The Genius Design of Communist Memorials
The Present Past
0:02 You're looking at a memorial for the second world war.
0:06 This is one too.
0:08 And this.
0:09 They look different from other memorials.
0:11 They don't show flags, heroes or victims.
0:14 These abstract shapes and geometric forms seem to come from another planet.
0:19 The communist party that built these monuments no longer exists.
0:23 In fact, the country they're in no longer exists.
0:26 Why do these monuments look so weird?
0:30 Why were many abandoned and some even destroyed?
0:36 Monuments sometimes seem invisible.
0:38 Do you really know who the local man on the horse is?
0:42 But monuments matter.
0:43 They show us our values.
0:45 And how values can change.
0:48 The second world war was the greatest conflict of all time.
0:54 Most define how we should remember this war.
0:56 The battle for Stalingrad in the Soviet Union cost
0:59 more lives than the entire English and American losses combined.
1:02 On the last day of September,
1:04 Hitler announced that the fall of the city was only a matter of a few days.
1:08 When the memorial park to this battle opened,
1:11 this was the biggest statue in the world.
1:14 It's mother Russia pointing the way with open mouth and a big sword.
1:18 It shows the power of the unified nation.
1:20 To the west in Germany, the message of another mother is different.
1:25 This time she is not victorious but grieving over the loss of her son.
1:29 Warning for the tragedy of the loss of life war brings.
1:34 In America, this world war two memorial shows their identity as victors.
1:39 The atmosphere is uplifting.
1:41 People take pictures of their home state.
1:43 But in the former socialist state of Yugoslavia,
1:46 world war two memorials look completely different.
1:49 I traveled all across the western Balkans to show
1:55 you these amazing structures and tell their story.
2:01 This is Tjentiste.
2:03 In a field, two roads lead to two concrete shapes.
2:08 If you pass the monument, you can see it resembles wings.
2:13 A sign resembling victory.
2:15 Shapes in the stone show abstract faces.
2:19 This place was the location of a brave escape.
2:21 In the second world war many people resisted the Axis forces.
2:25 But the most successful resistance group could be found in the western Balkans.
2:37 In this valley in 1943,
2:40 Tito and 22.000 partisans were surrounded by 127.000 Axis forces.
2:45 They made an unbelievable escape but lost many soldiers.
2:50 This monument remembers the fallen.
2:52 It's an amazing work of art.
2:55 But its design tells a geopolitical story.
2:58 The war in Yugoslavia was very bloody.
3:01 An estimated 6 to 11 percent of the population died.
3:04 That's almost as much as the Soviet Union.
3:07 So after the war, countless families needed to remember their dead.
3:11 But the first memorials don't look like the later abstract versions.
3:14 They're just simple slabs.
3:16 This is because just after the war
3:18 it was local communities that made simple memorials.
3:21 But even the bigger ones built by the state don't look abstract at all.
3:25 Why is this?
3:26 The Yugoslav Communist Party looked up to the Soviet Union as a big brother.
3:31 So they follow the Soviet style of socialist realism.
3:34 A style idolizing the life of the people.
3:37 I mean, look at these veins.
3:39 But they soon find out that big brother is also a big bully.
3:43 They distance themselves from the Soviets.
3:45 So instead of showing workers that never skip leg day,
3:49 they take inspiration from Western art forms and develop their own style.
3:54 You get abstract monuments, organic shapes.
3:56 These have become known as Spomenik
3:58 in the West after the Serbo-Croat for monument.
4:02 But the split with the Soviets is not
4:04 the only reason why they look so different.
4:08 Yugoslavia had a problem.
4:09 World War II in Yugoslavia was not
4:12 a simple story of partisan winners and German losers.
4:15 The Yugoslav state was full of different ethnicities and different religions.
4:20 During the Axis invasion, many clashed in a bloody civil war.
4:33 Nazi Germany installed a puppet regime in Yugoslavia.
4:36 This concrete flower is a monument at Jasenovac, Croatia's Auschwitz.
4:41 The Croatian fascist Ustasa killed an estimated 83,000 Serbs,
4:46 Jews and Roma in this death camp and many more outside.
4:54 But after the war, former enemies now have to live together.
5:00 The partisans want to forget this divisive past and look to the future.
5:04 A revolutionary socialist future where ethnic
5:07 and religious identities are not important.
5:10 So when a first design for a memorial focused on the suffering of victims,
5:15 the leader Tito was afraid this would stoke ethnic tensions.
5:18 So instead he chose this flower, a symbol of life, rebirth and forgiveness.
5:23 The communist party used monuments to create
5:27 an official interpretation of the past
5:30 in order to gain control of its society in the given present.
5:34 It is not just the party though.
5:37 Many monuments were initiated by local communities.
5:40 Instead of religious symbols,
5:41 you get monuments that celebrate the socialist revolution.
5:47 This is the Kosmai monument.
5:52 It can be interpreted as a five-pointed star,
5:58 the same star you can find in the Yugoslav flag,
6:00 resembling the five fingers of the worker's hand.
6:03 This monument is to the Kosmai partisans that were fighting the Germans.
6:07 If you look closer, you see that the structure has five individual points,
6:11 as if gravity does not exist.
6:13 This sculpture looks futuristic.
6:16 It almost looks ready to take off.
6:20 This is not by coincidence.
6:23 Yugoslav society was an optimistic society focused on the future.
6:27 But this future would only be real
6:30 if new generations learned about socialist ideology.
6:32 So the monuments also become teaching grounds.
6:35 This monument in Croatia became one of the most important memorial places.
6:40 Around three million people came to visit.
6:43 And this is still just one of an estimated
6:46 20 to 40 thousand monuments to the second world war.
6:51 But in the end, the monuments did not succeed in their goal.
7:02 This is the Petrova Gora monument in Croatia.
7:05 It has been erected to remember the execution of thousands of Serbian peasants.
7:10 It is now completely abandoned.
7:13 Looters took many aluminium plates.
7:15 A radio antenna now sits on the structure.
7:19 This once proud monument is literally a shell of itself.
7:22 But other monuments have suffered an even worse fate.
7:25 This is the Makljen monument in Bosnia Herzegovina.
7:28 Unknown people destroyed it with dynamite.
7:31 It's just one of many that did not survive.
7:39 Why were these monuments demolished?
7:43 In the beginning of the 1990s Yugoslavia came to a violent end.
7:46 I made a video that covers this topic.
7:48 The nation broke apart and the fragments that emerged
7:51 quickly needed to decide what their own story was.
7:54 For some that meant a total break with everything that Yugoslavia stood for.
8:02 Destroying the monuments that were once meant to unite.
8:06 In other places, monuments were more easily
8:09 reimagined to fit into the new national identity.
8:12 But this history was completely ignored
8:14 when the West discovered these structures.
8:18 Their alien looks are great for dystopian fantasies.
8:26 They can be found in artwork, in games, set pieces in Netflix series.
8:30 But by focusing on their looks alone you lose important context.
8:34 This leads to some interesting use cases.
8:38 The Croatian Auschwitz becomes a petty backdrop to promote sunglasses.
8:43 Monuments to massacres are perfect for parkour.
8:47 And although the appeal of these places is understandable,
8:50 they are important memorials made to remember thousands
8:52 of casualties and with a specific socialist goal in mind.
8:56 They rejected the Soviet example and made their own unique style,
9:00 in what is arguably the biggest public art project in the world.
9:04 With the goal to shape different ethnicities into one Yugoslav people.
9:08 A goal that ultimately failed.
9:12 Knowing that context makes them all the more interesting.
9:17 The people designing these memorials were really artistic.
9:21 But to make their dreams a reality, they needed to know math.
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