Inside Russia's Foreign Mercenary Pipeline — The Ukrainian POW Camp Holding Putin's Recruits
IRONCLAD
0:03 This entire jail is only for prisoners of war.
0:09 I don't even know what to say right now.
0:11 But it's not really safe.
0:32 War is often imagined in moments, explosions, front lines, chaos.
0:38 But much of war is waiting,
0:41 waiting behind fences for decisions made from far away,
0:46 waiting for an end that may or may not come.
0:50 There are rules meant to govern even this.
0:52 They're set out in the Geneva Conventions,
0:55 a framework designed to preserve a baseline
0:57 of humanity in the middle of conflict.
1:01 Since 2022, when the Russian invasion of Ukraine escalated the war dramatically,
1:07 thousands of soldiers have been captured on both sides.
1:11 Each one represents a life paused,
1:15 removed from the battlefield, but not from the war itself.
1:23 [music] We are in Lviv, and we are on our way
1:28 to a prison [music] at an undisclosed location.
1:31 Obviously, like many of the places that we have been taking you guys,
1:36 we can't show exactly where we are
1:39 or anything that identifies [music] the location,
1:42 because obviously this is an active [music] war zone,
1:45 and in order to maintain the integrity
1:47 of security measures and ensuring that Ukraine's enemy,
1:51 aka [music] Russia, does not learn of these locations, we have to be careful.
1:59 Under international law, prisoners of war are not considered criminals.
2:04 They are detained not as punishment,
2:07 but to prevent them from returning to combat.
2:10 The Geneva Conventions outline what that detention should look like.
2:18 Adequate food, shelter, medical care,
2:21 protection from violence, and even public exposure.
2:25 In theory, captivity is meant to exist within limits.
2:29 new belongings.
2:30 So, again, here you get your Red Cross hygiene kits.
2:38 [music] Put up their personal belongings,
2:39 and then in here they come and have a full shower.
2:44 So, this is the working zone here.
2:48 There are parts of the camp [music] designed to stimulate normalcy.
2:52 Workshops, jobs, routine.
2:54 Ukrainian officials say labor and recreation are part
2:58 of maintaining conditions under [music] the Geneva Convention.
3:01 But walking through the carpentry area, the atmosphere shifted immediately.
3:07 No, be careful because here could be Russians as well, like Russian citizens.
3:13 But it's not really safe.
3:15 The prisoners here had access to chisels, hammers,
3:19 sharp tools that in another context would seem ordinary.
3:25 Here, they carried a different weight.
3:27 Every movement felt amplified, and every stare lingered longer than usual.
3:33 So, basically, I wanted to interview people in here and kind of find out,
3:37 [clears throat] you know, some of their stories,
3:39 but um we were just told that a lot of them are Russian citizens,
3:43 and it may not be safe, so to just be careful of what we say to these people.
3:51 I was, as usual, the only woman in the room,
3:55 which, at times, can make this job a little more difficult.
4:01 No one said anything directly to me,
4:04 but there was an unmistakable tension in the silence,
4:08 especially when my cameraman and myself spotted a few individuals who stopped
4:13 working upon our arrival and playing with their sharp tools in their hands,
4:19 stared us down until we left.
4:21 [music] For the men here, the war has shifted from movement to stillness,
4:34 from uncertainty in the field to a different kind of uncertainty.
4:40 How long will they stay here?
4:42 Who will be included in the prisoner swap?
4:45 When or if they will return home.
4:48 Many of the individuals in this particular
4:50 camp are foreign mercenaries from South America, Africa.
4:55 Many of them promised significant money for fighting alongside Russia,
5:00 while others, like Cubans, were handed over by their very own government.
5:08 Is he Russian?
5:10 Uh he's Russian.
5:16 What?
5:18 Uzbek.
5:18 Oh, he's he's Uzbek.
5:19 He said he's Uzbekistan.
5:21 Uh Uh he's from Uzbekistan and after he moved to Russia.
5:31 And he uh recognized himself as a Russian.
5:35 Oh, he recognized himself as a Russian.
5:36 And when did he come here?
5:43 From the 1st of November.
5:44 1st of November of 2025.
5:46 Uh 2025, yeah.
5:50 Okay, and does he believe that he has any chance to be let out of here?
6:04 I'm waiting for the prisoners swap, so I have some hope.
6:07 He's waiting for the what?
6:09 Prisoner swap.
6:09 Prisoner swap, okay, between Russia and Ukraine?
6:12 Yeah.
6:13 And why does he believe that he will be one of the people who get swapped?
6:36 So that will be some like the luck.
6:38 Oh, it's He hopes he's lucky.
6:40 Yeah.
6:40 What's his name and how old is he?
6:44 25 years old.
6:45 25 years old, he's a year older than me.
6:47 How does he feel to be here?
6:49 How does it feel to be captured?
7:04 I I I don't have any I'm not free.
7:10 But like work to help me [clears throat] to feel like to feel busy at least,
7:15 so that's quite normally for me, yeah.
7:20 Okay, I'm going to say thank you in He speaks Russian?
7:22 I'm going to say thank you in Russian and shake his hand.
7:24 So we're okay.
7:28 Oh, it says it in English.
7:30 So [music] you can see here it says prisoners of war
7:33 receive three hot meals a day and access to drinking water.
7:35 [music] So this is basically um This is Geneva Convention, right?
7:41 This is all of [music] the laws from, yeah, the the Geneva Convention.
7:48 [music] Um which basically makes made the laws
7:50 and regulations around how to treat prisoners of war.
7:56 [music] In conflicts throughout history,
7:57 the treatment of prisoners has often reflected something [music] deeper.
8:01 Not just military policy, but rather the country's political identity.
8:07 [music] It signals in some ways how a country wants to be seen.
8:14 I'm told [music] here Russia does not follow the Geneva Convention, right?
8:19 Yes, they don't.
8:20 [music] They don't.
8:21 even have the separate camps for prisoners of war,
8:24 so they send the Ukrainian prisoners
8:27 to their regular jails [music] just like for criminals.
8:32 I have personally knew a few people who
8:34 got into captivity and I know that their family,
8:37 they maybe will get once from here information that somebody saw
8:43 him there and there and there like zero direct communication and zero [music]
8:49 information provided by the Geneva Convention.
8:52 Unfortunately, there [music] is no way that I
8:56 could get access to a POW camp in Russia.
8:59 I would likely [music] end up one myself.
9:02 This is bedroom number four.
9:05 So, it's bunk beds.
9:06 The conditions are actually very good, I must say.
9:11 As you guys know, cameraman and I have been
9:13 to probably some of the world's shittiest [music] prisons.
9:16 This is definitely not one of them.
9:20 As I walked through each [music] area of the prison,
9:23 which was once used for criminals, I told my [music] cameraman that this was
9:28 by far the nicest prison we had ever been to.
9:32 Yet, at the same time,
9:34 the people here [music] seemed to be the most intense
9:38 of anyone I had seen [music] or met with in a prison.
9:42 Almost everyone seemed like a shell of themselves.
9:46 The stares burned [music] through me,
9:48 and I couldn't tell what the emotions were,
9:52 but they were certainly running high.
9:55 Whether they were angry, sad, or simply defeated.
10:01 This is the dining hall.
10:03 Meals here are regular, structured.
10:05 In environments like this, routine becomes essential,
10:09 not just for physical survival,
10:11 but for maintaining a sense of time and even a sense of self.
10:16 In many ways, routine is what
10:18 separates [music] detention from something more chaotic.
10:22 This is other lining up to go in and and get their meal.
10:25 It basically everything here works in cohorts.
10:28 So, a group will work for a certain amount of time while another group eats,
10:32 while another group uh makes the furniture, and then it all rotates.
10:38 Uh so, everyone is kind of constantly doing something, but it goes by groups,
10:42 and they cycle through each activity or necessity uh throughout the day.
10:49 Let's actually go up in with them,
10:51 and we'll show you guys what it looks like for meal time.
11:14 So, this is what lunchtime looks like at a prisoner of war camp.
11:22 I'm told that a lot of these men lining up behind me
11:25 [music] were fighting on the front lines uh for the Russian army.
11:30 Uh a lot of these men are not even Russian nationals.
11:35 This group of people is made up of so many uh,
11:40 different countries from around the world.
11:42 Uh, Cameroon, uh, Ecuador, Brazil, obviously Colombia.
11:49 We know they have a large number of foreign mercenaries,
11:51 but really there is a very diverse group uh, of all ages.
11:57 Uh, some of these guys are as young as me, 24, 22, uh,
12:03 and others seem to be a lot older even in in elderly men here.
12:09 And a lot of them you can tell are also injured.
12:12 What country?
12:13 Africa.
12:14 Africa?
12:15 But which African country?
12:18 You don't want to say?
12:21 Okay.
12:22 You can tell this is a global POW camp here.
12:25 Everyone is from all over the world.
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12:42 There's a feeling of pride by just, you know,
12:44 you got your stickers and and you're loading up your wood
12:47 and you're trying to dry it out and you're just that, you know,
12:49 taking it off the ladder and and [music]
12:51 and and bringing it over to your pile and and uh,
12:53 it sounds so basic, but it's it's uh, it gets me going.
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13:00 request a quote at the link in the show notes.
13:08 There's a library, books in different languages, access to reading,
13:13 to activity generally aren't incidental details,
13:17 because like I said, captivity isn't only physical, it's psychological.
13:23 And time, of course, behaves differently in places like this.
13:28 What does it say?
13:29 It looks like a Soviet library, so you Post-Soviet library.
13:33 [music] Typical post-Soviet library.
13:36 poetry Poetry, fiction, non-fiction, science, literature.
13:42 This Even the smell is the same, so I can feel that this is just like library.
13:48 So, like Tom Sawyer and Huckleberry Finn, like And To Kill a Mockingbird.
13:53 like All of the classics.
13:55 Huckleberry Cervantes here, like Is he POW?
14:01 Yes.
14:01 Yes.
14:03 [music]
14:01 The man working inside didn't appear to speak English.
14:05 I was speaking English and communicating with him through my translator.
14:10 So, he's Ukrainian?
14:18 He's Ukrainian, so why is he here?
14:21 The interaction between myself, my translator, the man working there,
14:26 and all of the guards in the library with us did not feel transparent.
14:31 He's not happy.
14:33 He's looking out at the guards.
14:34 Doesn't want to answer.
14:41 What is he saying?
14:42 Why are you asking?
14:43 You came Oh.
14:46 Uh hold on.
14:47 Hold on.
14:48 Um I'm Canadian journalist and I just want to know the story,
14:52 but mhm maybe they should stand outside.
14:56 So, we can talk to him.
14:58 I'm not sure that They won't.
15:00 for that, yeah.
15:01 So, did you ask When you asked him why he got captured,
15:04 he doesn't want to answer?
15:06 Yes.
15:07 But he's Ukrainian.
15:08 Yes, he's Ukrainian.
15:08 And he's in a Ukrainian POW camp.
15:11 So, did he defect?
15:13 Oh, he he's in this camp because he was captured as a Russian.
15:18 He was captured as a Russian.
15:20 military servant So, he was serving for the Russian military?
15:23 Did he say that?
15:25 Uh yes.
15:26 But I asked for the reason how he he got to Russian army.
15:32 But he was serving in the Russian army?
15:34 Yeah, because for example, yeah,
15:35 the main uh purpose of that the main reason is like forced mobilization.
15:40 If you uh if you got on occupied territories by Russia,
15:45 and someday they come and say, "Okay, we take you.
15:48 Now you you join the Russian army,
15:51 and you actually doesn't have any choice." So they forced him to join the army?
15:55 No, the the primal mobilization.
15:57 As we're about to leave, kind of looked him deeply in the eyes, I was like,
16:03 he started speaking English,
16:04 and he pretended that he didn't speak English at first,
16:07 and then told us a little bit about his story, but there's also only so much I
16:10 can ask because we are literally with government.
16:14 I know nothing about this man.
16:16 I couldn't ask him.
16:18 He likely wouldn't have answered if he committed atrocities,
16:22 if he himself was tortured.
16:25 In war, identity becomes complicated [music] very quickly.
16:30 Since Russia's full-scale invasion,
16:32 there have been documented cases of Ukrainians fighting within Russian units.
16:37 Some from occupied territories, [music] some coerced,
16:41 some of course aligned with Russia, and others [music] simply trying to survive.
16:48 You were Were you fighting in Russian I'm not fighting,
16:50 but I was in Russian army.
16:53 You were in the Russian army?
16:55 So you are here just because you was captured from Russian army,
17:00 like according to the law, let's say.
17:04 I I didn't capture by Ukrainian army.
17:07 I I surrendered.
17:09 Oh, you surrendered?
17:11 Yeah, to Ukrainian.
17:12 Mhm.
17:15 Have you spoken to your family since you've been here?
17:17 I can.
17:18 They let you.
17:19 How long have you been here?
17:22 More than 2 and 1/2 years.
17:27 More than 2 and 1/2 years.
17:28 Yeah.
17:29 That's a long time.
17:29 How old are you?
17:31 20 25.
17:33 No, 25.
17:35 25.
17:37 Thank you for chatting with me.
17:38 Is there anything that you want to say?
17:40 Any message for anyone watching?
17:44 A lot of people I don't know.
17:46 No?
17:46 Are you sure?
17:48 will see this.
17:49 My family know about me.
17:52 They know, yeah.
17:54 Thank you.
17:56 Are you good on the B-roll?
18:00 Bye.
18:00 Goodbye.
18:03 Okay, so that's a perfect example of how I knew if we asked the guards to leave,
18:08 then he he wants to talk.
18:09 You can typically tell when someone wants to talk.
18:11 This is a prisoner of war.
18:13 They have absolutely no one to talk to.
18:15 Nobody will ever know the true story of what's happening
18:18 here or what these people think or what's being done.
18:20 Who are these individuals, right?
18:22 Inside the camp, even admitting who you are can become dangerous.
18:28 No, can we just debrief the fact that what
18:32 just happened was absolutely crazy, to be honest.
18:35 I feel like I'm like in a movie.
18:39 I know you guys have seen me in a lot of crazy places, but I can't lie.
18:42 This is [music] by far by far This is by far, yeah.
18:47 Camera guy and I are both kind of like [music] woah.
18:52 We toured the camp towards the end
18:54 of our Ukraine assignment after having covered drones,
18:59 death, [music] everything that is textbook war.
19:02 But what became clear to me at this camp where there
19:06 was a sense of calm the underlying [music] tone was incredibly dark.
19:12 War doesn't end at the front lines.
19:14 [music] It extends into places like this, into the routines,
19:18 the waiting, into the lives [music] that are put on hold.
19:23 And sometimes it looks just like this.
19:27 Men in uniform, shaved heads facing down,
19:31 moving in silence one [music] after another, the same thing day in day out.
19:37 It's an image that carries [music] history with it,
19:40 whether it belongs here or not.
19:43 Because war doesn't just shape the present.
19:47 [music] It echoes.
19:48 It blurs lines between what we see and what we think we [music] understand.
19:54 So every morning at 9:00 a.m.
19:56 across Ukraine, uh they have this moment of silence for the fallen soldiers.
20:01 Everyone on the highway stop their car, gets out, stands up.
20:05 It's in total silence.
20:07 Um and even on the app that a lot of people here use to track uh air raids,
20:13 that app will also notify people of when
20:16 the moment of silence is about to happen.
20:26 OKAY, SO RIGHT NOW AS YOU CAN tell everyone
20:29 is stopped their car and standing outside of their cars.
20:33 This is a moment of silence for fallen soldiers in Ukraine.
20:40 We're on the highway and everyone is stopped, standing outside, silent.
20:48 Honestly, it's moments like this where you
20:50 realize how much tragedy is happening here.
20:55 Um and just how many people have died.
21:00 Some of the men here fought willingly.
21:02 Some of them even believed in it.
21:04 And some may have simply been pulled into it.
21:10 But here it doesn't [music] matter.
21:11 By orders, by circumstance,
21:14 by the kind of momentum that this invasion has created,
21:17 where individual choice becomes harder to trace,
21:21 even in speaking to these very individuals.
21:24 And standing [music] here, watching this, immersing myself in it,
21:30 it becomes difficult to separate who someone was before
21:33 [music] the war from who they are inside of it.
21:38 Because in the end, this invasion doesn't just redraw borders.
21:42 It rearranges people and leaves behind
21:45 [music] questions that don't have clear answers.