The $200M Machine that Prints Microchips: The EUV Photolithography System
Branch Education
0:00 Inside every modern laptop, smartphone, desktop computer, advanced AI server,
0:06 or practically any other high-tech device are
0:11 cutting edge microchips such as these CPU, GPU, SoC, DRAM, and SSD chips,
0:19 each with tens of billions of transistors inside of them.
0:23 The transistors inside these microchips are incredibly small with the tiniest
0:29 features measuring around 10 nanometers or 45 silicon atoms.
0:33 This feat of science and engineering may seem impossible because on one hand
0:39 each of these microchips is made
0:42 from connecting billions upon billions of transistors together,
0:46 and then on the other hand,
0:48 each individual transistor is only nanometers in size.
0:52 Additionally, these microchips are everywhere and in everything,
0:56 and therefore they must be reliably mass produced.
1:01 So how is manufacturing such a microchip even possible?
1:05 These are photolithography tools,
1:07 and they are the key to manufacturing microchips.
1:11 However, it’s important to note that there are dozens of different
1:15 types of tools used in the various steps for making microchips,
1:18 and each one plays a critical role in the manufacturing process.
1:23 So, to be accurate, photolithography tools are the ones that are
1:27 used to copy and imprint the nanoscopic patterns of transistors
1:31 and layers of wires onto a microchip and therefore a useful
1:36 analogy is to think of these photolithography
1:40 tools as nanoscale microchip photocopiers.
1:44 Photolithography tools have been continuously evolving to copy and imprint
1:48 smaller and smaller transistors and circuitry, and, in this video,
1:53 we’re going dive into this state-of-the-art EUV Photolithography System
1:58 and explore the science and engineering inside of it.
2:02 So, let’s begin with a quick overview.
2:05 To start, the EUV Lithography Machine takes the design of a single layer
2:10 of a microchip on what’s called a photomask and loads it into the machine.
2:15 Next, a 300 millimeter silicon wafer with a set of prior processes
2:20 applied to it is placed onto a wafer carrier inside the machine.
2:25 With both in place, the machine uses extreme ultraviolet light or EUV and a set
2:32 of mirrors to copy the design from the photomask onto a silicon wafer.
2:37 The wafer moves to the next position
2:39 and the microchip design is copied yet again.
2:43 This copying happens over and over until the wafer is filled with a hundred
2:47 or more microchips and then a new wafer comes in, and the copying starts over.
2:53 This is the real-time speed of the lithography machine,
2:57 taking about 18 seconds to duplicate the same microchip design around
3:02 a hundred times across the entire area of a 300-millimeter wafer.
3:07 Let’s take a look at one of these microchips and see what exactly we’re copying.
3:13 Inside this microchip are approximately 30 billion transistors,
3:17 and if you were wondering, it’s the design of a GPU or graphics processing
3:23 unit found in the center of a graphics card.
3:26 When we zoom into a nanoscopic view of this microchip
3:30 we find a 3D maze of transistors and layers upon
3:33 layers of wires with the smallest dimensions of the bottom
3:37 most layers measuring around 10 nanometers or around 45 silicon atoms.
3:44 Specifically, the EUV Photolithography System typically patterns
3:48 the lower layers with the smallest features,
3:52 whereas other photolithography tools are used to pattern the higher layers.
3:56 It might be difficult to fully grasp the level of detail
4:01 and complexity inside a single layer of billions of nanoscopic transistors,
4:05 so let’s use a thought experiment and pretend
4:08 that instead of copying transistors and wires,
4:12 this EUV photolithography system is used to copy the text from a book.
4:18 If the width of each line of a letter is 13 nanometers,
4:22 then the word ‘Cat’ would take up around 155 by 240 nanometers,
4:26 a page of text would be about the size of a red blood cell,
4:32 and a chapter of a book would be a grain of pollen.
4:36 When we zoom out to see the equivalent area of a GPU chip,
4:40 how many pages of text do you think we could fit using these nanoscopic letters?
4:46 Well, we could print all 7 Harry Potter
4:50 books plus every book written by Stephen King,
4:53 the entirety of the text from the English Wikipedia,
4:56 and still have enough space to fit
4:59 every single book from your local public library.
5:03 There’s an unbelievable quantity of nanoscopic lines and details
5:07 that can fit into the area of a microchip,
5:11 and it’s all photocopied by this EUV Lithography System in less than a second.
5:16 It’s no exaggeration to say that every piece of modern
5:21 technology that you use is made possible by this machine,
5:24 and in this video, we’re going to explore
5:29 the key modules inside it and see how they work.
5:37 So, let’s jump right in.
5:41 This video is sponsored by ASML,
5:44 the company that designs and manufactures EUV Lithography Systems.
5:48 Throughout the video all the details and facts were independently researched,
5:54 written, and animated.
5:56 Additionally some aspects are simplified,
5:58 and due to the proprietary knowledge and confidentiality around EUV Lithography,
6:03 some of the details we present are approximated or modified.
6:08 Before we open up and explore this EUV System, let’s first spend a few minutes
6:15 discussing microchip manufacturing and semiconductor fabrication
6:18 plants or fabs for short and the exact role of this machine.
6:24 Inside our example fab are hundreds of machines of which a couple
6:28 dozen or so are the EUV Lithography machines we’ve been discussing.
6:33 To make a microchip, 300-millimeter silicon wafers are stacked inside
6:38 a front-opening universal pod or foup
6:41 and carried from machine to machine using an overhead transport system.
6:45 The foup is lowered onto a machine where each wafer is processed
6:50 in one way or another and, once the machine completes its work,
6:54 the wafers are returned to the foup, the pod is picked up,
6:59 carried to the next machine and dropped off for the next step in the process.
7:04 Microchip manufacturing is incredibly complicated,
7:06 but a simple way to think about it is that it’s
7:11 kind of like spray painting a design through a stencil,
7:14 but instead of art this stencil contains the nanoscopic
7:18 patterns used to build the transistors and wires.
7:21 Inside the microchip factory,
7:23 some tools are used to build the stencil such as the EUV lithography system,
7:28 and many of the other machines such as the deposition
7:32 tools or ion implanters are the spray paint.
7:36 So, let’s take a look at how we build the stencil
7:39 on the wafer which is technically called a photoresist layer.
7:42 To begin, the wafer travels to a machine called a track
7:47 tool where a light sensitive material called photoresist or just resist,
7:52 is poured on and evenly spread across a spinning wafer.
7:57 Next the wafer is heated in order to dry
8:00 and solidify the resist thus forming a flat blank stencil.
8:05 The wafer then moves to the photolithography tool where
8:09 EUV or extreme ultraviolet light is projected onto the photomask,
8:13 which is also called a reticle but typically just a mask for short.
8:18 When EUV light hits the mask,
8:21 the patterned information is imprinted in the light,
8:23 and this imprinted light then bounces off a set of mirrored lenses in order
8:28 to project a focused and scaled down image of the mask onto the wafer.
8:33 Wherever the EUV light touches, the resist is modified and thus the design
8:38 is copied from the mask onto the wafer.
8:41 The wafer moves to the next position
8:43 and the EUV patterning process repeats again
8:46 until the entire wafer is filled with copies of the design from the mask.
8:52 Next the wafer travels back to the track tool,
8:55 where the modified resist is washed away using
8:58 a developing solvent and the wafer is heated
9:01 to form a hardened stencil or completed photoresist
9:05 mask layer on the top of the wafer.
9:08 Now that the wafer is patterned,
9:10 the wafer travels to the other spray paint-like tools
9:13 in the fab which are used to etch away the uncovered areas,
9:17 implant dopants such as boron or phosphor, or deposit a layer of copper,
9:23 tungsten, or other metals,
9:26 thereby building a single layer of nanoscopic structures.
9:30 Note that there are additional process steps that we’re not going to get into.
9:35 Now that we have a basic understanding of how
9:38 the stencil and spray paint like processes form a single layer,
9:42 let’s zoom into a nanoscopic view inside a microchip where we
9:46 can see how the transistors
9:48 and wires are incredibly complicated 3-dimensional structures.
9:52 Each of these layers are built one after
9:55 the other starting with the transistors at the bottom,
9:59 moving up to the small wires, and then wider and wider metal layers further up.
10:04 In essence, to build a complete microchip,
10:07 the stencil and spray paint process is repeated over
10:11 and over each time building only a single layer,
10:15 and therefore it’s more effective to visualize these processes as a loop,
10:20 where a single pass of the loop forms one
10:23 layer using a single mask design in the lithography tool,
10:27 and then another layer is built using
10:29 an entirely different mask loaded in the machine.
10:32 To complete a GPU chip like this one,
10:36 the series of process steps or loops is repeated around 80 times resulting
10:41 in around a thousand individual process steps
10:45 and taking four or so months to complete.
10:48 Let’s go back to the nanoscopic view of the microchip.
10:52 Here we can see that the lower layers are incredibly tiny and 13
10:56 nanometer EUV light is used to build the pattern for these layers.
11:02 However, the upper wires are substantially larger and are
11:06 patterned using an entirely different machine called a DUV
11:11 or Deep Ultra Violet Photolithography System which is also
11:15 built by ASML and uses deep ultraviolet wavelength light.
11:21 DUV lithography tools were introduced in the 2000s
11:25 and are still incredibly advanced machines.
11:28 Because DUV tools typically cost less than EUV machines,
11:33 it’s more cost-effective to use EUV tools
11:36 to pattern the transistors and so-called critical layers,
11:41 and then use DUV tools to pattern the upper, wider, less-critical layers.
11:47 Additionally, less advanced chips that don’t
11:50 require the smallest transistors and wires may
11:54 forgo using EUV lithography altogether and only
11:59 use DUV wavelengths, such as 193, 248 or 365 nanometers As a result,
12:08 cutting edge fabs typically utilize different types of lithography tools,
12:15 and all these machines work as an intricate ecosystem to make a microchip.
12:21 With the basics of microchip manufacturing covered,
12:24 let’s open an EUV lithography system,
12:27 explore the incredible science and engineering inside,
12:30 and divide the system into its five key parts:
12:34 The light source, the illuminator, the reticle handler and reticle stage,
12:40 the projection optics, and finally the wafer handler and wafer stages.
12:44 We’ll begin with the light source which produces the EUV light,
12:49 but let’s first answer the question of why
12:52 we even need to use Extreme Ultraviolet Light.
12:55 Well, a simple analogy is to think of the light used to project
12:59 and copy the pattern from the photomask as the tip of a marker.
13:04 And, as you’re probably familiar with markers,
13:06 if you want to draw thin lines then you need a marker that also has a thin tip.
13:12 You can do tricks like angling the marker,
13:14 but if you want to draw lines that are 100 times thinner,
13:18 well then you need to switch pens and use a much smaller, fine tipped pen.
13:25 Likewise, to copy designs with dimensions only around 10 nanometers wide,
13:30 we use 13 nanometer light,
13:33 which is in the extreme ultraviolet light range of the electromagnetic spectrum.
13:38 The more technical answer deals with the wavelike nature of light
13:42 and what happens when light hits these nanoscopic patterns inside the photomask.
13:47 These patterns are made from nanoscopic EUV absorbing blockers
13:51 on top of a surface that reflects EUV light.
13:55 We’ll explore the photomask and how the system
13:58 uses reflective lenses a little later in this video,
14:01 but for now instead of using reflective optics,
14:04 it’s easier to visualize the photomask as through beam optics
14:08 in a setup similar to the well-known double slit experiment.
14:12 However, instead of the double slit
14:15 we’re showing light passing through a complicated
14:18 pattern of nanoscopic slits that represents
14:21 a small portion of the overall photomask.
14:23 So, what happens when we use a wavelength of light
14:28 that’s substantially larger than the 13 nanometer EUV light,
14:32 such as this 450-nanometer blue light.
14:35 Well, when this large wavelength light hits the pattern,
14:40 the pattern is almost entirely lost.
14:42 This is due to the width of the holes in the pattern
14:46 being substantially smaller than the wavelength of light hitting it.
14:49 This limit to the resolving power of the lithography
14:53 machine is described in Rayleigh’s Criterion Equation,
14:57 which we will explain later.
15:00 So, let’s switch to 13 nanometer EUV light.
15:03 As the EUV light hits the pattern, the light passes through and the pattern
15:09 of the photomask is imprinted into the light,
15:12 and the light diffracts similar to the double slit experiment.
15:16 This imprinted light then passes into projection
15:19 optics mirrored lenses which are used
15:21 to focus and scale down the pattern and project it onto the wafer.
15:26 So now that we understand the need for EUV light,
15:29 the next question is how do we produce it?
15:32 To start, two high-powered laser pulses run
15:36 through multiple amplifiers below the cleanroom floor.
15:39 These laser pulses grow in power and then
15:43 travel from the sub-fab using a pathway of mirrors
15:47 and up through the bottom of the tool
15:49 and into a chamber called the source vessel.
15:52 The first laser, called the pre-pulse,
15:54 is around 5 kilowatts in power and is targeted
15:57 at a droplet of tin using a set of actuated mirrors.
16:02 This pre-pulse laser turns the tin droplets into a pancake-like shape.
16:07 The second approximately 25-kilowatt main laser pulse which is more
16:12 than 10 times stronger than the lasers used to cut steel, hits the tin pancake,
16:19 instantly vaporizing it and turning it into glowing plasma.
16:22 Within each of the tin atoms, some electrons are ejected,
16:26 and others are kicked up to higher energy states.
16:30 When electrons drop back down from the 4F to 4D orbitals,
16:35 13-nanometer EUV light is produced.
16:38 Shooting two laser pulses at a droplet
16:41 of tin might seem like a rather obscure process,
16:45 however EUV light doesn’t naturally occur on Earth and it’s one
16:49 of the few ways to efficiently produce over 500 Watts of EUV Light.
16:55 Additionally, the reason for using tin is that its plasma produces
17:01 a wide range of wavelengths with a clear peak at 13 nanometers.
17:06 So, where does the tin droplet come from?
17:09 Well over here a solid ingot of ultra-pure tin is melted
17:14 and fed into a storage tank and then piped towards a microscopic nozzle.
17:19 A piezo electric transducer squeezes the tip of the nozzle,
17:23 and due to high-pressure nitrogen inside the storage tank,
17:28 a droplet of tin is forced out at a speed of 100 meters a second.
17:33 Next, high speed cameras measure and calculate
17:36 the trajectory of the droplet and feed the data
17:39 to a set of actuated mirrors in order
17:42 to angle the laser pulses to precisely hit the tin.
17:46 To control the amount of EUV light,
17:48 sometimes droplets are skipped by the lasers,
17:51 and these droplets are captured over here.
17:54 This process of producing high speed tin droplets and then shooting them with 2
18:01 laser pulses to generate EUV light happens at a rate of 50,000 times a second.
18:07 Now that we have EUV light, the first mirror called the collector,
18:12 focuses all the EUV light to a small hole called the intermediate focus,
18:17 which only EUV light can pass through.
18:20 The light next enters into the illuminator,
18:23 which is composed of the field facet mirror,
18:26 the pupil facet mirror, and another set of mirrors.
18:30 These mirrors are so perfectly shaped that there’s
18:33 less than an atom’s deviation from the surface.
18:37 The illuminator takes this EUV light and shapes it into a thin ribbon
18:42 that has equal uniformity across a well-defined
18:45 range of angles before it hits the photomask.
18:48 Using an equal uniformity of light at all angles is critical to imprinting
18:53 a perfect nanoscopic pattern from the mask via the light and onto the wafer.
18:59 We want to take a short detour and mention that this has
19:03 been a rather challenging video to make simply because there’s
19:06 a mountain of science and engineering inside these machines built
19:10 by ASML and this video only explores the tip of the iceberg.
19:15 Essentially, a lot of the details had to be
19:18 cut in order to keep this video a manageable length.
19:22 For example, EUV light is incredibly difficult
19:24 to work with because it’s absorbed by atmospheric molecules,
19:29 and therefore the entire light path and wafer
19:32 carrier stage is connected to vacuum pumps, which remove all the air.
19:37 Additionally, EUV light is absorbed
19:39 by glass and practically all other materials,
19:42 and therefore to focus and transport the light,
19:46 this system uses mirrors rather than transmissive lenses.
19:50 However, these mirrors called Bragg Reflectors,
19:53 are nothing like the mirrors in your bathroom,
19:57 but rather they’re composed of dozens
19:59 of alternating layers of silicon and molybdenum,
20:02 each only a few nanometers thick.
20:05 When EUV light hits the surface of this Bragg Reflector,
20:09 only 3% is reflected at each boundary layer while the rest passes through.
20:15 But with so many layers the cumulative
20:18 3% reflections add together using constructive interference,
20:22 resulting in a total of 70% being reflected for a single mirror,
20:27 while 30% of the light is lost and absorbed.
20:31 However, with more than 10 mirrors in the optical system,
20:35 and only 70% reflection at each one,
20:37 the final light hitting the wafer is less than 10
20:40 percent the brightness of the light emitted by the tin plasma,
20:44 which is why the initial light from the source
20:47 vessel needs to be as bright as possible.
20:50 Another example of the incredible engineering inside this machine
20:54 is that this field facet mirror is assembled from hundreds
20:58 of independently controlled mirrors that can be angled to direct
21:02 the light onto specific regions of the segmented pupil facet mirror.
21:07 Together, these two mirrors take the cone of EUV light
21:11 from the intermediate focus and turn it into a complex pattern of illumination.
21:16 For example, this is called annular illumination,
21:21 here’s dipole illumination and then here’s quasar illumination.
21:25 You’re probably wondering why we
21:28 require such complicated patterns of illumination.
21:31 Well, when we look back at the microchip,
21:34 one layer of wires is running mostly horizontally,
21:37 the next layer is a set of cylinders called vias,
21:41 and then the following layers have wires that run vertically,
21:45 and each layer uses a different mask.
21:47 Earlier we said that the EUV light is kind of like the tip of a fine tipped pen.
21:54 Having different patterns of illumination is
21:56 like holding the marker at different
21:58 angles with respect to the lines or circles that are being patterned.
22:02 Specifically, annular illumination is best used to pattern the layers containing
22:09 vias and is like holding the marker straight up and down,
22:13 whereas dipole illumination like this is
22:16 best used to pattern lines running horizontally, and then we rotate the dipole
22:21 illumination for patterning the vertically oriented wires.
22:24 Imagine being at the forefront of this groundbreaking science and engineering.
22:30 Then picture ASML, whose work powers the innovations
22:35 that solve some of humanity's toughest challenges in energy,
22:39 mobility, and healthcare.
22:41 ASML is a leader in photolithography systems,
22:44 serving as the backbone for the world's leading
22:47 chipmakers and enabling the technology that drives our future.
22:52 With over 44,000 talented individuals and growing,
22:56 ASML is headquartered in The Netherlands,
22:59 with major R&D and manufacturing sites in the U.S.
23:03 and Asia.
23:03 Their sprawling campus is not just a workplace;
23:07 it’s an exceptional environment where cutting-edge technology comes to life.
23:11 To keep pushing the boundaries of what's possible,
23:15 ASML seeks exceptional talent.
23:17 They are looking for scientists and engineers
23:20 ready to design the next-gen lithography systems,
23:24 technicians and logistics experts eager to build,
23:27 ship, and support these groundbreaking systems,
23:30 and software developers passionate about working in a world of nanometers.
23:35 ASML is the next step for those ready to make an impact in an inspiring setting.
23:41 Together with their suppliers, partners, and customers around the world,
23:45 they are committed to powering technology forward.
23:48 Visit their website using the link in the description
23:52 to learn more and start a journey with ASML today.
23:56 Let’s move onto the next part of this EUV
24:00 Lithography tool and explore the photomask or mask
24:04 which is also called a reticle and contains
24:07 the entire design of a single layer of a microchip.
24:11 The mask starts in a doubly sealed pod and is
24:15 loaded onto the machine using an overhead transport system.
24:18 The outer protective carrier is opened,
24:21 and a robotic arm picks up the inner pod and carries it to a vacuum load lock.
24:27 The chamber is sealed and pumped down to a vacuum, and the inner door opens.
24:32 Next the inner pod opens up and a separate robotic
24:36 arm carries the mask and base to an inspection station.
24:39 Each mask has half a dozen different marks
24:42 including a bar code as well as fiducials,
24:45 which are designs used to align the mask with sub-nanometer level accuracy.
24:50 The mask is carried over to and loaded
24:53 onto the reticle stage which moves back and forth
24:57 across the EUV beam with incredible accuracy
25:00 and at high speeds with more than 7Gs of acceleration.
25:04 This mask’s surface is built from the same
25:08 Bragg reflector surface mentioned earlier but with a pattern
25:12 of absorbers on top that locally blocks the light
25:15 in order to create the detailed microchip layer pattern.
25:19 This 6 by 6-inch mask has a pattern area of 104 by 132
25:25 millimeters and an absorber pixel resolution of below 10 by 10 nanometers.
25:32 In the beginning of this video we showed
25:35 a variety of different chips with different sizes,
25:38 and shortly after we showed a GPU being patterned across the wafer.
25:43 The pattern on the mask is 4 times larger than the microchip and this GPU
25:48 chip is close to the maximum size chip that can fit on the mask,
25:53 and therefore only one copy fits,
25:56 resulting in 90 GPU chips fitting onto a 300-millimeter wafer.
26:01 However, CPU Chips are typically smaller and therefore,
26:06 in the following example,
26:08 we can fit 2 copies on the mask and a total of 185 chips on the wafer.
26:13 When we look at even smaller DRAM chips,
26:17 12 copies can fit on the mask, yielding 978 chips on the wafer.
26:23 Technically, the exposure field is one scan of the mask onto the wafer,
26:28 and an exposure field can have anywhere from 1
26:31 to a dozen or more die patterns on it,
26:34 yielding around a 100 to a thousand or more chips on a single wafer.
26:38 This mask contains an incredible amount
26:41 of information and, as mentioned in the intro,
26:44 it has the equivalent amount of detail as all the text
26:47 of Wikipedia plus all the books in an average public library.
26:52 This mask, which can cost around 300,000 dollars,
26:55 must be so perfect that using our analogy
26:59 there can’t be a single grammatical error,
27:02 spelling mistake, or even an extra curve
27:06 on a letter across 21 million pages of text,
27:10 otherwise it would damage every chip on the wafer.
27:14 Also, if you’re curious, here are the calculations we used
27:18 for the transistors to text and book conversions.
27:21 Pause the video to work it out.
27:24 The next topics we’ll explore are the projection optics
27:27 and how the wafer is moved around the machine.
27:30 But first we’d like to mention that this video topic
27:34 is incredibly complicated and took hundreds of hours to research,
27:39 write, model, animate, and edit, totaling over 1100 hours.
27:44 So, if you could take a few seconds to ‘Like’ this video,
27:49 subscribe, comment with a quick message below, and most importantly,
27:52 share it on social media and with a friend, family,
27:56 or work colleague, it would help far more than you think!
28:00 Additionally, we have a Patreon page with AMAs and behind the scenes footage,
28:05 and, if you find what we do useful, we would appreciate any support.
28:11 Thank you.
28:12 So, let’s move on to the projection optics.
28:17 These optics are composed of a series of mirrors that are used to project
28:21 and focus the patterned EUV light onto the wafer with extremely high accuracy,
28:28 while minimizing wavefront aberrations,
28:30 and shrinking the image by a factor of 4.
28:34 These mirrors are designed and manufactured by Zeiss,
28:37 who is a longstanding partner of ASML and has been a vital
28:41 collaborator in the development
28:43 of the optics systems inside photolithography tools.
28:46 To understand the projection optics,
28:48 we have to discuss what determines exactly how small these wires can be,
28:54 and for this Rayleigh’s Criterion Equation is used.
28:58 This equation states that the smallest dimension or critical dimension,
29:03 is equal to k1 times the wavelength of light
29:07 or Lamda divided by the numerical aperture, or NA.
29:11 The wavelength of EUV light is 13 nanometers.
29:15 K1 is the process factor,
29:17 which relates to the various illumination settings created
29:21 by the field and pupil facet mirrors that we discussed earlier,
29:26 along with the photoresist,
29:27 and other factors and is close to .3 for this machine.
29:32 Finally, numerical aperture or NA is a measure of the angle and amount
29:37 of light the mirrors in the projection
29:39 optics can capture and focus onto the wafer.
29:43 Numerical aperture isn’t just about increasing the brightness of the EUV light,
29:47 but rather it’s more of a measure of the angles
29:51 and amount of constructive interference wave paths that hit the mask,
29:55 and then are projected onto the wafer.
29:58 In short, with a larger numerical aperture or NA,
30:02 which corresponds to a larger angle
30:04 between the projection mirrors and focal point,
30:07 we can achieve a smaller resolution.
30:10 This tool has a numerical aperture of 0.33,
30:14 however the next generation of EUV lithography systems called high NA,
30:21 increases this to 0.55 resulting in an 8-nanometer critical dimension.
30:27 Increasing the numerical aperture to 0.55
30:30 requires significantly larger mirrors which results
30:34 in a redesign of the entire optics system and other parts of the machine,
30:41 thus considerably increasing the size and cost of the system.
30:47 We could spend an entire video discussing the next generation High NA tool,
30:52 but instead let’s move on to discuss the wafer transport system and wafer
30:57 stage and see how a wafer makes its way to the EUV exposure station.
31:02 Let’s start with a wafer that’s carried
31:05 in a foup on the overhead transport system.
31:08 This foup lands on the lithography cluster,
31:11 which is a combination of a wafer track tool and a lithography tool.
31:17 The wafer first enters the track tool where
31:20 a layer of photoresist or resist for short, is evenly spread across the wafer.
31:26 The wafer moves to another area inside the track tool
31:30 where it’s heated in order to dry and solidify the resist.
31:34 Next, using robotic arms the wafer is carried from the track
31:39 tool into a vacuum load lock inside the EUV tool.
31:43 The pneumatically actuated doors close and the chamber
31:46 is pumped down to a vacuum.
31:49 Next the back doors of the load lock open up and a different
31:54 robotic arm carries the wafer to one of the wafer stages.
31:58 This system is called a TWINSCAN because there are
32:01 two complete wafer stages that concurrently move two wafers around.
32:05 The key idea is that while one wafer is actively being patterned,
32:10 a second wafer is being loaded onto
32:13 the wafer stage and measured under an alignment sensor.
32:17 Nanometer level accuracy is crucial with these machines
32:20 and one key philosophy of ASML is “Meten is Weten” which is Dutch
32:27 for “To Measure Something is to Know something”.
32:30 The reason for requiring this level of perfection is
32:33 that when we look at the nanoscopic layers of the microchip,
32:37 which has wires and holes that are only 10 to 20 nanometers wide,
32:41 if one layer is more than a couple nanometers off the previous layer,
32:46 then the electrical connections won’t conduct electricity correctly,
32:49 and if an entire layer is off,
32:53 then every single chip will be catastrophically destroyed.
32:57 To make sure that the layer being
32:59 patterned is perfectly aligned with the previous layer,
33:02 the entire wafer is thoroughly measured by the alignment sensor.
33:06 On the wafer are hundreds of alignment marks,
33:10 which are reference patterns that assist in determining
33:13 the exact position of the earlier layers of patterns.
33:17 The alignment sensor meticulously measures the X
33:20 and Y positions of every alignment
33:23 mark on the wafer and builds a highly accurate 2D map from the results.
33:29 This map shows some regions of the wafer being biased
33:33 in one direction by a few to dozens of nanometers,
33:36 and another region being biased in a different direction.
33:41 Additionally, the leveling sensor uses grazing
33:43 incident light to measure the exact
33:46 height of the wafer and builds a topological map of the wafer
33:50 which is critical for later bringing the wafer stage to the position
33:54 such that the EUV light is perfectly focused onto the wafer.
33:59 Now that we’ve measured and built the exact
34:02 alignment and height map for the wafer,
34:05 the wafer stage next moves to the EUV exposure station.
34:09 As the wafer is being patterned,
34:11 the wafer stage moves in perfect synchrony with the reticle stage,
34:16 but only a quarter of the distance due to the 4 to 1 reduction.
34:20 At the same time, the stage makes nano-scale adjustments using the alignment
34:25 map so that the new layer perfectly aligns with the previous layer.
34:30 When the wafer stage moves from one exposure field to the next,
34:35 it’s important that no EUV light hits the wafer,
34:39 and thus a shutter positioned up here, near the reticle stage closes.
34:44 Once the wafer stage is positioned to pattern the next microchip,
34:49 the shutter opens and the wafer stage
34:52 and reticle stage move in perfect synchrony again.
34:55 This process repeats until the entire wafer
34:59 is patterned taking around 18 seconds in total.
35:03 So then, what actually happens as EUV light hits the photoresist?
35:09 Well, resist is a polymer mixed with a Photo Acid Generator.
35:14 When high energy EUV photons hit the resist,
35:17 the light ionizes it releasing high energy electrons.
35:21 These electrons then hit the photo acid generator producing
35:25 an acid that breaks apart the polymer making it weaker.
35:29 As a result, the areas hit by the EUV light become soluble
35:34 and are washed away by a developing liquid in the subsequent process step.
35:40 One detail is that the resist has an extremely high contrast,
35:44 meaning that at a certain level of EUV light,
35:47 the entirety of the resist hit by that light is broken down.
35:52 This is critical in producing sharp patterns and walls on the resist.
35:57 Let’s next explore how the wafer and wafer stage move around.
36:02 Specifically, the wafer stages levitate on a large
36:06 magnetic table composed of more than a thousand magnets.
36:10 Electromagnets on the underside of the wafer stage move it
36:14 along this magnetic table both quickly and with micrometer level
36:19 accuracy while interferometers on the top of the stage measure
36:23 its exact position and this setup is called the long-stroke stage.
36:27 In order to secure the wafer,
36:29 it’s placed on a plate which is technically called an electrostatic clamp.
36:33 The clamp cycles zones of high voltage across
36:36 the backside of the wafer to keep it in place,
36:40 a phenomenon similar to sticking a ballon to a wall using static electricity.
36:45 To reach nanometer level accuracy the plate is independently
36:50 moved using smaller motors which is called the short-stroke stage.
36:55 By combining the long stroke and short
36:58 stroke stages along with measurement encoders,
37:00 the machine can quickly move the wafer as it’s being patterned and maintain
37:06 an accuracy of less than 1 nanometer or approximately 4 silicon atoms.
37:12 Once all the microchip patterns are copied to the wafer,
37:15 the stage moves back towards the robotic arms where the wafer
37:19 is unloaded and placed into one of the vacuum load locks,
37:23 pumped back to atmosphere,
37:25 and then a separate robotic arm brings the wafer back to the track tool,
37:30 where the patterned and modified resist
37:32 is washed away using a developing liquid.
37:35 Finally, the wafer is heated again to further harden the remaining resist.
37:40 The patterned wafer is then loaded back into the foup which is picked
37:45 up and brought to a different tool to undergo processing in other ways.
37:50 Let’s close this tool and that’s it for our journey into photolithography.
37:56 If you have any questions, feel free to ask them in the comments below.
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38:28 Thanks for watching to the end!