Styled By: Inside Met Gala Mayhem: Stylist Jasmine Benjamin on Pressure, Precision and Power Moves
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0:00 Today's guest has styled some of the hottest names in music.
0:03 [music] I'm talking Anderson .Paak, Miguel, and even a legendary Chaka Khan.
0:08 She's also been the brains behind amazing ads for the WNBA,
0:13 Nike, Google, and so many other amazing companies.
0:18 Jasmine Benjamin is with us right now to talk about her new book that pays
0:22 homage to the city of angels and also to discuss what inspires her fashionably.
0:33 Jasmine, thank you so much for being here
0:35 with us today to for being in this amazing showroom.
0:39 There's so many cool threads here.
0:41 I cannot wait to get into all of that, but first,
0:44 let's begin from the very beginning.
0:46 I know that you grew up here in Cali,
0:49 um and this is where like you had your beginning with fashion.
0:52 So, tell us like how did that your upbringing really
0:55 inspire you to become the person that you are today?
1:00 Well, I grew up in a really bohemian household
1:02 and my mother and father had really cool style.
1:06 Um my my father being from San Francisco and my mother being from New Orleans,
1:11 it just kind of brought this really great melting pot of alternative style.
1:15 And I also had an older brother who's a Gen
1:17 Xer who just was super into hip hop and grunge,
1:20 so he had really great style and I don't know,
1:23 something about having a southern mom,
1:25 there's just a different type of swag that they have.
1:27 So, I was really lucky to be able to witness all of their great style.
1:32 I also know that you are a stylist, but you are also a photographer.
1:36 So, how do you blend the both of those when you are on set for a campaign?
1:42 Well, you know, to be honest,
1:45 I feel like I really [music] learned photography by looking at the campaigns
1:49 in the magazines and then when I'm
1:52 on set seeing how the photographer sets up everything
1:54 and the lighting and the composition
1:56 and that really informed my eye throughout my entire
2:01 life of being a stylist to learn how to be a great photographer, to be honest.
2:06 And I know that you have big news.
2:08 You are dropping a book, right?
2:10 Your first book.
2:12 Tell us about the book and what inspired it.
2:14 You know, my book, what really inspired it was First of all,
2:18 I wanted to do something different than what
2:20 I'm usually known for, which is being a stylist,
2:22 and I want to really represent the city
2:25 and place that brings me the most inspiration,
2:27 which is Los Angeles.
2:28 And I felt like Los Angeles has the most rich,
2:32 diverse culture that people don't know about
2:35 unless you're an insider in Los Angeles.
2:37 And I wanted to showcase what my world looks like,
2:39 the people that I see every day,
2:41 the people that inspire me, the different neighborhoods,
2:44 and the different eclectic creative luminaries that I'm around all the time.
2:49 So, I was like, I'm going to make a book about this.
2:51 This is like just gives me I know I keep saying the word inspiration,
2:56 but it just gives me so much inspiration and it's inspired
2:59 like my entire career being a stylist living in Los Angeles.
3:02 I love that.
3:02 Love that so much.
3:04 And we mentioned earlier that you've [music] worked
3:06 with so many amazing artists such as Anderson .Paak, Chaka Khan, Miguel, right?
3:12 So, let's just dive into who [music] they are fashionably, like their essence.
3:17 So, let's talk about Chaka Khan.
3:19 What is it about Chaka Khan's voice,
3:22 her persona, her image that really blend well together?
3:26 Chaka Khan is one of one because she is a black soul funk singer,
3:32 but she's also like very bohemian and she likes to say,
3:37 or she used to like to say, very goth.
3:39 So, you know, she's coming out with fringe, she needs lace,
3:44 she needs velvet, she needs black, and she's just also so beautiful.
3:50 Every era of her life, she's more and more beautiful.
3:53 So, like Chaka is just like she's one of one.
3:56 She's so special.
3:57 Right, right.
3:58 She really is one of one.
3:59 Okay.
4:00 Now, let's talk about Miguel.
4:01 Miguel is all about R&B, baby.
4:03 All about R&B.
4:05 So, what is it about his style that really epitomizes [music]
4:09 R&B, the culture, the genre?
4:11 Well, when we met to work together,
4:12 it was really incorporating things that were authentically him, which is,
4:17 you know, he's black and Mexican, he's from Los Angeles,
4:19 and he has a really foundational love for rock music.
4:23 So, we really incorporated a lot of those themes
4:27 within his wardrobe when I was working with him,
4:29 and that has been foundational throughout all of the eras of his career,
4:33 even when I'm not there anymore.
4:34 Because when you think of Miguel, you think about the leather.
4:37 You think about the bare chest.
4:38 Yeah, yeah.
4:39 You think about the arms out.
4:40 Okay, cool.
4:41 Love that.
4:41 And then let's talk about Anderson .Paak, right?
4:44 Anderson .Paak is a whole mood, right?
4:47 So, tell us how does Anderson .Paak's style really
4:51 embody who he [music] is on stage as an artist?
4:55 Well, with Anderson .Paak,
4:56 what's interesting about him is he's like this ball of fun, happy energy.
5:01 He really lifts the mood in any room that he's in.
5:05 And with him, it was more about like, you know,
5:07 he makes such such great like soul music, but there's some throwback elements.
5:12 So, it was like, how do we incorporate retro looks,
5:15 but kind of create them into a more modern way.
5:20 So, it was like mixing retro and modern together and really
5:24 joyful patterns and really joyful colors because that's his present.
5:30 Yeah.
5:30 And like it's just like a big melting pot of that and then you have this.
5:34 And then when we think about your career,
5:36 Jasmine, girl, you've been doing it all.
5:37 You have done so much.
5:39 What moments from your career still make you just pinch yourself to be like,
5:44 man, that really happened?
5:45 I always think about my first Grammys in 2013
5:48 [music] with Miguel because it was like the first
5:52 big artist that I was working with and I
5:55 really feel like I manifested that whole thing.
5:58 I always thought that the first big artist that I work
6:02 with, I want it to be a someone who might have
6:05 needed a rebrand and someone that I can kind of come
6:09 in and create this whole new world that was more authentically them,
6:13 and I felt like I really had that with an artist like Miguel.
6:17 So, jump to that year, 2013, it's the Grammys,
6:20 Adorn is the biggest song in the world at that time,
6:23 and it was just an amazing experience because it was my first Grammys,
6:26 and it was also witnessing this artist in the highest
6:29 of his life of his career and seeing how people are receiving him,
6:34 how he's receiving all the honors.
6:36 The Grammys that year was incredible,
6:39 and it was just a really fun ride that whole year.
6:42 Yeah, and then when you are styling for the Grammys, right?
6:45 Because that's an award show like no other.
6:48 So, what things do you keep in mind
6:51 when styling for that specific award [music] show?
6:54 That one, you really want to make sure the artist is originally original,
6:58 but like originally themselves.
7:00 Yeah.
7:00 You know?
7:00 And you want to make sure that [music] it's
7:02 not necessarily like pulling from a store, per se.
7:05 You want to either work with a designer,
7:07 maybe a fashion house in Europe, and pull clothes from the collections,
7:11 or if you're really lucky,
7:12 which my favorite thing to do is making customs with the fashion houses.
7:16 And that is like, to me, the top level of creativity you can do with a stylist.
7:22 Yeah, I love that part.
7:23 Take us into one of those moments though when you have
7:25 worked with a fashion house to create your own custom looks.
7:29 What is that process like for you?
7:30 Um it's so fun.
7:32 I feel like I really got such [music] great training working
7:35 with these artists and being able to kind of be a middle
7:38 person in a way because you want to make sure
7:40 the house is respected and their point of view is coming across,
7:44 but you also want to make sure
7:45 the artist's needs and how he's reflected comes across,
7:48 and you're kind of in the middle
7:49 making sure this really sweet balance is happening.
7:53 When I was working with Anderson .Paak, what was really great,
7:56 we were developing these looks together in this really
7:58 unique retro look we made for him,
8:00 and then fashion houses started to be interested maybe about a year
8:03 and a half to two years in, and Gucci at the time was very interested,
8:07 and Alessandro was a creative director, and it was like the perfect synergy
8:12 for an artist like Anderson [music] and his style.
8:14 So, they were so excited to work with him, and they would send us sketches,
8:18 and they would tell us what looks we wanted from the runway.
8:21 We got to pick them out,
8:22 and they make them in his size to have on hand for these special things,
8:25 even the stores in the back of the look.
8:27 And it was just really cool.
8:28 I think there was a one point,
8:30 Alessandro made a pant that was called the Anderson
8:32 pant because he was so inspired by, I
8:35 believe it was the LACMA film and art gala when we had that look for him,
8:39 and he really loved it.
8:40 And that's when I was like, see, we're hitting this really wonderful sweet spot.
8:43 Like I love that.
8:44 All right, Jasmine, thank you so much.
8:46 We really appreciate it.
8:48 Now, let us know where we can find you on social media.
8:50 You can find me on social media at Jazzy Benjamin, j a s i Benjamin.