo, I wish I made that so bad." You know what I mean?
37:05 Just like it because I hear music differently, bro.
37:08 Like, you know, like as as as a fan, you know what I mean?
37:12 Like I still listen to[ __] like like yo that's crazy.
37:15 But like it's hard to listen to music as a fan
37:18 when when you make music and[ __] like for real.
37:21 So like I I hear it differently but like I don't critique
37:24 it like and I don't I'm not like a hater on it.
37:26 I just like I hear it like it like it still has to take me somewhere else.
37:30 You know what I mean?
37:32 Yeah.
37:32 And like if it can take me somewhere else and it's something I can
37:35 listen to over and over and over and I hear it different every time,
37:38 then that's a real song, a real artist.
37:40 So that's all I'm trying to do, bro.
37:43 Like I'm not here to make a song for you.
37:45 I'm making something.
37:46 It's like, you know, like it's like a artist paints, you know what I mean?
37:50 Yeah.
37:51 Like,
37:51 you know, like I just want it to be interpreted different.
37:53 I want I want something with substance.
37:55 And I'm just I'm a little excited right now because,
37:58 you know, like the album got slept on, bro.
38:01 Like we tried to do like a different roll out,
38:03 but like this this you know, like I'm I'm proud of this album, bro.
38:07 So, I really appreciate you taking your time
38:09 just asking about it and going through it cuz
38:12 man, I couldn't wait to get you on the show.
38:13 I wanted you on last season, too, man.
38:15 Like, man, I wish like, you know what I mean?
38:17 I I would have, bro, but like I'm here, bro.
38:19 So, yo, I appreciate it though, man.
38:21 Cuz one thing about it is like you you one of them ones, man.
38:24 And like, and with this album and all of your music,
38:27 like it's a cult following type deal, fam.
38:30 Like,
38:31 you are you one of them ones, fam.
38:33 Like so like and and a lot of people a lot of artists have it in their brain.
38:39 They have the idea in their brain but they
38:41 can't capture it especially on video or audio.
38:45 You know what I'm saying?
38:46 Like they you you can tell where they're trying.
38:48 The artwork is there but like you don't get the person with you.
38:52 You get the entire[ __] character.
38:54 Like you have the idea and you capture all of that[ __] Yeah.
38:58 Yeah.
38:58 That's that.
38:59 Yo, that's that's I appreciate that dog.
39:02 But you know what I'm saying?
39:03 As an artist though, right?
39:04 Take my time with that[ __] Like people and like
39:08 bro like and like there's a lot of people who like like I love
39:11 like their like their vision with their own[ __] You know what I mean?
39:14 But like I feel like it like it falls
39:16 on deaf ears or like blind eyes sometimes, bro.
39:18 Like
39:19 cuz like I feel like sometimes that they just don't get it.
39:22 So like it kind of puts people off and that like but that's fine.
39:26 You know what I mean?
39:26 Like I know like it's not that it's not for everybody.
39:29 like, yo, like like yo, like it's either you get it or you don't, man.
39:33 And like like shout out to like like like yo,
39:35 like people that like you really like wouldn't expect, not like wouldn't expect,
39:39 but like you just wouldn't really hear from it
39:42 because I know it's really like out of the box,
39:44 but like a lot of like hardcore kids love the[ __] Um,
39:48 __] yeah.
39:49 But then like, you know, like yo,
39:50 like like Brad Piff, bro, like like he gets it, bro.
39:55 You like the whole the whole deal of the thing.
39:58 Like sometimes like you might hear the song and be like,
40:00 "Yo, that's hard." Or whatever.
40:02 Like you might not get the artwork or like see where I'm going
40:05 like really truly going with it like you said like the whole thing.
40:09 Yeah.
40:08 So that's like when when it does, bro.
40:10 Like I like when people get the references like the obscurity and like just
40:15 you know like there's a certain energy behind it, bro.
40:17 I'm not just saying[ __] just to say it, bro.
40:19 Like a lot of rappers rhyme[ __] which is which is cool.
40:23 Like you know it works for some and[ __] like that, but like I can't do that.
40:27 I can't just say anything, bro, because it sounds out like out of the box, bro.
40:32 What ends up happening is like when I was listening to your music,
40:35 I was thinking about like it's East Coast,
40:39 but it's actually like it's be it's something that ain't never been done.
40:45 Yeah.
40:44 You know what I'm saying?
40:45 Like it's something ain't never been done.
40:47 And and really, man, you you'll get love in California.
40:50 I know it's a huge like Midwest.
40:53 Oh my god.
40:53 Yeah.
40:54 I'm in Atlanta,[ __] and I rock out your[ __] and people don't know.
40:58 They like, you know what I'm saying?
41:00 I'm getting the feedback like nobody's they they wondering what that record is.
41:05 Like in use is is bro in use is come on fam.
41:11 Yeah, that's that's
41:12 Come on, in use, dog.
41:15 That[ __] need to be like on everybody's[
41:19 __] like that[ __] can be in soundtracks.
41:21 That's one of the best songs I've ever heard, my[ __]
41:24 Thank you.
41:27 That could be in TV shows.
41:29 That could be
41:30 That[ __] should be on the radio.
41:31 That[ __] need to be in a Netflix[ __] film.
41:35 And that's how good that[ __] is.
41:36 And this is I ain't Bro, I ain't riding your job.
41:39 I'm just saying.
41:41 All right.
41:41 As a DJ, man,[ __] know what it is.
41:43 I can't wait.
41:44 Like, I'm gonna do everything in my power to keep spreading the word, man.
41:47 Cuz down there in the South, we loving it.
41:50 Like that[ __] exactly what we need in music right now cuz music music is good.
41:54 Everybody dropping heat.
41:55 Everybody drop some heat in 25.
41:58 But when you drop when you drop that[ __] fam.
42:02 My god.
42:03 My god.
42:04 This album right here and it explains a lot of what you know like like artistry.
42:10 Like some people don't really have integrity in your music.
42:13 Your[ __] is like you that next dude.
42:15 Like I
42:18 Yeah.
42:18 Like it's gonna happen, man.
42:19 Because I I mean, this is the best one of the best albums I've I've heard.
42:25 Like maybe 15 years, 20 years.
42:30 Damn, bro.
42:31 You know what I'm saying?
42:32 And back[ __] hold up to that, bro.
42:35 No, I I know it is though.
42:37 I mean, shout out to Shout out to you.
42:39 Shout out to Fever.
42:40 Shout out to Chup.
42:41 Um yo, man, like you you you put together a project.
42:46 Uh, let me go to um,
42:49 Marvelous Persona because for real I could tell you about you all day.
42:51 I dog when I listen I listen to underground music.
42:55 I I don't I never skim your[ __] bro.
42:58 I listen to your[ __] like goddamn like
43:01 and not I hate to make this comparison but I listen to it like
43:04 I first heard when I first heard the Eminem like my name is that album.
43:10 When I got in when I got into that I was into something new.
43:14 I was like, I ain't never heard no[ __] like this before.
43:18 That's what your[ __] is modern day.
43:21 And you ain't biting on nobody.
43:22 Ain't nobody style is like, yo, your[ __] like rap, rock and roll.
43:27 And you like a crazy rockar type[ __] Yeah.
43:32 See, like I don't even listen to Eminem, bro.
43:34 You know what I mean?
43:34 Like True, true.
43:36 I'm just saying the era in the time heard before
43:40 like but yeah like yo like I'm I'm I'm more
43:43 influenced like I said like like I'm I'm more influenced
43:46 by like metal and[ __] like hardcore[ __] and like
43:49 just real like I like a lot of just
43:52 like obscure[ __] Like I'll listen to like like like
43:56 anything like yo like anything from like like a I'll
43:59 listen to movie scores or like TV scores and like
44:02 but like I like a lot of old like I like swing music bro like like old you
44:07 know swing band and jazz the[ __] I like
44:10 I don't know if you ever heard of blonde redhead.
44:12 I like blonde redhead.
44:12 I I like a lot
44:14 80s new waves and[ __] like that.
44:16 Like I listen to like a lot of I listen
44:18 to Duran Duran before I put on most of these rappers today.
44:21 You know what I mean?
44:21 __] yeah.
44:22 __] yeah.
44:23 I'd like to hear you rap over some of that[ __] [laughter] Um, okay.
44:29 Marvelous Persona.
44:32 Marvelous Persona.
44:33 Um, that song that was uh originally uh
44:38 my man Drock made made the beat with that sample.
44:43 Yeah.
44:42 And uh shout out to Drock.
44:44 He did that[ __] in man.
44:46 Yeah.
44:46 I want to say 2012, 11 12.
44:51 And that was that was um my brother ID and me and um we did that.
44:59 Yeah, we did that at uh at Mbagger's house and uh that[ __] was called
45:06 Tumblr and uh from he that that's the main character from the movie Gumo and
45:12 you know like that[ __] just never got all like
45:15 a lot of stuff that when Sam passed away when id
45:17 passed away uh a lot of his[ __] like never really
45:21 got proper release and I found a lot of ac capellas.
45:23 I have a lot of[ __] that like he never did on anything else before,
45:26 but like I always like that sample.
45:28 So I had I had Fee flip that sample,
45:31 but like you know he took the exact part from the original track.
45:36 So we still gave D-Rock credit on the beat and um
45:40 we took ID's we took his verse and I still got
45:43 the same lyrics from back then but like I re-recorded it
45:46 and we just kind of like upgraded it a little bit,
45:48 made it a little bit different.
45:50 Oh[ __] That[ __] Yeah.
45:54 Marvelous Persona.
45:55 That's that all them samples are from Gumbo.
45:57 The movie Gumbo, man.
45:59 That[ __] ride the[ __] out.
46:01 Now, now this is the part of the album.
46:03 When you get into this part of the album,
46:06 this man, this is when you turn up again another notch.
46:10 It's the real nice Ryan skip.
46:13 __] that[ __] is Bro, that's what that's when you blew me out the box.
46:18 I was like, dog, that I don't know, man.
46:21 Yeah, I don't know, man.
46:21 I got to give this man I got to give this man props.
46:24 Boy, he he killed it on his album.
46:27 That[ __] is[ __] everything.
46:30 See, that's what I'm saying, bro.
46:31 That was a perfect buildup for, you know, that's uh to get into in use.
46:35 You know what I'm saying?
46:37 That was uh like yo, like I'm surprised, bro.
46:40 Like, everyone that that, you know what I mean, that listen to it,
46:43 no one really said no one even really said[ __] about the skit.
46:45 I don't know if
46:46 YOU[ __] CRAZY, BRO.
46:47 YEAH.
46:47 LIKE, YO, I MEAN, THESE[ __] HATING, MAN.
46:50 That's what I'm saying, bro.
46:51 You gotta say something,[ __] You ain't say nothing, bro.
46:54 You heard that[ __] Yeah.
46:56 Nah, bro.
46:57 You know what I mean?
46:57 Like, that's how that's how I know like who really be peeping it or not.
47:00 Cuz[ __] be like, "Yo, you crazy for that, bro.
47:04 I had I had this one[ __] on my first first album
47:07 called Downer back in the day called the song is called Worship, bro."
47:12 Like, yo, Eto still plays that for people, bro.
47:15 That[ __] is crazy, bro.
47:17 If you peep that out, that's all real, too.
47:19 Like, uh, Real Nice Ryan, bro.
47:22 That[ __] was all real.
47:23 That those were all in order, bro.
47:25 Back to back.
47:26 Those were those were voicemails from the same night, bro.
47:30 [laughter] Yo, that[ __] was insane.
47:33 I was like, "Yo, man.
47:34 This[ __] crazy." And it's so realistic.
47:38 Yeah.
47:38 None of that was stage, bro.
47:39 Like, I I didn't I didn't tell her to call me.
47:42 Like, none of that[ __] was fake, bro.
47:44 That[ __] is I say this[ __] so relatable to like
47:48 real life and situations that[ __] done been in.
47:50 You feel me?
47:51 Like,
47:52 hell yeah.
47:53 Sitting there like, man, this dude a fool for this.
47:56 So yeah, you go to in use.
47:59 I ain't going to lie.
48:00 Man, genius song, bro.
48:03 Thank you, man.
48:04 Genius song.
48:05 That that showed your that showed your you know how everybody say I'm different.
48:11 Everybody in their mama say they different, man.
48:14 Right.
48:14 This right here showed that you was different.
48:15 Like you ain't had to say nothing.
48:18 You you you separated yourself from everybody with this.
48:22 Hell yeah, bro.
48:23 You made you a hit.
48:25 I Yo, I say the same[ __] bro.
48:27 That[ __] is a[ __] hit.
48:31 Like heard the beat.
48:32 He sent me sent me the beat.
48:36 I remember I was just I was playing beats at work on the Bluetooth and something
48:43 just popped into my head because uh like
48:45 the handicap salt king like being in use.
48:48 I think I went I I went to the bathroom at my job
48:51 and I saw the inuse thing or whatever and I started[ __] with
48:55 so I had kind of an idea of what I wanted to do but I
48:58 wasn't going back home for a couple weeks so I just never went back to it.
49:02 And like I said I wrote most of these songs while I was recording.
49:05 Bro, that was another one.
49:06 I didn't know I was going to spit it
49:07 like that with like that like that like that.
49:10 A all that[ __] man.
49:12 You can't win.
49:14 We We did that[ __] on the on the fly, bro.
49:17 And ask yo, ask FE about that.
49:19 Like that that[ __] is a hit.
49:20 We knew right away, bro.
49:21 But like he asked him.
49:23 He[ __] hated recording that song.
49:25 Yo, we almost scraped the album over for that song.
49:28 And as many times as I went back to that song,
49:31 bro, I had I had two B second third set ears.
49:34 I had tri instead of [laughter] ear I'm like yo yo should I have said
49:39 my all differently like bro they hated like yo [laughter] be was swear to god
49:44 that[ __] was about to be scrapped we were about to just and and if
49:48 we would have scrapped that bro I told him like yo like[ __] the whole
49:51 album then like I I I and like he knew it was dope but like
49:55 as many times as he went back into that and had to go back into each[
49:58 __] plug and all that[ __] bro like yo he like he wanted to kill
50:01 me bro like that song almost didn't make it just out of pure spike, bro.
50:05 Like, I already know.
50:06 Like, dog, if without that song, that song ties the whole album together.
50:12 It pulls the whole thing together,
50:15 right, bro?
50:16 You know what I mean?
50:17 Yeah.
50:17 Like that's the epitome of like the energy
50:19 for what I like the whole[ __] is, bro.
50:22 Yeah.
50:22 I love that song, man.
50:24 Don, that[ __] is When I first heard it
50:29 Yeah.
50:28 I like Hey, listen.
50:29 And when I first heard it, it was so that[ __] gave me like, "Hold the[ __] up.
50:36 Did I hear what I just[ __] heard?" So I like straight the[ __] up.
50:40 So I turned it back and I'm I'm checking the cadence.
50:44 I'm hearing what you saying.
50:46 And[ __] I'm a DJ.
50:48 So I already know that's the life.
50:51 Like that's what you seeing.
50:53 Yeah, bro.
50:53 And use the stallers in use,[ __] What?
50:57 Yeah.
50:58 __] you know how[ __] leave their debit card with Coke in the goddamn bathroom.
51:02 You know what I'm saying?
51:03 Yeah.
51:03 [laughter] You know what I'm saying?
51:05 Like you you know what girls would do for a 40 bag, bro?
51:08 And that's like real, [laughter] bro.
51:10 That's real hustler[ __] bro.
51:11 That ain't no ping pin[ __] Like that's real hustler.
51:14 Real life throwing out there.
51:15 You know what I mean?
51:16 like gram grams and half grams all night popping around like [laughter]
51:21 you know these do like girls see you you walk into a bar and you got
51:27 you got four bartenders and six people buying you
51:30 drinks when you didn't even want to drink tonight.
51:32 You know what I mean?
51:33 Like cuz like you're there to see them.
51:36 That[ __] is But yeah, man.
51:38 I love that song, bro.
51:40 That song[ __] That's it right there.
51:43 That that tone right there is a[ __] Like it's definitely monster.
51:48 I It's a monster.
51:50 Like you know.
51:54 Huh?
51:54 I said I think so too, man.
51:55 You know what I mean?
51:56 Like I'm just try to push something, bro.
51:58 Like it's hard to get people to I don't know.
52:01 Like you know, you you I think the more like
52:04 cuz I I wanted to push it so much, bro.
52:07 By the time that Spaghetti and Nate Balls came out,
52:10 they wanted that[ __] You know what I mean?
52:11 Like it had the visual but the energy, too.
52:14 like like
52:16 In use should have been the followup,
52:17 but I think I pushed that after I think spirit cooking was first, but like um
52:23 yeah, in use, bro.
52:24 Like once once people like were in tune with that[ __] like you said,
52:27 like like when you hear what I'm saying, bro,
52:29 like like that[ __] goes over people's heads
52:32 unless you really hear it because like that's
52:35 one of them songs like you know like them shits that like you hear you're like,
52:38 "Yo, how did this get played on the radio?" Like you know what I mean?
52:41 Like and then like when you really hear the lyrics, you're like,
52:45 "Wow, how does how the[ __] how did that fly?" You know what I mean?
52:48 Like Yeah.
52:49 So it's so good they'll make it work.
52:52 That's what I mean.
52:52 Like yo, like it's so smooth.
52:54 Like it's like you finessed it and like it went over everyone's heads and like
52:59 that like you know like like when Little John was saying like ski
53:01 ski on the radio and no one knew what the[ __] it meant.
53:04 Yeah.
53:04 Right.
53:04 Footage just flew.
53:05 And like I'm talking about doing coke in the bathroom
53:08 with some with some[ __] coco and like it flies.
53:12 You know what I mean?
53:13 You're right.
53:14 That's how[ __] going.
53:15 Like that[ __][ __] man.
53:17 That in use is something else.
53:19 Like I've It's so original.
53:21 It's just It's
53:22 Oh, yeah, man.
53:23 It's It's just so original.
53:25 That's what I can say about it.
53:26 It's standalone original rockstar[ __] Like that[ __] can be played
53:31 any[ __] way in any stadium,[ __] at any on any set.
53:36 I appreciate that.
53:37 Yeah.
53:38 Um Yeah.
53:40 Um I know you strapped.
53:41 What's up with that?
53:43 I know you strapped.
53:44 Um cuz I know Spirit Cooking is before
53:46 that, but I got I know you strapped before that.
53:50 Okay.
53:50 Um yeah, that's right.
53:52 But um I know you strapped that uh that was another one like
53:56 that was a beat that FE was bouncing around to a few people before whatever.
54:01 Like me included.
54:02 Like you know what I mean?
54:03 like when he was just shopping around beats like when
54:05 he's sending out packs or whatever and I heard that.
54:08 I always liked it.
54:08 I never thought I would do anything with it.
54:10 And then I did something on um uh I think I
54:14 think it was uh Quan the Bombs radio[ __] that he had.
54:19 Yeah.
54:18 The verse the 16 bar[ __] whatever.
54:21 Yeah, I know.
54:22 Yeah.
54:23 And I uh I I just did uh a free verse
54:26 to that and I just I never thought I was going to use it,
54:29 but then like I always like this this song by uh uh 36 Mafia and Little White.
54:36 It's called I Know You Strat,
54:38 which uh they got the hook and the idea from uh Pimp C's song I Know You Strat.
54:45 Rest in peace, Pimp C.
54:46 Yeah.
54:46 and they redid the hook and like uh DJ Paul made the beat
54:52 and um they did that song or whatever and like in the song
54:56 you know like white Lil White's like you know like you got to slow
54:59 this[ __] down and then they just do the same beat but slower.
55:03 Yeah.
55:03 And that's that's kind of what Fee did, like kind of like what Pig Sticker,
55:06 he had the same sample from uh the first half of the track.
55:10 And you know, I did I know you strap 2025 and I
55:14 switched the hook up a little like it's the same the same cadence,
55:18 same scheme and whatever and the same kind of bounce to it.
55:21 Just I just redid it and I told the story just like how
55:24 like each one of them had a story like you know what I mean?
55:26 like they were they were going after somebody like Pimpy
55:29 was going after somebody you know Lil White was going after
55:32 somebody in the song and I kind of you know I
55:34 told the true story myself you know what I'm saying so yeah man
55:39 yeah man[ __] [clears throat] that uh that damn you you miss it's
55:45 funny you listen to me little white man I lived in Nashville for like
55:49 maybe six seven years that's a good ass city my[ __] but uh
55:53 Lil White them they out from Memphis and[ __] like that to come through.
55:57 But man,
55:58 bro, 36 Mafia, bro.
55:59 Like I like Project Pat, all that Memphis.
56:02 Yo, that that Memphis sound, bro.
56:04 I listen to that[ __] like that.
56:06 That's some of my favorite hip-hop right there.
56:08 That[ __] hitting, boy.
56:09 __] out of Memphis, bro.
56:11 I love that[ __] bro.
56:12 I'm heavily influenced by that[ __] as well.
56:16 Yeah.
56:16 And and and[ __] like Lil White, them were grinders, man.
56:19 Like people sleep on that type[ __] little white[ __] came up.
56:22 His daddy gave him like 1,500 on income tax to get started and blew up.
56:28 He was a kid.
56:28 Like he was a kid when he got started.
56:30 But
56:31 yeah, I I started I grew up on on project Pat, you know what I mean?
56:34 Like before Little White.
56:34 But I just anything that that came out of the the hypnotized minds,
56:38 hypnotized camp posi, bro, I listen to, you know what I mean?
56:42 Yeah.
56:42 Copster, all that.
56:44 [cough and clears throat] Yep.
56:45 There's a lot of little tools with them, man.
56:47 like you know just doing from tour managing to[ __] DJing.
56:52 I just did a lot of[ __] Them boys
56:55 they some of the best man like um Knockk Knock now you know that's my[ __] man.
57:00 What's up with you and Element?
57:02 Y'all make some good ass music.
57:03 What's up?
57:04 Hey bro.
57:04 Yo Element that's that's my boy right there, bro.
57:08 That's that's bro.
57:10 Um I yo I got I I started linking up with Element.
57:15 Yo, we went out to uh cuz his I don't know if you knew,
57:18 but uh his his father is uh Planetary from Outer Space.
57:24 What?
57:24 Yeah.
57:24 Yeah.
57:24 Yeah.
57:24 And Army of the Pharaohs and all that.
57:26 Um so obviously, you know,
57:28 like I I grew I I grew up listening to that, you know, all that, bro.
57:32 But uh so I don't know what it was.
57:36 I think it was like right after I did
57:37 the album with uh with Gore the the War Trophies album
57:42 between that between that and um I don't know what it
57:46 was but um Planet had hit me up and you know
57:51 um we worked on something and then we did uh we put it on the first Vulgar.
57:55 It was called a full-time job and uh we loved how it turned out.
58:01 So I was like, "Yo, you want to do a video for it?" So we went out there.
58:05 It was uh me, fe um and uh a couple
58:12 of other kids and the dude who was doing the video.
58:14 We went out there to Philly and we shot the video
58:18 and the[ __] like yo the video never came out.
58:22 __] clown that we took.
58:24 He's a weirdo, bro.
58:24 He's a geeker and he kept he kept the footage so it was weird.
58:29 But anyways, while while I did that, my bad for laughing, man.
58:32 Go ahead.
58:33 Yeah, man.
58:33 But like yo, it's[ __] weird, bro.
58:35 Yeah.
58:35 Why would you keep the footage?
58:37 Yo, for real.
58:37 And like, yo, like yo, like
58:41 Yeah.
58:41 Yeah.
58:41 Just And then he disappeared.
58:42 It ain't like it ain't like we let him just
58:44 get away with some[ __] You know what I mean?
58:46 Just a clown, bro.
58:47 You know what I mean?
58:48 But like I guess it just wasn't supposed to work out.
58:50 You know what I mean?
58:51 No tough guy[ __] Like I'm just saying people are[ __] weirdos, bro.
58:54 This whole scenes.
58:56 But anyways, uh you can cut most of that.
58:59 Whatever.
58:59 But um so[ __] uh element, bro.
59:03 like we he's like, "Yo, I heard the[ __] that you did.
59:06 Like, you're nice, whatever." And we did something for his his album.
59:10 It was called Project Blue Book.
59:12 Project uh Yeah, Project Blue Book.
59:15 And um like that[ __] turned out crazy.
59:19 So, when we shot that video for with with me and Planet, yo, call him over.
59:24 Let's see.
59:25 You know what I mean?
59:25 And he pulled up and we did the video for that the same day, bro.
59:29 And then we ended up just doing another one for uh I I put him on the the album,
59:36 the first Vulgar uh Machine Gun Turrets Extra I think it's called.
59:40 And then I did a one with Boob for for uh for Elements album.
59:46 Um forgot the[ __] it was called, but all fever beats, bro.
59:51 So he just hit me up.
59:54 Um I got him on this[ __] I was like, "Yo, like I'm wrapping up the album.
59:57 I can hear you on this[ __] bro.
59:59 Like, I'm sending it right now.
1:00:01 He had that[ __] back in like 12 hours, bro.
1:00:03 With the hook, his verse, everything, bro.
1:00:06 So, we knocked that[ __] out.
1:00:08 That[ __] is one of my favorite joints on the[ __][ __] sounds crazy, bro.
1:00:13 Damn.
1:00:16 Yeah.
1:00:14 __] Yeah, man.
1:00:16 That knock like all of them, all these[ __] are like put in order the right way.
1:00:22 like the track list is it helps this.
1:00:26 Like that's why I say you got to ride out to this one.
1:00:28 Like it's Yeah.
1:00:29 Such a good album, man.
1:00:30 Like sonically, too.
1:00:32 Sonically is.
1:00:34 Thank you, bro.
1:00:34 Yeah.
1:00:35 See, like I said, I like I like doing that, bro.
1:00:37 I've done that for for a few other
1:00:39 artists that that you probably wouldn't even know,
1:00:40 but like I like putting[ __] together like that.
1:00:43 I like I like thinking of to put in for people,
1:00:46 but like like you said, like sequencing these albums and[ __] like that.
1:00:53 Like it's got to be like a vibe, bro.
1:00:55 Like it's just got to go.
1:00:57 Like I like beginning to end.
1:00:59 Like I like how it's supposed to sound like put you in a certain like element.
1:01:04 Like then I learned that[ __] from Purple Rain, bro.
1:01:07 like Prince like no matter no matter like what type of mood you're in
1:01:13 there's something on that album and it fits the whole way from be from let's
1:01:16 go crazy like you know what I mean like all the way down bro like
1:01:20 and I just I try to like do[ __] like that like
1:01:22 makes you want to it it excites me putting albums together.
1:01:27 Yeah.
1:01:27 Like man it's this track list is super crazy.
1:01:31 Um, okay.
1:01:34 __] Uh, we coming up on the commercial in a second,
1:01:36 so I'm gonna kind of get off.
1:01:37 I know I stopped that knocking.
1:01:39 We gonna go to because when I get the zips,
1:01:42 man, like I'm a fanboy to that[ __] That[ __] man.
1:01:47 That[ __] crazy.
1:01:48 Um, but yeah.
1:01:51 Uh, what you say?
1:01:57 thought,
1:02:00 but um this uh that project blue book.
1:02:08 I thought I thought that was dope, man.
1:02:10 What's What's up with What's up with that?
1:02:15 The project the joint with Element.
1:02:19 Yeah.
1:02:18 Yeah.
1:02:18 Um Yeah.
1:02:20 Like I said, when he heard when he heard
1:02:22 the joint that I did that I did with Planet,
1:02:25 you know what I mean?
1:02:25 He reached out.
1:02:26 I was You know what I I I I heard his[ __] I was like,
1:02:28 "Hell yeah, bro." Like, yo, like they're like him and his brothers, bro.
1:02:33 Um his brother uh King Charisma and Trustworthy, they're all young kids, bro.
1:02:38 So, like Project Blue Book,
1:02:40 like I couldn't believe what I was hearing from these kids, bro.
1:02:42 Like, they're their[ __] is like, so Project Blue Book, he sent me the joint.
1:02:48 He yo, Element made that beat, right?
1:02:50 Check this.
1:02:51 Son made the beat.
1:02:53 Obviously, you know, he writes his own[ __] but he made the beat.
1:02:55 He[ __] engineered that whole[ __] Um,
1:02:59 mixing and mastering and uh like yo like he he directed and edited the video.
1:03:06 Um, damn, his beats are crazy, bro.
1:03:10 But like so he did all like he did
1:03:12 all that[ __] and like when we did that video,
1:03:15 bro, like I think that was like the day after his like 20th or 21st birthday.
1:03:19 Like he's young, bro.
1:03:21 Like, and that kid like, damn.
1:03:24 He's yo, he's a freaking nature, bro.
1:03:26 I tell him all the time like, "Yo, you're my favorite artist, bro."
1:03:28 What the[ __]
1:03:30 True.
1:03:30 But yeah, man.
1:03:31 Like, right right then and there, bro.
1:03:33 Like, every time that like we get on a track together, bro,
1:03:35 like that he just sparks sparks something out of me
1:03:39 because that kid he he fries everything that he touches, bro.
1:03:44 Yeah.
1:03:44 that uh
1:03:46 another another uh another uh track that uh the Disciples of the Void.
1:03:52 That was one that I had pulled out with Boo Bronx.
1:03:56 Yep.
1:03:58 Um that Mud Shark, y'all did that.
1:04:01 Yep.
1:04:02 That's a Gortex beat.
1:04:03 Um Diples of the Void Speed made that beat.
1:04:08 Yeah.
1:04:08 See that?
1:04:09 That's That's what I'm saying.
1:04:11 Like all across the board, you just stay consistent.
1:04:13 Your sound is like somehow you know what to look for.
1:04:17 You know what to put vocals on.
1:04:18 You feel me?
1:04:19 Like speak to my [music] tree on a journey.
1:04:23 It usually ends with four Ns [music and singing] in a gurnie.
1:04:27 Two sheets in a two seat.
1:04:28 It'll be true creeps.
1:04:29 We don't do speech going scenes where [music] they shoot bleach.
1:04:33 It's too deep.
1:04:34 They crib bugging like chip Douglas.
1:04:36 Vuals and pictures on tree mind like [music] troop street.
1:04:39 Everybody that I know is a threat.
1:04:41 Follow targets like I carnap your mommy or your pet.
1:04:44 Cut the lights out in your lobby.
1:04:46 [music] Laugh and hide behind the plant.
1:04:48 Smoke you out.
1:04:48 We co out like like in the past.
1:04:51 Rock proud of glasses like Ronnie Piper with a glasses.
1:04:54 [music] Some BL acid and started dancing like Charles Manson.
1:04:58 Apartment thrash and Don M.
1:05:00 We cider red pregnant head.
1:05:02 Make a [music] shoot through a spider webs.
1:05:04 A urban legend only seen store cans.
1:05:06 We shoot back if they chase and dip out with the hamburger face.
1:05:09 Hamburger face.
1:05:10 Listen, [music]
1:05:22 I walk around with a frown on my face.
1:05:25 [music] I mean, like yo, like I say, man, I I told Fever in his[ __] inbox, man.
1:05:36 I'm like, man, do you hear what the[ __] I'm saying, fam?
1:05:39 I was [laughter] like, This[ __] is it, bro.
1:05:43 Like, so, uh, Zips, man.
1:05:46 Like, that's what I'mma go to.
1:05:47 Uh, Sean Brown, Booby Bronx, Reno RX.
1:05:52 Yeah, man.
1:05:53 Um, that one.
1:05:55 Yo, Fee Fever said like that was one of he said not one of his first beats,
1:05:59 but um think he said that yo, that beat is like stupid old, bro.
1:06:04 Like like really really really[ __] old.
1:06:08 And I remember he sent me that video.
1:06:10 That might be one of the first beats he ever sent me years ago.
1:06:13 And he said that that[ __] was old then, bro.
1:06:16 Like it was like five, six, six years ago,
1:06:19 something like that when he sent that to me.
1:06:21 And he said that that[ __] was like old, bro.
1:06:25 But I love that[ __] beat.
1:06:27 And I[ __] um I always kept that around.
1:06:30 I didn't know what I wanted to do with it.
1:06:32 Yo, this dude used to send me beats probably I don't know.
1:06:39 Like, yo, he'd send me packs.
1:06:41 Like, how people get packs to[ __] choose through and like you could like
1:06:46 you could make like four[ __] albums out of a pack, bro.
1:06:48 He sent me packs, multiple packs a day,
1:06:52 like pretty much every[ __] day while we were putting together Vulgar.
1:06:56 Like, for like the first couple years before Vulgar even dropped, bro.
1:06:59 Like, I couldn't keep up.
1:07:01 There's so many[ __] shits that got lost in translation,
1:07:04 bro, and[ __] like that.
1:07:05 So, I got all these beats lying around.
1:07:07 I played that song uh over at at uh the studio
1:07:12 with Sean Brown probably like a year a year almost two from now,
1:07:18 almost two years ago.
1:07:20 And me and him, we we wrote to that[ __] and we
1:07:24 recorded that joint was just going to be uh me and him.
1:07:29 But uh I think like uh we did our verses on it and like we didn't know what
1:07:35 the[ __] we were doing cuz we didn't know how
1:07:37 to like we were just[ __] around with Pro Tools.
1:07:39 Nobody was there to record us.
1:07:40 It was just me and him.
1:07:42 So like um you know like when he came in and he heard it,
1:07:48 he said that that's a keeper.
1:07:49 I sent it over to uh Reno and Reno like yo like
1:07:53 we were listening to it like 3:30 in the morning one time, bro.
1:07:56 He said, "Yo, send like send that over to to Reno." Reno Reno was up, bro.
1:08:01 And he he wrote and recorded that[ __] I'm telling you,
1:08:03 within like 12 minutes, bro.
1:08:06 Sent that[ __] back.
1:08:07 And we sat on that[ __] And actually, um I'm fronting.
1:08:13 So, like I that was supposed to go on Mly
1:08:16 Coupones because I never did nothing with it for vulgar.
1:08:20 So, um, I first brought it back for Mly Kofones and Boob did his verse.
1:08:28 I lost the verse.
1:08:29 I I had him send it over like three, four[ __] times.
1:08:33 And then I ended up just recording my verse at Boob[ __] and um,
1:08:37 we never did nothing with it.
1:08:38 I didn't I hated my verse.
1:08:40 So then when I found the beat again, like that's when uh,
1:08:44 Daddy put his verse on it and all that.
1:08:46 So then I I still had I still had Boo's verse
1:08:50 and I wanted to make sure Booby got on the album.
1:08:52 So um he was supposed to get on another track,
1:08:56 but we ended up not using that beat.
1:08:58 So I still had his verse.
1:09:00 I'm like, "Fuck that, bro." Like, and I wanted Reno on it.
1:09:03 I want to make sure that Reno got on it.
1:09:04 So, and so so Daddy came over,
1:09:08 re-recorded his verse at at uh at the Noisy Headquarters and he
1:09:13 recorded a couple verses for this other joint that didn't make the album.
1:09:16 I think that's going to go on his[ __] he says.
1:09:18 But um so we we redid our verses.
1:09:22 I I kind of like touched mine up.
1:09:24 So we did that.
1:09:26 Uh we mixed down Boob[ __] so it sounded right.
1:09:29 And uh Reno sent his verse over again.
1:09:33 That was it, bro.
1:09:34 And just[ __] knock that[ __] out.
1:09:36 That[ __] is that that's that's a good that's a good posi cut right there.
1:09:40 I try to do one posi cut, bro.
1:09:42 Like on every project like we did like Wrong Way for uh Mly Crew, you know?
1:09:49 I I uh I try to I try to get one
1:09:52 of those in if we can if it's if it if it works.
1:09:54 I don't just do Posi cuts just to do it.
1:09:56 You know what I mean?
1:09:57 I don't want
1:09:58 people on the song just to say I did a song with them and[ __] you if you look
1:10:01 at the history of who I do my collabs
1:10:04 with on my[ __] it's pretty much the same handful of people.
1:10:07 You know what I mean?
1:10:08 Yeah.
1:10:08 Right.
1:10:08 Right.
1:10:09 Right.
1:10:09 Like Yeah.
1:10:10 And and and Yeah.
1:10:11 And everybody fit like they fit like they really fit the part.
1:10:17 Like I I really like the way you select everything especi for all your projects,
1:10:22 not even just this one.
1:10:24 Um that Tiffany Darwish interlude where did that whole concept come from?
1:10:30 Tiffany D like
1:10:33 um[ __] that track I think um that was another one like I said that was
1:10:39 from the first Vulgar and like that song
1:10:44 right there like I you could hear it bro.
1:10:47 I'm[ __] blacked out, drunk.
1:10:49 I'm[ __] high as[ __] I'm[ __] up.
1:10:51 [laughter] And like I we like it was unusable, bro.
1:10:55 Like we we didn't know what we were doing then.
1:10:57 Like yo, fe like we were just kind of like recording just because we were like,
1:11:01 yo, like we can get someone to[ __] mix it, bro.
1:11:03 Like[ __] it.
1:11:04 So we did all these songs
1:11:06 and that was just we thought it was just unusable, bro.
1:11:09 And then
1:11:10 he ended up giving that beat to somebody else who
1:11:12 was supposed to be on that song for the album.
1:11:15 And like you know it was cool like it was cool like that but like
1:11:20 like like we were just saying like yo like I don't want to just do songs
1:11:23 to do them bro like everything that everything that I do now bro like I'm
1:11:27 not here just to do it bro like that[ __] has to count for something like
1:11:30 I'm not trying to waste waste no time or like I don't need to do songs just
1:11:34 to do songs but you know the the artist
1:11:36 that was on that song like me and FE came
1:11:40 to a to an agreement like yo like you know
1:11:44 just let's just cut it and uh and just use
1:11:47 it as another interlude since we got sicko[ __] and it's
1:11:51 only right cuz they were from the same time frame.
1:11:53 So we just cut it and then the Tiffany Darwish[ __] cuz I said you know uh
1:11:59 the trunk rap Tiffany Darwish with some white
1:12:01 girl whatever and like I just kind of like
1:12:08 as as he was sending like he was mixing it sending it to me and like with a new
1:12:12 mix on it whatever and I kept on just
1:12:14 playing like I remembered that verse or whatever.
1:12:17 I'm like, "Yo, put that in there from the songs." That That's the girl's name.
1:12:20 Tiffany, remember that song?
1:12:22 I think we're alone now.
1:12:24 So, I just kept hearing it like, "Yo,
1:12:27 slow it down a little bit." You know what I mean?
1:12:28 So,[ __] he slowed it down, you know what I mean?
1:12:31 Then just put a track on it and that[ __] worked.
1:12:33 Like, it wasn't supposed to work.
1:12:35 So, he's like, "Yo, look what I did." He sent it back.
1:12:37 Boom.
1:12:38 That's what we called it.
1:12:39 And Gary, um, Gary Hman, he he's he's uh noisy, too.
1:12:44 He he made the the cover like like
1:12:46 the actual artwork from Tiffany is like the same style,
1:12:50 the same font and all that[ __] but Gary made
1:12:52 her with like her nose falling off and all this crazy[ __] Yeah, bro.
1:12:56 So,
1:12:59 yeah.
1:12:59 So, we we did that.
1:13:01 That was it, man.
1:13:02 Just kept the interlude on there and[ __] boom.
1:13:07 Um, we got Something awful on there.
1:13:11 Yes.
1:13:10 Kind of a different track.
1:13:11 Yeah.
1:13:13 Yes.
1:13:13 It's a very different track, bro.
1:13:16 Yeah.
1:13:16 Yeah.
1:13:16 I like that one.
1:13:17 I I didn't know if I liked it at first.
1:13:21 Well, by the time you get to that part of the album, you're ready for it.
1:13:25 You could take it.
1:13:26 You know what I'm saying?
1:13:27 Like you ready for that?
1:13:29 Yeah.
1:13:29 Yeah.
1:13:29 That's I like I like that.
1:13:30 I'll take that.
1:13:33 Yeah.
1:13:33 Yeah.
1:13:33 That was different.
1:13:34 I did that one.
1:13:35 Um that was a beat like yo, I didn't know what I wanted to do with that beat.
1:13:39 I think like yo had plans for it.
1:13:43 You know what I mean?
1:13:43 Like I that was when I was like, "Okay,
1:13:46 um maybe I could send that one to Element or like I had
1:13:50 a couple other people in mind that I wanted to send it out
1:13:52 to." And then but I didn't know like like I didn't have a verse
1:13:56 for it to like show people like what I wanted to do with it.
1:13:58 And then I had someone in mind but then like when I recorded the verse Yeah.
1:14:03 it just didn't I because I I had to re-record it.
1:14:06 So, like when I first recorded it,
1:14:08 it was just the verse and the hook was a little bit different.
1:14:10 So, um I I like the way I delivered it was different and it just sounded stupid.
1:14:16 It sounded corny and I didn't like it.
1:14:18 And then um it wasn't something that I even wanted
1:14:23 to send out to to to whoever I had in mind.
1:14:27 Whoa.
1:14:27 And be like, "Yeah, I want you on this." Yeah.
1:14:28 Like it just didn't sound right.
1:14:30 It didn't sound like something that like I wanted them to hear and be like, "Oh,
1:14:33 this album's going to be whack." because the way
1:14:35 that it sounded I didn't want them to like get that.
1:14:37 It just wasn't it wasn't ready.
1:14:39 So when I flew back that was I think that was uh that was like
1:14:46 one of the last joints that I had to record that one and the element one.
1:14:50 But um I decided I think we decided that we
1:14:54 weren't going to try to get anyone else on it.
1:14:56 We're already stacked with collabs.
1:14:58 We're cutting songs off and I'm like yo like let me
1:15:01 at least try to record this and see if this the one.
1:15:03 So, I wrote a second verse to it.
1:15:05 Um, and like I kind of like made my like I just spit it with like,
1:15:10 you know, like a different delivery.
1:15:11 So like my voice sounds a little different on it
1:15:13 and I played with the hook a little bit
1:15:15 and um yeah like they liked how it turned out
1:15:20 and it took me a minute to like to like kind
1:15:23 of like it but you mean like like yo
1:15:26 like there's there's tracks on there that FE didn't like
1:15:30 at all and like now like they're like some
1:15:31 of his favorite joints and that's how it is with something awful.
1:15:34 I love that[ __] song now.
1:15:35 I didn't I I hated that song at first.
1:15:38 If man it I'm telling you all of your so
1:15:40 like this album is the one everything sits
1:15:43 with you because everything's put in place and then
1:15:46 with 18 songs you know you in for a ride so
1:15:49 like the ride is worth it like it's a journey
1:15:51 man look the other night I um what I
1:15:55 wrote out to the album did six grams of mushrooms
1:16:01 and just riding out to that[ __] Oh my god.
1:16:04 You ate six.
1:16:05 You ate six grands.
1:16:07 It just rolled out, man.
1:16:08 Rolled out, man.
1:16:09 That's the way to hear the album.
1:16:10 That's That's the way to listen to it right there, man.
1:16:12 Dog, you talking about, man, next day,
1:16:15 that[ __] probably played like maybe three times in a row, right?
1:16:19 And then I said, "Man, this dude official, fam." Like, he official, you know,
1:16:24 because I like the buildup like cuz I I reached out to you and you know,
1:16:29 and because I normally like people don't hit me up for the show.
1:16:33 I I I like to reach out to people.
1:16:34 Sometimes they hit me up and be like, "Hey,
1:16:36 can I come on?" But most of the time I'm trying
1:16:38 to find that[ __] that I like or that I'm listening to.
1:16:41 You know what I'm saying?
1:16:42 I've been listening to your[ __] for finish.
1:16:44 So like I said, let me vibe out this[ __] Let me study him.
1:16:47 Like cuz I listen to his music, but let me get into his whole bag.
1:16:51 Man, by the time this rooms hit,[ __] I'm sitting there like, "Yo,
1:16:56 I already got my[ __] rolled up and[ __] I'm just in that world." I'm like,
1:16:59 "Yo, this dude is classic, fam." I'm like, [snorts]
1:17:03 that's the way to hear it, bro.
1:17:05 But this album is, this album right here though,
1:17:08 you can ride like that though because it's going
1:17:10 to take you on a journey whether you tripping or not.
1:17:12 But like I just so happened to like deep dive.
1:17:15 I'm like, man, this[ __] something different.
1:17:17 Like um another toothpick [laughter] that is that whole album.
1:17:24 Like, yo, funny thing is that was the first
1:17:28 that was the first track that we record.
1:17:32 Oh, no, no, no, no.
1:17:33 We the first tracks that we recorded were Spirit Cooking and uh MTV Cribs cuz I
1:17:41 had the uh the verses from Gore and I was I was home and I was like,
1:17:45 "Yo, like let's start like let's start right
1:17:47 now." But like I had to catch a flight
1:17:49 in the morning and we were kind of like getting back to it, me and Fe.
1:17:53 So we we bang those out.
1:17:55 But like the first when I was like, "Yo, I'm ready.
1:17:57 I'm coming home in a couple weeks and I'm loaded,
1:17:58 bro." That was one of the first of like, you know, like the 20some songs, bro.
1:18:04 And uh like I said, bro, like he he was not enthused, man.
1:18:09 He was kind of disappointed.
1:18:10 Like I could tell like, yo, he wasn't feeling it cuz that was another beat
1:18:13 that he that like if it were up to him,
1:18:16 he wouldn't have[ __] chose to put on the album.
1:18:18 He was like, "How the[ __] do you still even have that?" Like he didn't.
1:18:21 [laughter] and and uh he crazy
1:18:26 that one and the original uh the original bandana PB like those were like
1:18:31 the first he's like all right so like we bang that track out the another
1:18:36 the toothpick and I originally like I had that in my head for the intro
1:18:40 bro like just because the way like it creeps up and everything the instrumental
1:18:44 I wanted that to be track one bro so that's that's what I had in mind before
1:18:50 way before we started like forming these other songs.
1:18:52 I was like, and he was like, "Oh, really?" Like,
1:18:55 he didn't even want to record the[ __] He wasn't involved.
1:18:58 He wasn't enthused.
1:18:58 [laughter] And then like when I was doing the hook,
1:19:01 he he started to hear what I said.
1:19:02 He's like, "Wow." Like when he like, you know,
1:19:03 like uh the cruise ship line and like started[ __] around with the hook.
1:19:07 Yo, like there's, you know, like I I I hate doing ad libs.
1:19:11 So like I like I was I went like way too extra on the ad libs.
1:19:15 I was like, "Go crazy." And like sounded mad dumb, bro.
1:19:20 So like quote that[ __] so we quote the[ __] out of that[ __] make fun of it
1:19:24 all the time [laughter] but like it's hilarious
1:19:26 like yo it's just memories bro but like um
1:19:30 but no so like he hated that and then like after that I did the other one he's
1:19:34 like yo like he hated all the beats I
1:19:36 was choosing but then we started really getting into it.
1:19:39 It's perfect for an outro[ __] uh another two pick,
1:19:44 you know, just like another one gone, whatever.
1:19:47 __] and then, you know, like now, you know, I love that song, bro.
1:19:52 But it's just a lot of sleepers on the album, man.
1:19:55 Like, you know, like when you really hear
1:19:57 it and then like when you hear it again,
1:19:59 like you have to process that[ __] A lot of my favorite albums,
1:20:02 any genre, like I I I kind of wasn't even feeling at first
1:20:06 and then like they have to grow on you and[ __] Like, well, like
1:20:11 you have some some type of That's why I said the cult
1:20:14 following thing like you have some artists who are they're good.
1:20:18 They underground.
1:20:19 They straight.
1:20:20 Then you got some people who are just diabolical superstars.
1:20:24 They do this[ __] They stand alone on their own planet.
1:20:28 And that's what you are, man.
1:20:29 Like dead serious.
1:20:30 That's why I'm happy to get you on the show.
1:20:32 Like, you have no idea like the[ __] crazy.
1:20:35 Should I download Zoom?
1:20:36 And I didn't give a[ __] how I got you on the show.
1:20:38 I was like, man, this[ __] got to get on the[ __] show, man.
1:20:41 Like, he bucking.
1:20:42 Like, I didn't give what I[ __] I just I didn't know what to expect, bro.
1:20:46 You know, because I don't really[ __] with like I don't like I don't really like
1:20:48 doing interviews and[ __] just because like a lot
1:20:50 of the questions are kind of like stupid __] dumbass[ __] Yeah.
1:20:55 like and like you know like you you could
1:20:56 tell like I'm not saying like anyone has to be
1:20:59 like a[ __] die hard fan or whatever like
1:21:01 if you listen to the album cool but like
1:21:04 they're like cookie cutter answers and[ __] and like
1:21:07 sometimes like you know like you never really know
1:21:09 if someone's really out for your best interest
1:21:10 in an interview so I just try to like you know
1:21:13 facts facts facts you know you know what I mean
1:21:15 that's why I pre-record I don't do live[ __] like I ain't with that[ __] man.
1:21:19 Yeah.
1:21:20 Yeah.
1:21:20 Cuz like you know and like you know you got to really watch what you say.
1:21:22 Like if I get too excited and then like realize like
1:21:25 you know[ __] are out for your best interest
1:21:27 you know like that's out in the world now.
1:21:28 You look foolish.
1:21:29 Yeah.
1:21:30 So you know like but like I know like yo like you you know
1:21:33 like you listen you support you you
1:21:35 know what the[ __] you're talking about anyways.
1:21:37 Like not even just with my[ __] Like I like
1:21:40 so like I like I'm you know I was you know
1:21:43 it's you know it's an honor to be on your[ __] bro.
1:21:45 Anything bro.
1:21:47 I appreciate it man.
1:21:48 Yeah.
1:21:48 like as far as like like the cult following like
1:21:51 [clears throat] I I know what you mean as far
1:21:53 as like you know like there's just people like it's it's
1:21:57 it's for everybody I guess but it's not for everybody like
1:22:00 if you get it you get it and there's people
1:22:02 who like they hang by that[ __] like they'll hang
1:22:04 on every word you say and that's cool with me man
1:22:07 like like I'm really nobody like if they like you know
1:22:12 I put your music in the category of like you know if we
1:22:15 was back in the day like back in my day I I just say
1:22:18 like in the good swing of like you would you would have like
1:22:22 if it was the day of the record companies you would have been signed
1:22:27 like oh yeah I'm being honest like[ __] hands down like it
1:22:30 this[ __] would be like a phenomenon at this point I'm
1:22:33 dead serious just because of in use just your[ __]
1:22:37 video spaghetti at eightballs who got a better video than that
1:22:42 like really like I'm just being honest and I'm not
1:22:44 judging like yo shout out to my[ __] Gustavo Louise Man,
1:22:47 that[ __] do videos to every song.
1:22:50 He hard as[ __] But I've never seen
1:22:52 a video that[ __] good that matched the song.
1:22:56 And like it took me somewhere.
1:22:59 I was like, "Yo, this dude different." Like he really owning something.
1:23:03 I told Fee that too.
1:23:04 I I I hit him up and I said, "Man, listen."
1:23:07 I gave him my favorite albums and because of this album,
1:23:10 I didn't do a album rating show.
1:23:12 I'm not rating nobody's[ __] I'mma shut the[ __] up because I'mma hurt feelings.
1:23:16 Damn, man.
1:23:17 I appreciate that, bro.
1:23:18 For real.
1:23:19 This album right here made me not rape nobody's[ __]
1:23:23 This[ __] was it it I'm telling you right now, bro.
1:23:26 Like, the album the whole album, the whole process of it.
1:23:29 Like I said, it all happened so spontaneous but so organic at the same time.
1:23:35 And it happened so fast, bro.
1:23:37 Like I we could never capture that energy again if we tried, bro.
1:23:40 man.
1:23:41 Like I couldn't like like I'm saying like yo if we lost the session
1:23:45 on one of these songs and it's like yo I got to re-record it.
1:23:48 It'd be like no bro.
1:23:50 Like it's a wrap for that.
1:23:51 Like you just couldn't do it again.
1:23:52 Like like none of that bro.
1:23:54 This[ __] got I like I love I love I love this album.
1:23:58 I'm proud of this[ __] right here.
1:24:00 Yeah man.
1:24:00 I am too man.
1:24:02 Like ladies and gentlemen, y'all got to get this album.
1:24:04 Like y'all got to get on it.
1:24:06 I'm gonna be playing it wherever the[ __] I'm at on the time
1:24:09 like until this[ __] drop another album like[ __] we rocking out bro.
1:24:14 I got a couple joints coming up right now.
1:24:16 Me and Fever are always working.
1:24:18 You know what I mean?
1:24:19 Um we got a couple projects.
1:24:21 Me and Fe I'm coming out with something with Element.
1:24:24 Uh I think ne next up I think uh um I got a I got
1:24:30 a project I got a record coming out with uh fully produced by Eto.
1:24:35 Um, working with Gortex again.
1:24:37 Obviously, I'm super covering to the death.
1:24:40 What about February 7th?
1:24:41 You got something with him.
1:24:42 Uh, Eto on February 7 though, right?
1:24:45 Oh, yeah.
1:24:46 Uh, Eto and Friends, uh, in in Los Angeles.
1:24:49 Eto, nice the Future.
1:24:51 Uh, Big Twins and a few others uh, I think from from LA, but like it's all
1:24:58 it's um, out in out in LA.
1:25:02 I'm going out rocking with the guys.
1:25:04 Um, I think I might, you know, I mean, something I might rock a joint and uh,
1:25:10 it's my first time in Cali, so I'm just going out, you know what I mean?
1:25:14 Like in support, bro.
1:25:15 Like, you know what I mean?
1:25:16 We're we're new cracker, bro.
1:25:17 It's Cole Summers.
1:25:18 So,
1:25:21 yeah.
1:25:20 I got some lined up coming up.
1:25:22 So, going out there just staying active, you know what I mean?
1:25:27 Damn.
1:25:27 But, uh, what' you say?
1:25:29 New crack era.
1:25:32 Um, new crack era.
1:25:33 Yeah.
1:25:33 Yo, I love that[ __] [laughter] my[ __]
1:25:37 Yeah, man.
1:25:38 New crack air right there.
1:25:39 That's e[ __] That's that's I mean that's that's EJ[ __] right there.
1:25:44 __] for sure.
1:25:45 Crack air.
1:25:46 Uh yeah, man.
1:25:47 The album.
1:25:48 We got the album title, you know.
1:25:49 I mean, we'll drop that soon.
1:25:51 Soon as some things are ready.
1:25:52 But I'm working, bro.
1:25:54 I got I got a lot of things going, man.
1:25:57 I'm staying busy.
1:25:58 Yeah, man.
1:25:59 like
1:26:00 what's your favorite what's your favorite uh track from the album
1:26:05 from another crowd killing?
1:26:09 Yeah.
1:26:11 Um I think my favorite track I really like in Use bro.
1:26:16 But um I would say Inuse or uh Yeah.
1:26:23 Yeah.
1:26:23 I would
1:26:25 in use or or uh sicko[ __] Yeah.
1:26:30 I don't know.
1:26:31 Yeah, it's hard, bro.
1:26:33 It's hard.
1:26:34 It'll change every time.
1:26:35 I I really like Knock Knock.
1:26:37 That's what I That's what I was saying.
1:26:38 Yeah, Knock Knock is like
1:26:42 It's It's Yeah, like you can go straight to Knock and just play that.
1:26:45 Like if somebody say like, "Who is this?
1:26:47 Who is this Bliss from Touch Sky you talking about?" I go there.
1:26:50 Yeah.
1:26:50 And that's the one right there.
1:26:52 I owe all that[ __] to Fever and and Element, bro.
1:26:55 That hook, everything.
1:26:56 Like, but um we uh I like that one a lot.
1:27:01 It'll change every time.
1:27:02 Like a lot of them tracks, like I say, bro, like in in in a good way.
1:27:05 Like I'm not saying this in a spiteful way at all,
1:27:07 but like them shits are sleepers.
1:27:08 Like once you like really like realize what the[ __] that me and Fee did, bro.
1:27:13 When you really like soak that in, every track is a[ __] banger, bro.
1:27:19 Like I'm like, you know what I mean?
1:27:21 We got to get that on vinyl, bro.
1:27:22 But Oh, yes.
1:27:23 Definitely.
1:27:24 That[ __] got to come on vinyl.
1:27:26 Hell yeah.
1:27:27 __] need to start stop hating and start paying, bro.
1:27:32 You know what I mean?
1:27:32 We just keep it moving, bro.
1:27:34 Like, like, yo, like I'm telling you right now,
1:27:37 like, Fee and Chup are are working heavy right now.
1:27:41 2026.
1:27:42 Everyone around me, man, is is is working, bro.
1:27:44 So, like I'm just I'm trying to focus on a couple things
1:27:47 at a time and I'm writing for this and this and that over here.
1:27:51 I got a lot I got a lot done already, bro.
1:27:54 Like I'm just trying to just keep it moving, man.
1:27:56 And I just I don't know.
1:27:59 Like I I'm I'm on go right now.
1:28:02 So, I'm just trying to capture it before I[ __] burn out, right?
1:28:07 Man, ain't no way you gonna[ __] burn out,[ __] Like, your[ __]
1:28:11 I'll never burn out.
1:28:11 You know what I mean?
1:28:12 I mean like sometimes like like I I just don't want to get in a low like
1:28:16 you know like I I've never I've never
1:28:18 had like had to experience writer's block but like
1:28:21 at at the same time bro like I don't
1:28:23 think I've ever had to do writers block because
1:28:25 there was a lot of times where I just
1:28:26 like pissed a year away like not even caring
1:28:30 about music like not trying to write but I
1:28:32 can't but like I was out here just[ __]
1:28:34 around getting into trouble or you know like partying
1:28:38 too hard or whatever the[ __] I was doing.
1:28:40 You know what I mean?
1:28:41 Like you think you exhaust too much energy like after making a good ass
1:28:44 album cuz like all of your albums are like top tier ass album.
1:28:48 Some Mly Crew phones that actually man that Mly Crew
1:28:52 phones is like bro like you know what that is too.
1:28:55 That's I love that album man.
1:28:58 You know what I'm saying?
1:28:58 It's like that[ __] right there that[ __] right there is
1:29:03 that like that's what make a[ __] a fan of yours.
1:29:05 You know what I'm saying?
1:29:06 Like it's like you know what I'm saying?
1:29:08 So, like that's another one.
1:29:11 Like I said, there was a certain point in time like
1:29:13 you can't you can't create that again or like me and Boo,
1:29:17 we just like naturally we just organically just put that[ __] together.
1:29:21 __] worked.
1:29:22 That[ __] like a 80 just each album is like
1:29:25 a[ __] 80s horror movie slash you know what I'm saying?
1:29:30 Like
1:29:31 hell [laughter] yeah.
1:29:31 Yep.
1:29:32 Yeah, bro.
1:29:33 It's a[ __] trip.
1:29:34 Yeah.
1:29:34 A trip.
1:29:35 A real good trip.
1:29:36 A good 80s trip.
1:29:38 Yeah.
1:29:39 Um, yeah.
1:29:40 Thank you both.
1:29:41 Yeah.
1:29:42 __] acid trip.
1:29:43 Not acid trip, not mushroom.
1:29:45 I'm talking about acid trip.
1:29:47 Yeah, that[ __] It's something, bro.
1:29:48 You know what I mean?
1:29:48 It takes you somewhere else for sure.
1:29:50 Yeah, definitely.
1:29:52 You know, like uh but that's the thing like you said,
1:29:55 like, you know, like I could like yo,
1:29:57 like if I really wanted to, I could just spew out words
1:30:01 that[ __] rhyme or say the same thing a hundred times, bro.
1:30:04 Like I feel like I say that[ __] anyways.
1:30:06 Like sometimes I I feel like I'm talking about
1:30:08 a bathroom stall too much or some[ __] like you
1:30:10 know but like but like you know I'm not trying
1:30:14 to just come out all this[ __] fast food bro.
1:30:17 Like this[ __] is disposable.
1:30:19 Like you got artists coming out with[ __] 10 even 20 albums a[ __] a year.
1:30:25 Like bro like you just dropped the EP and then you're dropping another one.
1:30:30 Like granted like their roll out is great every time,
1:30:33 but like yo like by the time like people like can really like digest the album.
1:30:38 You already focusing because no one's got an attention span anymore.
1:30:41 I'm making four minute song.
1:30:42 I try not to make four-minute songs but like
1:30:44 if I think it sounds good, it sounds good.
1:30:46 But like these kids attention span is like under two
1:30:49 minutes now and they want five tracks on an album.
1:30:52 Yeah.
1:30:52 You know, barely have a hook or whatever and like
1:30:54 repetitive[ __] like I can it like now that I got
1:31:00 the means and like the energy and like the right focus
1:31:04 and like the drive like I'm not I have nothing blocking me.
1:31:07 I'm not[ __] off and like getting I'm not
1:31:09 doing anything I'm not I shouldn't be doing anymore, right?
1:31:11 But like, you know, so I'm going to say like, you know, you know,
1:31:16 back in the day, like you would have to wait a year or two years for
1:31:19 for another album,
1:31:20 like for an album, for a band especially, like yo, like
1:31:24 yo, and and and they took their[ __] time with it.
1:31:26 You don't just slap something together because you can[ __]
1:31:29 record off your phone these days or your computer, whatever.
1:31:31 Like, you had to like actually like get together,
1:31:34 go somewhere, do[ __] on certain time, and have a deadline.
1:31:38 and then the roll out all that[ __] That that[ __] would take years, bro.
1:31:41 Now, if it's not at someone's, you know,
1:31:44 at their fingertips and it's like, oh, cool.
1:31:47 They'll skim the album and then they want the next[ __]
1:31:50 So, yeah, luckily me being being,
1:31:53 you know,[ __] off and everything like I could I could
1:31:56 say like that I did that on purpose, but I didn't.
1:31:58 But like everything that I do that I put out has substance, bro.
1:32:03 Like I'm not just putting out anything.
1:32:04 Thanks.
1:32:05 But
1:32:06 so now, but like now,
1:32:08 you know, like I got[ __] ready now.
1:32:10 You know what I mean?
1:32:10 Like I'm not waiting on[ __] Like I got[ __] ready.
1:32:14 It's all about timing, bro.
1:32:16 Never rush the process.
1:32:17 That's one thing that I had to learn, bro.
1:32:19 Yeah.
1:32:19 That's how you get an album.
1:32:21 Always make it count.
1:32:23 Yeah.
1:32:23 That's how your albums come out like that then because I
1:32:25 mean like I was saying like after you do an album Yeah.
1:32:28 They sort of probably exhaust a lot of energy because when you make albums,
1:32:31 you have to sit down and let people like catch up to it.
1:32:35 That is my only problem.
1:32:36 After the mixtape era, people drops too much music and it's like I
1:32:42 they dropping like 10 albums a year and I'm like,
1:32:44 "Hold up, I got to pick one that I like.
1:32:46 I can't like
1:32:47 That's what I'm saying.
1:32:47 Then you're doing like Yeah.
1:32:50 Even if you do listen to everyone, like yo,
1:32:53 like by the time that you drop something like nobody cares,
1:32:56 you know what I'm saying?
1:32:57 Yeah.
1:32:57 Like it's it's I'd rather this album like this 18 songs I can
1:33:02 listen to it and this[ __] going to take me all throughout the time.
1:33:06 Like I'm going to play this[ __] until it's in my soul.
1:33:09 You know what I'm saying?
1:33:10 And then you drop
1:33:11 you know what I'm saying?
1:33:12 Like and then you when you drop another one I'll be ready for it.
1:33:15 You know cuz I see how this Exactly, bro.
1:33:17 Like
1:33:18 Yeah.
1:33:18 Yeah.
1:33:18 And but like you know it's all about the roll out.
1:33:20 Like like I said if you overdo it people aren't going to care.
1:33:24 But also, if if if you're not consistent, they're definitely not going to care.
1:33:29 Why should they care if they feel like
1:33:31 if you look like that you don't care yourself?
1:33:33 You know what I mean?
1:33:34 By not dropping it off.
1:33:35 So, it's all it's all give and take, bro.
1:33:38 Like at the same time like um like I'm not going to I
1:33:43 I feel like I I had to like when we're cutting tracks and everything,
1:33:48 we were aiming for like 12 like 12 like between 11 12 13 songs,
1:33:54 but I haven't dropped in in a couple years, bro.
1:33:56 So I felt like I had to to give y'all,
1:33:59 you know, of like a old like an an LP, bro.
1:34:04 But, you know, like I I can't fit all them songs on a[ __] uh on a vinyl,
1:34:09 you know what I mean?
1:34:09 If it gets pressed, right?
1:34:11 So, you know what I mean?
1:34:12 Like, that's that's another reason why I probably didn't get picked up.
1:34:15 Like, there's too many[ __] songs, but you can't That's it's different.
1:34:19 It's not like a 80minute disc, you know?
1:34:21 It's like you got like 45 to 55 minutes you could put on vinyl.
1:34:25 But I like it.
1:34:26 I like it.
1:34:27 Uh I mean,
1:34:28 I love it.
1:34:28 It's like that because it's like um and even with your other projects,
1:34:32 they all together like they all like go I you know a lot
1:34:37 of people with a lot of people you'll say I see growth.
1:34:41 No, I think you've been that dope.
1:34:43 Um I I it's differences,
1:34:46 different looks and different perspectives because you dope already.
1:34:50 Like you know what I'm saying?
1:34:51 But you gave different perspectives cuz
1:34:53 those last you're your from from the last time it don't seem like it skipped
1:34:59 because I'm still listening to record good records.
1:35:03 You know what I'm saying?
1:35:03 Like so it don't seem like it's been that long to me
1:35:07 because you can still listen to it.
1:35:09 You know what I mean?
1:35:09 It doesn't feel like a couple years have like Yeah.
1:35:12 Exactly, bro.
1:35:13 Thank you.
1:35:14 like you know and then you you got uh
1:35:18 other artists who you know if it works for them
1:35:20 like you know if they got a fan base
1:35:21 that's fine but like you know like that's great like they gonna burn
1:35:26 they got if if it works for good roll out and they got a fan base
1:35:31 I mean there's artists out there like come on man like you know damn well like
1:35:36 not everything that they drop is hot but they have a fan base who's going to eat
1:35:40 that[ __] up and if they eat that up
1:35:42 like that's all that matters I'm sure like Yeah,
1:35:44 I mean that's where it is.
1:35:45 That's where the money is at, bro.
1:35:47 But like until I get there,
1:35:49 like I'm still I still gota like everything means something to me.
1:35:53 I can only speak for myself.
1:35:54 I'm not going to put out something that I if I have to question it, bro.
1:35:58 And like it's not something that I think can fix it or whatever,
1:36:01 like there's no point in putting it out.
1:36:03 Yeah.
1:36:04 Yeah.
1:36:04 I feel like I'm not I'm not here to sit at that[ __] cool kids table.
1:36:09 [laughter] I'm I'm here to to do what I do.
1:36:13 I met a lot of great people along the way for this[ __] but like, you know.
1:36:17 Yeah, man.
1:36:21 Yeah, man.
1:36:21 I mean, you're a lot more like Yeah, man.
1:36:24 Like, please, man.
1:36:26 You're a hell of an artist, fam.
1:36:27 Like, I I I can't give you enough prop, fam.
1:36:31 And I And I say this, you got a great future at this.
1:36:35 Um, this right here is like something I ain't heard since like I've never
1:36:42 I I ain't had this feeling in a long time about a lot of music.
1:36:45 So like yo, just spread the word.
1:36:48 Keep spreading the word about your music, man.
1:36:50 Cuz uh I really believe in this[ __] This you got some crazy tracks.
1:36:56 I appreciate that, man.
1:36:57 For real.
1:36:58 But thank you.
1:36:58 You know,
1:36:59 your videos go along with all of like you ain't got no boring videos.
1:37:04 like none of that[ __] [laughter] Somebody on I forgot
1:37:09 who verse that was man said[ __] gonna die from boredom.
1:37:13 Who said that[ __] on your um oh that was Reno.
1:37:19 Yeah guy as[ __] [laughter] Yeah I was[ __] dying.
1:37:27 Yeah.
1:37:28 Yo he he went crazy bro.
1:37:30 He's another one.
1:37:30 He's he's a machine bro.
1:37:32 Like [laughter] Reno was crazy, bro.
1:37:37 That's what I like.
1:37:43 Like I like come on, man.
1:37:44 Like there you'll never find another artist that sound like Boob.
1:37:48 No one can do what Boob can do.
1:37:50 You know what I mean?
1:37:51 Yeah.
1:37:52 [snorts] Yeah, man.
1:37:53 Uh [laughter] Yeah, man.
1:37:56 __] snap.
1:37:57 Um Yeah.
1:37:59 Uh so, uh you got any shout outs, man?
1:38:03 Uh yeah, man.
1:38:05 I mean, shout out to you.
1:38:06 Thank you for having me.
1:38:07 Um I want to shout out, you know, uh Cole Cole Summers, shout out to E.
1:38:14 Shout out to everybody over there.
1:38:16 Front row, Mark and everybody.
1:38:19 Uh Super Coven, my brother Gortex, obviously.
1:38:23 Um Thief, Chu, Gary, the whole Nostalgic Squad.
1:38:29 Um yeah, man.
1:38:31 Shout out.
1:38:32 Shout out to all my people, bro.
1:38:34 Um, be on the lookout.
1:38:36 I got a few I got a few things on the way.
1:38:38 Shout out to Element.
1:38:40 Um, yeah, man.
1:38:44 You know what I mean?
1:38:44 I I can go on and on.
1:38:46 Stay in tune, bro.
1:38:47 We got a lot of[ __] going on.
1:38:49 I mean, rest in peace, ID.
1:38:50 Rest in peace, Nick Gill.
1:38:51 Rest in peace, Lewis.
1:38:53 That's it.
1:38:56 Now, the first time you kill somebody, that's the hardest.
1:39:02 I don't give a[ __] if you[ __] wire it up or jack the ripper.
1:39:09 [music] Remember that guy in Texas,
1:39:12 the guy up in that[ __] tower killed all them people?
1:39:15 [cough] I bet you green money that first little black dot
1:39:19 he took a beat on, that was a[ __] of the bunch.
1:39:24 First one is tough.
1:39:24 No[ __] fool.
1:39:27 The second one.
1:39:28 Second one ain't no[ __] money right here.
1:39:29 But it's better than the first one cuz you [music] still feel the same thing,
1:39:32 you know, except it's more diluted, you know?
1:39:34 It's it's better.
1:39:37 I drew on the first one.
1:39:38 You believe that?
1:39:40 Yeah.
1:39:41 Yeah.
1:39:41 My[ __] [music] hairy stomach growling fast.
1:39:44 Been getting me going for years, even today.
1:39:47 That's my real [music] bro.
1:39:49 They battle uphill.
1:39:50 I'm on the heels though.
1:39:53 These[ __] worried.
1:39:54 I was born in it.
1:39:56 I wear that[ __] pain like it's linen [music] trying just sprinkling.
1:40:02 Yeah.
1:40:03 I give your heart and undesired tingling.
1:40:06 My [music] s try to play with it.
1:40:10 Everything I splash[ __] [music] favor it.
1:40:12 Yeah.
1:40:13 Know how we do.
1:40:15 Yeah.
1:40:16 Don't get smashed through that table like it's goo.
1:40:20 __] I'm in my zone [music] like mellow and zo.
1:40:23 They say they love you, but they really hope.
1:40:26 I say I love you, that[ __] really go.
1:40:28 We go against the grain for sure.
1:40:30 [music] But we still be gold.
1:40:32 Yeah, they can't say[ __] about it.
1:40:35 Said we kind of old building.
1:40:37 [music] You I made several of you[ __] fear[ __] is cold, [music] baby.
1:40:50 That funeral music man [music] up.
1:40:58 [music] No emotion like Donnie Darkco.
1:41:00 That's how it start though.
1:41:02 Decisions ain't never partial like in the movies.
1:41:05 You know how my favorite part go.
1:41:07 Spin [music] the block.
1:41:08 It's me and boob in a white Bronco.
1:41:11 We head honchos.
1:41:12 Run your pockets for wallets and watches and iPhones.
1:41:15 Some[ __] you don't want to die [music] for.
1:41:18 Creeping out the dark like I'm Chris partlo scatter you next to some
1:41:22 pine cones I'm buried in different time zones my mind's gone your [music]
1:41:26 mind's blown your spine foes never high clothes and I know where
1:41:30 the line goes[ __] by gones we by [music] gone don't be a shrine
1:41:34 on a life post of the cry phone you don't fool me [music]
1:41:38 baby your weak side shows I'm at your wife's house feed on the white
1:41:42 couch kicked the watches I fell I'm in Walmart armed with armor like
1:41:46 rifos [music] Rip your whole family to shreds like sty with the nine hoes.
1:41:52 They go find [music] hoes and I don't like but I like snow.
1:41:56 Huh?
1:41:56 Hey yo, I fight my[ __] She'll [music] bite nose.
1:41:59 I like those.
1:42:00 I wipe those and spike those.
1:42:03 I still lie for and I spike those.
1:42:05 What you think that I was designed [music] for?
1:42:08 It's my world.
1:42:09 My don't like y'all fight y'all.
1:42:13 It's my world, baby.
1:42:19 [music] [music] saying like it start that[ __] got so commercial and then what
1:42:42 they do is they they hire you like it's Georgia public broadcasting.
1:42:46 That's where I was.
1:42:47 I came from Nashville.
1:42:48 I'm out of Nashville on some grimy[ __] Come out here.
1:42:51 These[ __] with the jive like they take all your writings and all
1:42:54 your topics and[ __] Flip the[ __] and then they throw commercial.
1:42:59 Now they doing so many commercial artists and[ __] Like what about the people?
1:43:02 You know what I'm saying?
1:43:02 This[ __] public funded.
1:43:04 So like I just started my own goddamn[ __] man.
1:43:08 Like that's the best way to do it anyways, bro.
1:43:11 Yeah.
1:43:11 Like I don't know like like I say like Rochester hot.
1:43:14 Like I I'm not from there.
1:43:15 I ain't got no relatives there.
1:43:17 None of that[ __] Like I know[ __] from out there,
1:43:19 like from all over the United States, you know?
1:43:21 My goal was to get somebody from every 50 state, like one person,
1:43:25 you know, and it just end being a big organic network.
1:43:29 You feel me?
1:43:31 Baptist was full of artists, bro.
1:43:33 Man, y'all[ __] heat out that[ __] boy.
1:43:36 Heat, bro.
1:43:37 Yeah.
1:43:38 Um, what I want to get at though, man, like so yeah,
1:43:42 because you're not a typical artist and I know I
1:43:43 want to go through the track list and but 18 tracks,
1:43:46 you know, that take a while.
1:43:48 You know what I'm saying?
1:43:49 Like, [laughter] but the inspiration from all of this stuff, man.
1:43:53 Like, how are you looking at the AI?
1:43:56 What do you think about AI right now and its use?
1:44:03 Like I I don't like AI, bro.
1:44:05 But like like so when we did the spaghetti video, spaghetti and eight balls.
1:44:11 Um I had called I had called Sage and I was like,
1:44:14 "Yo, like yo, you got to take that[ __] out, bro.
1:44:17 Like cuz I I didn't see like his vision, bro.
1:44:20 Like what he wanted to do with it." And like I'm
1:44:23 kind of against it cuz I like I like real art, bro.
1:44:25 And like I like, you know,
1:44:28 like even if it's not like I'm saying like not a painting
1:44:31 or like like it could be just something captured like in a moment, bro.
1:44:35 You know what I mean?
1:44:37 And so like I just feel like it's cheating, bro.
1:44:40 Like if any he like you can if you can make anything up, it it's it is fake.
1:44:46 It's completely fake.
1:44:47 I could put myself next to[ __] Sydney Sweeney and I could do,
1:44:52 you know, I can make a picture of anything, though.
1:44:54 like something that doesn't even exist.
1:44:56 I just think it's not fair.
1:44:59 Yeah.
1:45:00 So, but at the same time, my video had AI in it and that creative control.
1:45:06 Like, I don't think that that video would
1:45:07 have been as dope as it was without it.
1:45:10 You couldn't get that.
1:45:11 Like, see, that's how it was used properly.
1:45:13 That was used proper.
1:45:14 You know, that laugh that you had on there,
1:45:16 like the different faces and[ __] like
1:45:19 Yeah.
1:45:19 Yeah.
1:45:19 Yeah.
1:45:19 Yeah.
1:45:19 Like when the laugh at the end when
1:45:21 like he turns into like skinning out LIKE THAT.
1:45:24 OH,[ __] JUMPED OFF THE BUILDING.
1:45:27 YEAH.
1:45:27 YO.
1:45:27 YEAH, fe jumping off the building is crazy.
1:45:31 Yeah.
1:45:31 [laughter] I think like but like at the same time like yo like
1:45:36 I don't I don't like what AI does to to the earth, bro.
1:45:40 You know what I mean?
1:45:42 Yeah.
1:45:41 Like that[ __] is really like like that[ __] kills people.
1:45:45 It's killing animals.
1:45:46 It's killing habitats.
1:45:47 It's it's it's giving people cancer.
1:45:50 And it's like AI is is is a weapon, bro.
1:45:54 And like will we will we be fighting AI robots in the next 20 years?
1:45:58 I I I agree.
1:45:59 I think probably sooner than that, bro.
1:46:01 Um I don't know if you saw like like uh
1:46:06 cuz like you and and also like it's a copout now.
1:46:08 Like these kids these days, bro,
1:46:10 like they don't understand like like back in the day,
1:46:13 remember it was oh that's photoshopped or whatever.
1:46:16 Like,
1:46:17 you know, like you go on the internet
1:46:18 and you type in Britney Spears naked and it's
1:46:20 just like picture of her smile from like
1:46:23 a[ __] teen pop magazine over some titties or whatever.
1:46:26 But like now a like everyone just if
1:46:30 if it's something that they just don't agree with.
1:46:32 There's no thought process to like analyze anything.
1:46:35 It's just that's AI.
1:46:37 That's AI.
1:46:38 That's AI.
1:46:39 And I think that's[ __] stupid, bro.
1:46:41 But like AI is it's a weapon that's used for very dangerous things.
1:46:45 And like there's a lot of[ __] like it's so advanced now, bro.
1:46:49 Like you don't know what's real and what's not anyways anymore, bro.
1:46:52 And that's a scary place to live.
1:46:55 Yeah.
1:46:55 Well, you think Well, I'mma put it like this.
1:46:58 Knowing what?
1:46:59 See, you know about MK Ultra, Operation Paperclip,[ __] like that.
1:47:05 Yeah.
1:47:04 Uh, so like[ __] like they just rolling this[ __] out
1:47:09 to the public.
1:47:11 Just think of how long they've been doing this,[ __]
1:47:13 As far as as far as we concerned,[ __] like Nixon,
1:47:17 none of them[ __] was real people.
1:47:19 That could have been AI.
1:47:21 The moon landing could have been AI.
1:47:24 The moon landing definitely was fake.
1:47:25 But
1:47:25 look how look how Hitler was fighting in the war, man.
1:47:28 They don't want us to study that,[ __] But check it.
1:47:30 Hitler was had the internet back then in 1942,[ __]
1:47:34 Oh yeah.
1:47:34 They had cell phones.
1:47:35 They had smartphones.
1:47:36 They had the internet.
1:47:37 Um portals and[ __] That's what they was going.
1:47:40 They had portals.
1:47:41 Yeah.
1:47:41 They was going to get these[ __] They
1:47:44 yo like yo like like uh Hitler and them
1:47:47 like they were like really big on reverse engineering, bro.
1:47:50 You know what I mean?
1:47:51 Like spaceships and and and[ __] like that.
1:47:54 Like they had that, bro.
1:47:56 Yeah.
1:47:56 You know what I mean?
1:47:56 Like they but like what we're what we're being like
1:47:59 our history is being erased right now by by like a lot
1:48:03 of like certain people and they're like really switching the whole narrative
1:48:07 and these people are just eating it up and it's[ __] up.
1:48:11 Yeah.
1:48:12 That's like growing up, remember pictures used to be all on people walls
1:48:15 and stuff like that, but now we got digital[
1:48:18 __] so we don't print pictures out no more
1:48:20 like that to even hang them up like that.
1:48:22 That's what I'm saying, bro.
1:48:23 And like like So like they And that's the other
1:48:26 thing like like everything is in a cloud now.
1:48:30 Everything's streaming.
1:48:31 So like that way there's no there's no paper trail, bro.
1:48:35 Like they go in Oh yeah.
1:48:37 They they can go in and switch what was said in a movie.
1:48:41 So like Mandela effect, bro.
1:48:42 Like I feel like that[ __] is fake.
1:48:44 That was a test, bro.
1:48:45 Like so like
1:48:47 whether like you know like the way they spell Baronstein, Baronstein,
1:48:50 they can just go back and be like, "No, this was how it always was." Because
1:48:55 like where like where are you going to find all this[ __] now?
1:48:57 Like they could go back and like
1:49:00 everything's online or like on a streaming server.
1:49:02 They could take it away.
1:49:03 They could switch it without you even knowing it in any
1:49:06 way cuz like like that's how like it's all about control, bro.
1:49:09 Like they could they have everything in their hands, bro.
1:49:12 Yeah.
1:49:12 And it's no long telling how long they've been using deep fake.
1:49:17 You know what I mean?
1:49:17 That's what I do with residence and all that.
1:49:19 I mean, this[ __] can go back as far as we can cuz I mean I was born in 1980.
1:49:27 Okay.
1:49:26 So, I can't prove[ __] really before 1980.
1:49:29 For real.
1:49:30 I can't prove what I haven't seen because my parents
1:49:33 don't know [clears throat] about what the[ __] government was doing.
1:49:35 Not as much as I do,
1:49:38 right?
1:49:38 You know what I'm saying?
1:49:39 So, like, how long did this go back?
1:49:40 Do every now and then they start writing history books all over.
1:49:43 Like, what the[ __] going on?
1:49:44 Like, I mean, I know damn well that Gain
1:49:47 Maxwell's father rewrote all the history books
1:49:50 and everything that we're taught and they did
1:49:52 that[ __] on the Temple of Sat was,
1:49:56 which is like a[ __] demonic god, which they pray to and everything.
1:49:59 And that's where the headquarters was for those books.
1:50:02 But that that makes me wonder how long that they've been doing that, bro.
1:50:05 Because
1:50:06 Yeah.
1:50:06 Yeah.
1:50:06 And then it makes me wonder what I really saw because if I've seen
1:50:10 some[ __] that I can't explain that has been happen to me my entire life,
1:50:14 bro, but now I'm wondering like what was it really?
1:50:18 Because where did I really go and[ __] like that like Yeah.
1:50:22 Like like cuz everything everything is different now
1:50:24 and now I don't I don't know what to believe.
1:50:26 Like these people will blindly believe anything.
1:50:30 and like my[ __] personal experiences and all the research that I've done.
1:50:34 Like I don't I'm not new to this[ __] bro.
1:50:36 I'm not one of these[ __] who just believes uh
1:50:39 spooky spooky music in the background on a video or whatever.
1:50:43 [clears throat] People make up some[ __] Like, bro, I read books.
1:50:45 Remember books, bro.
1:50:46 But it's [laughter] like now, but now I don't I don't know what
1:50:50 like you don't know what the[ __] real anymore.
1:50:51 Like you said, they could have had deep fake.
1:50:53 I believe these[ __] are wearing each other's skin and all
1:50:56 this[ __] Like you don't know what the[ __] going on, bro.
1:50:58 Like you don't know who's who.
1:51:00 They're switching body doubles.
1:51:01 They've been doing that forever.
1:51:03 You know what I mean?
1:51:04 Yeah.
1:51:04 True that.
1:51:04 True that.
1:51:05 Definitely 1,000%.
1:51:07 I was doing interview with Mac Montana earlier.
1:51:09 We was talking about that and I was like, you know what I'm saying?
1:51:12 Like it ain't it ain't[ __] Like like these[ __] the lizard people,
1:51:16 all these stories and[ __] don't come from nowhere.
1:51:19 And then you know what I'm saying?
1:51:21 Like I say, I'm big on like uh I'm big
1:51:24 on like how the eyes work, how the mind work.
1:51:27 And how the eyes work is just like[ __] if
1:51:30 your brain is thinking that that's the picture that's coming out.
1:51:32 It's like a projector.
1:51:33 It's just like a[ __] TV.
1:51:35 Yes.
1:51:36 Exactly.
1:51:37 So like that can be manipulated because if we didn't have the moon,
1:51:40 none of this[ __] would exist.
1:51:41 And the moon is not even supposed to be there, right?
1:51:45 Like it's a lot of[ __] like that.
1:51:46 Like hold up.
1:51:47 Are we in a[ __] hologram?
1:51:48 Is this a simulation?
1:51:50 Like it is.
1:51:51 It is.
1:51:51 And for people to not be on that, that's, you know,
1:51:55 I I I've grown out of that argument with people.
1:51:59 I I let people believe what they believe,
1:52:01 but I'm bet I'm gonna laugh at the[ __]
1:52:04 Oh, yeah.
1:52:05 I'm gonna laugh at it.
1:52:06 I'm not going to poke fun at them, but at the same time,
1:52:08 if something come up, I don't speak my truth.
1:52:11 See, but like at and I I don't have time to argue anymore, you know?
1:52:16 Like you said, I'm past it.
1:52:18 And like like I'm I'm around to where I'm at now where like I don't
1:52:22 give a[ __] about people anyways that that aren't
1:52:25 already on the same level with me.
1:52:27 So I'm not just going to waste my breath, bro.
1:52:29 Like I can't waste my breath.
1:52:30 So like if it ain't going to be like that, like
1:52:32 you can tell like when you vibe on something like that.
1:52:34 Like there's just there some things that I don't touch
1:52:36 on with with people because I know that they're just not there.
1:52:39 And it's like, yo, I can't save you, bro.
1:52:41 You know, gang.
1:52:42 Like it's it's[ __] impossible, dog.
1:52:45 Like I had I damn near cussed this old lady off.
1:52:49 She hit me with some[ __] um olive oil.
1:52:52 She was like call me the devil.
1:52:54 Man, I'm Haitian and Jamaican,
1:52:56 my[ __] Like one side Christian and one side booty.
1:52:58 Just straight the[ __] up, right?
1:53:00 I a Yeah.
1:53:01 So, and I really just I really embrace all that[ __] man.
1:53:05 Because it all makes sense.
1:53:07 But at the same time, the world is what the[ __] I think
1:53:11 and[ __] got to come from somewhere, bro.
1:53:13 Yeah.
1:53:13 Like when when I'm gone from this from this realm,
1:53:17 then this realm don't exist apparently.
1:53:20 You know what I mean?
1:53:20 Like I'm not worried about that.
1:53:22 Like this my my world and this my video game round.
1:53:26 You know what I'm saying?
1:53:27 Like I might I I might if I die I'm coming back somewhere.
1:53:31 That's what I'm saying.
1:53:32 Like yo like And I always wonder
1:53:34 that too like like uism or whatever it's called.
1:53:40 um slipsism where like it's the philosophy not
1:53:44 not the meaning of like like uh cypism like I guess it means like like you're
1:53:49 being like really uh narcissistic and[ __] but like
1:53:52 the like the philosophy behind it I guess
1:53:54 is like where like you truly to the core
1:53:57 feel like everything and everyone else around you is
1:54:00 fake and you're the only thing that is real real.
1:54:02 So if that's true, bro,
1:54:05 like like um I can only speak for myself like you can tell me or like you know I
1:54:10 I know people who can tell me oh yeah like
1:54:13 if you catch a body like they really do die, you know what I'm saying?
1:54:16 And like you know like but like that's just what I'm told.
1:54:20 So like people like who knows what could happen like it
1:54:24 like do you really everyone do you do you really actually die?
1:54:28 is is like are we really made out of what we're told we're made out of?
1:54:32 And you won't know until you're already gone.
1:54:34 And then like then what happens?
1:54:36 Do you even know?
1:54:37 Are we in a continuous loop?
1:54:39 Will we ever know?
1:54:40 You know what I mean?
1:54:41 Like this[ __] gets really weird, bro.
1:54:42 Like it makes sense for it to be a continuum.
1:54:45 You know what I'm saying?
1:54:47 Yeah.
1:54:46 Yeah.
1:54:46 It It makes sense.
1:54:47 See, a lot of things make sense.
1:54:49 And this is why, you know, like um like it's all you know,
1:54:54 if you know about the Fibonacci sequence,
1:54:56 everything comes up out that[ __] right?
1:54:58 Yep.
1:54:59 And and so it's just everything is everything and like what
1:55:04 we think it shape it shapes our personal persona perspective in life.
1:55:10 You know what I mean?
1:55:10 Like and it don't take much because at the same
1:55:15 time if there is a creator it's in us.
1:55:18 So we ought to know this without being manipulated by books,
1:55:22 stories, perspectives.
1:55:25 Like you could literally go just sit in the forest
1:55:28 and and live your own perspective like your own life,
1:55:31 but whatever you participate in, you're involved in it.
1:55:35 Yeah.
1:55:35 You're involved in everything that comes with it.
1:55:38 The good, the bad, right?
1:55:41 And like and the thing like you said, like it keeps spiraling out.
1:55:45 You can't turn back from it, bro.
1:55:47 Why are drugs illegal?
1:55:50 Why are drugs illegal?
1:55:51 Exactly.
1:55:52 because like they they open up certain parts of your brain.
1:55:56 Like it's [laughter] it's and and and it's not only why are drugs illegal,
1:56:00 it's why why is this poison allowed to be fed to us growing up and like are
1:56:07 we allowed to breathe certain things and taste certain
1:56:10 things and all these things are regulated or whatever.
1:56:13 But like they want to like they say that uh you
1:56:18 know like certain things are good for you that that we drink
1:56:21 and this and that and like it's really bad for you like and it
1:56:24 could be something as simple as chemotherapy or or fluoride in the water.
1:56:28 Like they tell us it's good.
1:56:29 It's not.
1:56:29 Yeah.
1:56:30 Fluoride in the water.
1:56:31 Why the[ __] do we got fluoride in the water?
1:56:33 That's what I'm saying.
1:56:33 Why is __] what?
1:56:35 Why is there live parasites in in in all
1:56:38 this like food and like plastics and[ __] like that?
1:56:42 like[ __] that shouldn't be like,
1:56:44 "Yo, remember when when snow was actually snow?" You know what I'm saying?
1:56:49 Did you see that[ __] man?
1:56:50 The[ __] were burning snow and[ __] on the ground.
1:56:53 Yeah.
1:56:53 Yo.
1:56:53 Yeah.
1:56:54 __] little parasites running around and like,
1:56:56 but like all this[ __] like they try to cap your brain and like,
1:57:00 you know what I mean?
1:57:01 You're not supposed to tap into that part of your brain, bro.
1:57:03 Like, you ever smoke DMT?
1:57:06 Yeah.
1:57:06 I love DMT, bro.
1:57:07 Yeah.
1:57:07 I got three I got I got three championships under my belt.
1:57:10 You can't do it too much.
1:57:11 You know what I'm saying?
1:57:12 Especially if you get the message.
1:57:14 That's what I'm saying.
1:57:15 Yeah.
1:57:15 And I' I've I've gotten there twice.
1:57:18 And I mean, I've done it a bunch, but like I've gotten there twice, bro.
1:57:22 And like I could I could smell the water right now.
1:57:25 Like I could hear her right now when I'm talking about it.
1:57:27 But like Yeah, man.
1:57:29 Like this[ __] is I don't know what what the game is,
1:57:31 but like I've been told a few times, bro.
1:57:34 Like I've been taken before and I've been I've
1:57:36 been seeing things and told things that I can't remember.
1:57:39 But at the at the end of the day when I
1:57:41 got brought back like my whole[ __] brain got wiped then like
1:57:47 I I saw some thing like the tall whites bro like they
1:57:50 took they took me and uh they kept me out all night
1:57:55 and when they brought me back bro they[ __] laid me laid me down.
1:57:58 I[ __] floated back down bro.
1:58:00 I know it sounds crazy bro.
1:58:01 No that[ __] don't sound crazy cuz I know what you talking about.
1:58:04 My story will never change bro.
1:58:06 And I remember we were talking, you know what I mean?
1:58:08 Without moving our lips and we were talking to each other
1:58:11 and they told me the most probably most important thing ever, bro.
1:58:15 But, you know, I mean, this has been happening my whole life, bro.
1:58:17 And they like this[ __] is something.
1:58:20 I don't think it I don't know if it's it's extraterrestrial,
1:58:24 but it's definitely interdimensional, you know?
1:58:27 Right.
1:58:27 Right.
1:58:28 Um, that's what I'm saying.
1:58:30 like the spiritual world cuz the spiritual world
1:58:32 a lot of people like in religions and stuff they go off of books and stuff like
1:58:36 this you can't go off a book in the spiritual
1:58:37 world this stuff cannot be written it only can
1:58:40 be you can you can sort of taste it
1:58:41 you can you can sense it say you can sense it yeah you know what I mean like
1:58:47 yes it's every one of your senses you comprehend
1:58:50 what the[ __] happening you know what I mean
1:58:53 it's like it's like a dog with its hair sticking up
1:58:55 yeah in the book of the emerald tablets it
1:58:57 says like there are words that are unutter able.
1:59:00 And that's what I'm saying.
1:59:01 These can't be put in words like really described and make sense.
1:59:04 Like the[ __] do sound crazy.
1:59:07 Yeah.
1:59:07 Like in the way that it was said to me,
1:59:09 like it was it was told to me like through telepathy.
1:59:13 You know what I'm saying?
1:59:14 But like it was just forming in my brain
1:59:16 though the way that I heard it, you know?
1:59:20 Yeah.
1:59:20 And then just say you wrote a book about it.
1:59:22 You know what I'm saying?
1:59:22 And and and that's what I be telling people like
1:59:24 that's what these religious books and[ __] like that is, man.
1:59:28 if they ancient or whatever like that.
1:59:30 That's that's just all that is like you know like
1:59:33 them folks was doing aywaska and[ __] like that you know
1:59:36 like look look in the Bible Moses in front
1:59:38 of the[ __] acacia bush burning the[ __][ __] that's Ayawaskka man
1:59:44 you know what I mean like come the acacia he's burning acacia
1:59:47 but he ain't getting hot like get the[ __] out of here[ __] right bro yeah like
1:59:53 yeah so that's why I don't subscribe to all
1:59:56 this because nobody tells the truth it's right
1:59:57 in your goddamn face like your[ __] DNA They
2:00:00 every human that is living right now made it past.
2:00:03 We are the children of somebody who made it from a cataclysm.
2:00:08 Yes.
2:00:08 Like all of us, black, white, I don't give a[ __] what you is.
2:00:11 It was a storm or something that blew everything
2:00:15 off the earth and we are the[ __] survivors.
2:00:18 And and that's the thing.
2:00:19 We don't when we think of it, we think of it like so primitive.
2:00:22 Yeah.
2:00:23 Like
2:00:24 I feel like the civilization before us was way more advanced than what we are.
2:00:29 Way more, dog.
2:00:30 They had to be like it's like way way way more like like
2:00:35 whatever there was or whatever is still out there.
2:00:37 Whatever map you believe you're looking at, whatever.
2:00:40 Like there's something that's still out there
2:00:43 that that we're not supposed to know about, bro.
2:00:45 But but but the thing is is why why why won't they tell us any
2:00:48 of this[ __] What is the benefit of of just keeping us from the truth?
2:00:53 I don't understand that and I'll never understand that.
2:00:56 Well, the thing about it is and I and I can say this, this is what's
2:01:00 sort of good about DNA testing because you kind of can't trust a lot of things.
2:01:04 You just can't trust it because of what
2:01:05 the scientist is going to interpret to, you know,
2:01:08 like they're going to tell you something, but really what the[ __] is it?
2:01:12 But, uh, a lot of[ __] man, like it's within.
2:01:16 It's within, dog.
2:01:18 Like our DNA got the truth.
2:01:20 Like if we could like download our DNA
2:01:22 on a hard drive and upload to see its history, it's 3.4 billion years old.
2:01:27 We gonna get the truth.
2:01:28 That's what I mean.
2:01:29 We gonna get the truth.
2:01:30 We just got scientists and[ __] like that.
2:01:32 That's why I was telling the[ __] the other day,
2:01:34 he talk about uh his religious book, which I've read all I admire them all,
2:01:38 but at the end of the day,
2:01:38 he was telling me about his book is the absolute truth.
2:01:40 And I was like, well, man, I mean, it's it's it's in a[ __] book.
2:01:45 Uh it's not the only book.
2:01:47 And if the government let you get that book,
2:01:49 trust me, it's nothing that you can liberate yourself with.
2:01:52 That's what I mean.
2:01:53 They won't give you real food.
2:01:55 They won't give you how the[ __] they
2:01:56 gonna give you real religion, real access to God.
2:01:58 That[ __] is that[ __] is that that gene is inside you, man.
2:02:02 And like Yes.
2:02:03 Yes.
2:02:03 If you don't illuminate that[ __] cuz
2:02:05 everybody talking about I'm scared of Illuminati.
2:02:07 It just mean illuminated.
2:02:08 You dumb[ __] [laughter] You dumb illuminate like Stop being scared of[ __] man.
2:02:15 Like embrace it.
2:02:16 you are that like everybody's in a a degree like when people
2:02:20 say narcissist and I ain't mean to cut you off but when
2:02:23 people say narcissist and[ __] like that I always tell people you
2:02:26 are everything like and I learned this[ __] from my Indian partners
2:02:30 you know what I'm saying um you are everything
2:02:33 like you know like you you are narcissist you're
2:02:36 evil you're good all that[ __] is a perspective
2:02:39 a mindset my evil ain't the next person's evil probably
2:02:45 true Everything subjective and that's why that's why it goes back
2:02:49 to like this is your reality that you created, bro.
2:02:53 So all these levels to this[ __] like it's it levels is like time, bro.
2:02:58 You know what I mean?
2:02:59 It's it's it's flat.
2:03:00 Like that[ __] it's irrelevant because who knows what it
2:03:04 means to somebody else like you are your own god.
2:03:07 Like believe in thyself, bro.
2:03:11 Yeah.
2:03:11 I don't know what book I believe.
2:03:12 You know what I mean?
2:03:13 But like you said, that was I've never really heard
2:03:16 anyone bring that up because out of like you said, they won't give us real food.
2:03:20 They shut down and block everything that we can think of right now.
2:03:23 Like we can't even think freely anymore, bro.
2:03:26 Once they took our our our free thinking, like we're we're doomed, bro.
2:03:30 We're already
2:03:31 Get rid of your GPS and try to make it to Alabama and see what happened.
2:03:36 Where you at?
2:03:37 Like you you go you're not like you gonna be[ __] Yeah.
2:03:41 And that's people like can't rely on all this[ __] man.
2:03:45 They don't trust it because they don't have our best interests anymore, bro.
2:03:49 Yeah.
2:03:49 Yeah.
2:03:50 This[ __] never did, right?
2:03:52 And so with them having, you know, religions and it's two major religions.
2:03:57 It's it's about 40,000, but it's two major religions that own all the religions.
2:04:02 And it's like, y'all[ __] don't see that this is something up with this, right?
2:04:07 Like if the government won't give you gold, they won't give you free gold.
2:04:11 They won't give you free food.
2:04:12 You got to pay for lights, water that is already here.
2:04:16 You can't collect rain water.
2:04:17 So they gonna give you religion to make the access to God.
2:04:21 Okay.
2:04:22 You tripping, dog.
2:04:23 That's what I'm saying, bro.
2:04:25 And um it's they they they do everything they can to block frequencies.
2:04:30 That's it.
2:04:30 Yeah.
2:04:31 You know what I'm saying?
2:04:31 Like everything in their power to block frequencies.
2:04:34 And then that's where they start making up these lies
2:04:37 and these scientists come in with these[ __] fake ass lies and theories.
2:04:43 Yeah.
2:04:41 We're supposed to believe like we can we can uh bounce
2:04:49 like I'm talking to you right now through a screen, bro.
2:04:53 We can do that.
2:04:54 Like we can do something like that, but like we can't fix
2:04:59 something to like you get where I'm going with it right now, right?
2:05:03 Yeah.
2:05:04 Yeah.
2:05:04 It's all like, you know, like that goes back to the to the levels.
2:05:08 None of that[ __] matters, bro.
2:05:09 It's all perceptive.
2:05:12 Yeah.
2:05:12 So, this So, so this is the[ __]
2:05:14 that really inspires your lyrics, don't it, man?
2:05:19 Like, it inspires the reality of things.
2:05:23 You can you can damn near you can feel and taste your environment, man.
2:05:26 I I could tell tell that.
2:05:29 Or the environment.
2:05:30 You know what I'm saying?
2:05:31 This is this is[ __] that people should be talking about,
2:05:35 but you can't have this conversation with people.
2:05:36 They don't want to.
2:05:38 They're scared of that[ __] or they're just so[ __] brainwashed already.
2:05:41 It's a waste of time.
2:05:42 That NPC[ __] is for real.
2:05:45 I lose Yeah, for real.
2:05:48 NPCs.
2:05:48 [laughter] Yep.
2:05:50 NPCs are very real, bro.
2:05:52 It's like we're in the Truman show, bro.
2:05:56 And like I was going to say that earlier.
2:05:58 Yeah.
2:05:59 And like it's like everyone's a crisis actor.
2:06:01 Like we're running out of NPCs.
2:06:03 They're reusing[ __] now, bro.
2:06:06 This[ __] is scary.
2:06:07 Yeah.
2:06:07 They about to Yeah.
2:06:09 And that's what I'm saying.
2:06:10 And then they like even like when I said cuz I
2:06:13 had to I had to walk into this conversation like I
2:06:15 say like with a lot of artists you don't you don't
2:06:18 get here but it's it's a few artists that get it.
2:06:21 You know what I'm saying?
2:06:21 And um a few it's not many.
2:06:25 Uh, but when I I had to when I was talking about AI,
2:06:28 like in in reality, I had to walk into that cuz I already knew.
2:06:32 You knew like it if they rolling that[ __] out to the public,
2:06:36 dude, that[ __] is old, dog.
2:06:38 That[ __] old news as[ __] Like like old news.
2:06:42 Like [laughter] has been controlled, bro.
2:06:45 That[ __] so controlled, bro.
2:06:46 The military get the[ __] first and then that's just the information we got.
2:06:50 You got shadow governments and[ __] Yeah.
2:06:52 Shadow governments, different species that we don't even know about, right?
2:06:56 Like yo, like where did they get that technology from, bro?
2:07:00 You know what I mean?
2:07:00 Like what did that what did that cost them?
2:07:04 So, and and if do you know about this place called Darren Cuyu?
2:07:09 What?
2:07:09 It's called Darren Cuyu.
2:07:11 What's that?
2:07:12 It's an underground city.
2:07:14 Um, it goes five miles down underground.
2:07:17 So during the last one of the last cataclysms whatever
2:07:20 like that uh the people went underground about and built
2:07:23 a city five miles it still there to this day
2:07:27 and uh okay they was they lived under there for over 1500
2:07:30 years because it was during the storms and the earth
2:07:36 was[ __] up but it was a whole 20,000[ __]
2:07:39 at a like maintaining residency down there man and um it
2:07:45 and it's like knowing that type[ __] Where did those people go?
2:07:48 Where are their lineages?
2:07:49 What's what's up with all like it's so much of this earth?
2:07:52 We we never been outside the planet.
2:07:55 And by them having a a all these bunkers
2:07:58 and like places like Darren Kuyu that's down underground.
2:08:02 Yeah.
2:08:02 There's a lot of underground civilizations, bro.
2:08:05 Yeah.
2:08:05 So, and like all those tunnels and and you see like them working on like
2:08:09 nuclear reactor like the way like
2:08:11 that they travel underground and[ __] like that.
2:08:14 Like Yeah.
2:08:15 Yeah, I got to look that up though.
2:08:17 The Darren Kuyu if you can send me something on that.
2:08:19 But I will, man.
2:08:20 You a little Darren Cooyu story, man.
2:08:22 It's it's Yeah, for real.
2:08:23 I'm I'm into that[ __] bro.
2:08:24 Because I believe in all that[ __] Like, you know,
2:08:26 like I like I still want to know cuz uh you know,
2:08:31 like the UN and the Freemasons use the old map
2:08:35 and you look there's like different places on the map and like the way that it's
2:08:39 spread out like I don't know nothing about
2:08:42 flat earth or none of that[ __] but like yo I for real.
2:08:46 But like[ __] out of here.
2:08:48 Like I've I've seen I've seen it from up above, bro.
2:08:51 Like like I said, I've been taken, bro.
2:08:53 But like but like you know that why like what is if there is uh places just past
2:09:02 like it doesn't have to be flat but like
2:09:04 we just we are controlled on where we can go.
2:09:08 So like I want to know what these other civilizations
2:09:10 are that we're not allowed to see whether it's above
2:09:13 ground or below cuz you know as above so below
2:09:15 bro and I want to know where this[ __] at.
2:09:19 Yeah.
2:09:19 Like what what are they where they at?
2:09:22 Uh how often do we see them in public?
2:09:26 You know what I mean?
2:09:27 Like that[ __] And what and what are we actually seeing?
2:09:30 Because that's the only reason why I'm like maybe once a month I trip.
2:09:34 like I'll probably get me uh shrooms maybe an ounce or something like
2:09:37 that and just over course couple days just trip trip having an experience
2:09:42 and it brings me to a place now like uh the thing that's
2:09:46 what thing about uh IA you smoke some of that and it just
2:09:51 resets all that and you you obviously know something like whatever's going
2:09:56 on on this planet that ain't it you know what I'm saying like that's
2:10:00 that's what that[ __] do it it it taught me that I was
2:10:03 like damn That[ __] opened my mind to I became a different person.
2:10:08 Yeah.
2:10:08 Like this it shows you that this is nothing.
2:10:11 This is all coded numbers, bro.
2:10:14 Yeah.
2:10:14 You know what I mean?
2:10:15 Yeah, my[ __] Yeah.
2:10:17 And that's what I'm saying.
2:10:18 Like spelling is a spell.
2:10:20 Like if you take away all the letters and all the numbers,
2:10:24 then you couldn't build nothing that's on this planet.
2:10:27 Nothing would be built.
2:10:28 Like you can't build anything.
2:10:30 Like if you take all the numbers,
2:10:31 if you wipe numbers and letters out of people's heads right now,
2:10:35 just completely wipe it, we couldn't build anything, right?
2:10:40 Ain't that because it's coding is programmed.
2:10:42 Like it's Oh, coding.
2:10:44 Like, yo, like you ever you ever do smoke
2:10:48 DMT and you before you get to that place,
2:10:52 you watch things unscrew and like like disassemble apart right by
2:10:59 fractals coming out of[ __] Like I could see straight through your body.
2:11:03 Like this part will be missing and it' be a perfect square.
2:11:07 It'll be a perfect square with code on it.
2:11:09 I've seen my TV just unravel itself and go right by me.
2:11:13 You know what I mean?
2:11:14 Like like none of that[ __] like none of that[ __] matters.
2:11:18 Like it's all encoded, bro.
2:11:19 Like all of this[ __] is perfect like symmetry.
2:11:25 You know what I mean?
2:11:26 Yeah.
2:11:26 And that's what makes you not like and that's what makes life I I say
2:11:32 at times you have to be alienated at some point in time like knowing[ __] like
2:11:38 that you do because you start looking
2:11:39 at people you you can't relate you know what
2:11:42 I'm saying like Allan Watts committed suicide like
2:11:44 that[ __] was just like[ __] this[ __] yeah [laughter]
2:11:48 you know what I'm saying bro it'll it'll
2:11:51 it will yeah you got to really stop and think and say
2:11:54 well you know you have that talk and then you be like,
2:11:56 "Nah, let me just play this game.
2:11:58 __] it." Yeah.
2:11:59 You know what I'm saying?
2:11:59 That's why I'm living.
2:12:00 Let me just play this game, man.
2:12:01 Like, it's[ __] it, man.
2:12:02 __] it.
2:12:03 Let me [laughter] like if I ever I'll never I'm not Yeah.
2:12:10 Yeah.
2:12:10 Yeah.
2:12:12 So, it ain't me.
2:12:14 No matter how they say it that it happened, it ain't me.
2:12:17 But there's a lot of evils on this earth that are in control
2:12:23 and they do a lot of things that like I'd be following too.
2:12:27 But like if I if I were to ever
2:12:29 do something like that, it's out of curiosity, you know?
2:12:33 Right.
2:12:33 Right.
2:12:33 Right.
2:12:34 Right.
2:12:34 That's why cuz you be like, well that's like Alan Watts.
2:12:37 is 58 years old and you know like he's teaching
2:12:40 this[ __] from like the 50s to the se like he died
2:12:44 in 1972 and uh like he's teaching this[ __] knowing all
2:12:48 this[ __] back in the 50s and 60s and he felt alienated.
2:12:52 He was like[ __] it man, you know,
2:12:56 for the experience because you figure out this[ __]
2:12:58 real fast once you get on a certain track right?
2:13:03 You know what I mean?
2:13:03 you start like[ __] unveils itself over time,
2:13:06 but at the same time like once you start getting into the Fibonacci sequence
2:13:10 and after you do DMT and you know you done died and came back.
2:13:16 Yeah.
2:13:16 It ain't damn thing a[ __] gonna tell you death ain't going to scare you.
2:13:20 Life ain't scare you.
2:13:21 Yo, ego death is real death, bro.
2:13:24 Yeah.
2:13:24 You know what I mean?
2:13:25 That[ __] is that[ __] changed my whole life, man.
2:13:27 I'm not I'm not afraid of death, bro.
2:13:29 But like I also I I'm watching this world unfold right
2:13:34 in front of me in a more sinister way than I expected.
2:13:42 Yeah.
2:13:41 Like I'm I expect it to fall, but it's happening way faster and way scarier.
2:13:46 It's getting more primitive.
2:13:49 Yes.
2:13:48 Like you see how like everybody think this[ __] is getting advanced.
2:13:51 No, it's getting more primitive.
2:13:54 Yeah.
2:13:54 Even with the more cameras because see we we have cameras in the public.
2:13:58 That's what we think.
2:13:59 We don't know what's outside this planet.
2:14:01 Like they could have cameras before we was born
2:14:04 in the Civil War could have been on camera with satellites from out of space.
2:14:08 Like yeah, we just getting technology,
2:14:11 but we're getting so so primitive to where something even the robots
2:14:16 that come if they fight us and kill us, they're primitive.
2:14:19 That means they're not at the highest vibration.
2:14:22 You know what I'm saying?
2:14:23 They're not n of cuz they're not sending them, bro.
2:14:26 Like they're not sending them.
2:14:27 Like, yo, you think that they're sending the most important[ __] out in ships?
2:14:31 You know what I'm saying?
2:14:32 Like, they're workers, bro.
2:14:34 Like, and even like, yo, I heard like like uh whatever they are,
2:14:39 like if they're demons, if they're angels or whatever they are,
2:14:43 if they're uh but like what whatever they come from, um like the grays,
2:14:49 they're they're not those are they're
2:14:53 created from like they're they're a computer, you know what I mean?
2:14:57 Like we for all we know if they're back where they are
2:14:59 and they're just moving them around just like how we're being moved around.
2:15:02 Sound about right?
2:15:03 Like you ever like like The Sims or[ __] Roller Coaster Tycoon,
2:15:07 you know what I mean?
2:15:07 We could just pick them up and put them
2:15:09 over here and then put them over here, bro.
2:15:11 Like Yeah.
2:15:12 And I just feel like I feel like a lot of that like [laughter]
2:15:17 for real like it sounds stupid but like No, it it makes perfectly good sense.
2:15:21 I'm trying to I was thinking why you were saying it like Yeah.
2:15:25 Absolutely possible.
2:15:26 Yeah, man.
2:15:27 Like, like they're not going to send like, you know what I mean?
2:15:30 Like, you ain't going to send your best soldier
2:15:32 out there and then just have it be like like, you know what I mean?
2:15:35 Like, if it don't go your way, there's a lot.
2:15:37 But like, and like you said,
2:15:39 so like if they're sending say that like they do send
2:15:41 cyborgs or whatever over here and like we go to war,
2:15:44 chances are we've already done that before.
2:15:49 Facts.
2:15:48 Yeah.
2:15:49 It's not happening.
2:15:50 Yep.
2:15:50 We've done that before.
2:15:51 So, like this is just it's just happening again.
2:15:54 And Some of us just don't remember it.
2:15:59 Right.
2:15:59 Right.
2:15:59 Right.
2:15:59 This can be like this can be the reincarnation.
2:16:03 This can be the second go round for some people.
2:16:06 It can be the third go around.
2:16:07 Like same scenario.
2:16:09 Same scenario.
2:16:10 This[ __] could be like levels of like video games.
2:16:15 Video games.
2:16:15 Let me see how h how this[ __] goes.
2:16:18 For real.
2:16:19 Yeah.
2:16:20 It it's all and like you said like yo
2:16:22 like we've had to have this thought come from somewhere.
2:16:25 You know what I mean?
2:16:27 So this is all but like where that original thought came from.
2:16:30 This could be a billion years ago.
2:16:32 The same thing we're just uh showing it.
2:16:35 You know what I mean?
2:16:36 Like predictive programming comes from somewhere
2:16:38 man and this is all happened before.
2:16:41 So we just got like I'm very prepared bro.
2:16:45 Yeah.
2:16:45 even more close to the home like yo like I'm really like
2:16:48 you know big on you know like all this you know like
2:16:52 like what they're doing with with children and and you know eating
2:16:56 kids and all the adrenal court like I'm into all that[ __]
2:16:59 oh man dude you need to get to the Danny Jones podcast
2:17:03 Danny Jones podcast I think I heard of that
2:17:05 __] that boy you want to go down the rabbit hole boy they gonna send you there
2:17:09 Greek linguists and[ __] talking about that boy
2:17:12 they don't want to hear that[ __] boy Bro,
2:17:15 I'm I'm I'm I'm way deep into that, bro.
2:17:17 I've been Yeah, bro.
2:17:20 Like, yo, like I remember when I was a kid, bro.
2:17:22 Like, I got like remember back in the day with uh they had,
2:17:26 you know, missing missing on on milk cartons and[ __] like that, bro.
2:17:31 And like, but like why were they on the back
2:17:33 of why were they on the back of the milk carton, bro?
2:17:35 So, like I remember like I would I would turn them all around in in the store.
2:17:39 So like the the missing on the back of the cart and face front, bro.
2:17:43 As a kid, you know what I mean?
2:17:44 Like as a kid, that didn't make sense to me.
2:17:46 Yeah, it didn't.
2:17:47 And then this is a you find out when you this age, you know,
2:17:50 that it's all it's been going on like this is human trafficking at its best.
2:17:55 That's like literally how all our asses got over here, all of us.
2:17:58 And and then we probably was already here.
2:17:59 Who the[ __] knows?
2:18:01 But who knows?
2:18:03 At the end of the day, like it's like, you know,
2:18:05 you can try to stand on some[ __] but once
2:18:07 you figure out how dope the[ __] intelligence agencies is,
2:18:11 cuz it ain't just CIA.
2:18:13 It's like 64 more[ __] up over here, bro.
2:18:16 And and I don't know who they do.
2:18:19 Like, yo, the MAD, bro.
2:18:21 Like, I don't know who's in charge of them, bro,
2:18:22 but like they're running[ __] but they definitely like it's just
2:18:26 bigger and bigger and bigger and like this[ __] is scary, bro.
2:18:30 Like it's like the devil is real, bro.
2:18:32 Like you said, like the devil of our time, man.
2:18:34 Like it's not just some guy in a red suit with a tail, bro.
2:18:39 Like it's it's it's the average like it's it's it's out there, bro.
2:18:45 Like it's big.
2:18:46 It's big because it got all of our participation.
2:18:49 We all participating in this mother.
2:18:51 We feeding the devil.
2:18:53 Energy, bro.
2:18:54 Yeah.
2:18:54 We feed the devil.
2:18:55 We feed we we'll feed the angel or whatever it is that we put our energy into.
2:19:01 Um and we we happily most people NPCs are happily doing it.
2:19:07 Like [laughter] that's why they don't they don't even got a clue.
2:19:09 Even if you told them they they don't even give No man.
2:19:11 No happy to be here.
2:19:13 They[ __] malfunction.
2:19:16 I could never be never be that bro.
2:19:18 __] gonna malfunction on you.
2:19:19 I've had people malfunction on me over time.
2:19:22 You know what I'm saying?
2:19:23 Yeah.
2:19:23 They crash out.
2:19:24 Yeah.
2:19:24 Yeah.
2:19:24 They'll fight you like that.
2:19:26 Yo.
2:19:27 [laughter] Yeah.
2:19:28 Yeah.
2:19:31 Yeah.
2:19:31 It's it's it's a wild time to be alive, bro.
2:19:33 It's terrifying, bro.
2:19:36 I could I I could go I could talk about this[ __] all goddamn
2:19:40 Look, Blizz, man, like real[ __] Yeah, I know.
2:19:42 I got like[ __] 2:15 left.
2:19:44 So, look, I'm going to wrap it up, but bro, like I please, please, like,
2:19:50 if you drop anything or even have a hint of anything,
2:19:53 just come back to the show soon.
2:19:54 Please.
2:19:55 Anytime, bro.
2:19:56 Anytime, man, dog, it's like, bro, I've been I'm loving this interview, man.
2:20:02 I know I'mma watch this[ __] over and over and over.
2:20:04 I Yeah, bro.
2:20:05 Anytime.
2:20:06 Yo, anytime.
2:20:06 Even if you want to talk about[ __] like this, bro, I'll come back.
2:20:09 You know what I'm saying?
2:20:10 Oh, I a bet.
2:20:14 Bet.
2:20:14 That'll be good coming from you.
2:20:15 Yeah, we could we could really get into it where I could like
2:20:18 really freely speak my mind about this[ __] You know what I mean?
2:20:21 Like we can start fresh on any topic like that.
2:20:25 Facts.
2:20:25 Fact.
2:20:26 Yeah, cuz that's really like the[ __] that[ __] hip hop
2:20:29 and that's why I be doing those little commentary shows too, man.
2:20:32 Cuz like hip-hop need to hear this type[ __] man.
2:20:35 Like let's stop giving folks traditional[ __] Like
2:20:38 at least tell the truth as much as you can.
2:20:43 Yeah.
2:20:42 Like godamn you can't be authentic[ __]
2:20:45 The same old stories and[ __] like you know like powers and tribulation all
2:20:50 that[ __] or you know like glorifying the wrong things and[ __] like that.
2:20:55 Yeah.
2:20:55 Like he caught nine bodies.
2:20:58 Like[ __] this motherfucker's eating.
2:21:00 Somebody ate nine people today.
2:21:02 That's what I'm saying bro.
2:21:03 Like [laughter] yo like yo do you feed your kid McDonald's?
2:21:07 that you just you just fed your kid a body, bro.
2:21:10 You know what I mean?
2:21:10 Like, or like, yo, there's people out there who haven't haven't eaten today.
2:21:15 You know what I mean?
2:21:16 Like, real[ __] Like, there they killed their mom today.
2:21:20 You know what I mean?
2:21:21 Like, that[ __] is real.
2:21:22 Like, I don't want to hear about like this.
2:21:25 People don't care.
2:21:25 People are very very like they'll ignore all the wrong things, bro.
2:21:30 And it it hurts, man.
2:21:32 But like at the same time, I can only I can only care about so much, bro.
2:21:36 Because I just got to be aware of my surroundings.
2:21:38 You know what I mean?
2:21:38 Because I don't know what's real.
2:21:40 Yeah, me too.
2:21:41 But all I know is[ __] is real.
2:21:43 __] is real, but I don't know what's real.
2:21:46 Yeah, for real.
2:21:48 For real.
2:21:49 You ready to You ready to get off or you got 10 more minutes in?
2:21:53 I got 10 more minutes, man.
2:21:54 You do?
2:21:54 Cuz I got I got to go to a commercial break, though.
2:21:58 Oh[ __] Yo, did you not see that[ __] red light, man?
2:22:04 You think I give a[ __] about a[ __] RED LIGHT?
2:22:07 COPS CAN'T TOUCH ME.
2:22:08 I'm out here smoking weed, speeding, all that, dog.
2:22:11 __] that.
2:22:12 That's me, honey.
2:22:13 I got weight, dog, and it got a [music] race off.
2:22:16 I'm trying to cake off, so I got a big raw.
2:22:19 I got eight balls [music] the size of baseball.
2:22:22 I'm on a block all day, no days off.
2:22:25 I got weight dog and it got to race off.
2:22:29 I'm trying to cake off so I got to [music] bake raw.
2:22:32 I got eight balls the size of baseball.
2:22:35 I'm on the block all day.
2:22:37 No day.
2:22:38 I' been nice with the flow.
2:22:40 Ain't no stopping it.
2:22:41 [music] You[ __][ __] talking crazy.
2:22:43 Always popping[ __] I play with hammers and I pop[ __] This[ __]
2:22:48 [music] is practice how I'm shooting like Yakovic and I just cop the brick.
2:22:52 Get the pot.
2:22:53 I got to block the hit.
2:22:55 Block the strip with a lot of nicks.
2:22:57 And [music] when this block is lit,
2:22:59 this sto got my pockets looking like a Tyson fight with all these KN.
2:23:03 And I dump it for this cheddar [music] and squeeze off.
2:23:06 I'm in it for the cheddar and cheese sauce.
2:23:08 What you think I'm getting this cheese for?
2:23:10 Still ducking the [music] D for.
2:23:12 I stay low.
2:23:13 I get it and breeze off.
2:23:14 I'm still in the hood selling crap [music] and serving these beans raw.
2:23:18 I'm stuck to the pot like bean sauce.
2:23:22 I'm never pressed prick.
2:23:23 Stay with the steam on and the plast.
2:23:26 Take your legs from your knees off.
2:23:28 And please dog, it ain't even a game.
2:23:31 Know when [singing] you walk through [music] the door,
2:23:32 you want to leave with your chain.
2:23:34 __] it's scumbag.
2:23:35 They ain't no leaving the game.
2:23:37 It ain't no object.
2:23:37 [music] You talking lingo, they ain't leaving a slain.
2:23:40 __] I stand tall and I be in my lane.
2:23:44 for [music] go with the heat of bang.
2:23:47 Start squeezing a thing, the steam of the flame.
2:23:49 You will hear it like when [music] church bells in the evening ring.
2:23:53 I got weight dog and it got to race [music] off.
2:23:56 I'm trying to cake off so I got to bake raw.
2:24:00 I got eight balls the size of baseball.
2:24:03 I'm on a block all day, no days off.
2:24:06 I got weight dog and it got to race [music] off.
2:24:09 I'm trying to cake off so I got to bake raw.
2:24:12 I got eight balls the size of baseballs.
2:24:15 I'm on the block all day.
2:24:17 Know you inviting me through a night party.
2:24:19 I could be doing this [music] every weekend.
2:24:22 Have you in your skin?
2:24:22 My twins kicking your teeth in creep
2:24:25 in your shortest DM just like [music] a sheep can.
2:24:28 She like to party.
2:24:29 We do it with the sweet end.
2:24:31 You like a pack of wet [music] sheep skin.
2:24:34 Here baby eat this laugh.
2:24:35 We both feel it seeping.
2:24:37 Too busy eating them bananas [music] that there for days.
2:24:40 Yeah.
2:24:41 K pipes that look like [singing] gamma rays.
2:24:43 Me and my brothers in the basement
2:24:45 with the scaler bag smelling through the floor.
2:24:47 I got a high smile [music] on my grandma face.
2:24:50 No days off.
2:24:51 We can't take hits on even if I give them pancake [music] mix.
2:24:55 I'm not a lick that I ain't can't quit my song.
2:25:00 You weak.
2:25:00 We only take a[ __] I talk money be [music] your paper.
2:25:03 Your paper is statements.
2:25:05 You call landing with the paper.
2:25:06 Nate man[ __] [music] You looking thick.
2:25:10 I call it grand poke off the dancing stage.
2:25:13 Shoot up like a matt and in a hot tub.
2:25:15 Sniffing off big nippers with Celsius.
2:25:18 __] like [music] stripper lock your selfies with filters.
2:25:21 Mix you with words like you was cherry jello 187 and killer like cherry.
2:25:26 [music] It's easy left blind [singing] like scout.
2:25:31 Follow them home like me.
2:25:33 [music] I got weight dog and it got to race off.
2:25:37 I'm trying to cake off so I got to bake raw.
2:25:40 I got eight balls the size of baseball.
2:25:43 [music] I'm on a block all day, no days off.
2:25:46 I got weight [music] dog and it got to race off.
2:25:49 I'm trying to cake off so I got to bake raw.
2:25:52 I got [music] eight balls the size of baseballs.
2:25:56 I'm on the block all day, no days off.
2:25:58 [music]