An Evening of Alton Brown: Backstage | Part 1
Alton Brown
0:00 I've actually had these nightmares all my life.
0:02 It's like opening night of a play and I'm
0:04 in the play but I don't know the script.
0:07 And finally, I shared this with my wife and she said, "Well,
0:12 you're the only one in the play, so what does it matter?
0:45 I always tell myself I'm done touring.
0:48 Okay,
0:47 this is it.
0:51 But yeah, you said that five years ago.
0:53 I know.
0:53 I know.
0:54 This is it, though.
0:57 This is it.
1:00 Yes.
1:00 Some plays do previews, right?
1:02 Like we're playing in Skenctity for a month to get it worked out.
1:05 We don't get that when you're doing a pack show, performing arts center show.
1:09 You get like maybe two days to build.
1:11 It's called teching.
1:12 It's what we're doing here.
1:13 We're in Wilmington, Delaware cuz we got the Grand Opera House for like
1:17 3 days and we're building the show for the first time.
1:20 We worked all the bits and pieces, but it's never been put together.
1:23 So, you do that, but then when you open,
1:26 there's still like there's a lot of work to do.
1:30 You know, there's there's editing to be done and there's bits
1:33 to be cut or bits to be put in or you realize
1:36 you missed a laugh and so now you've got to go
1:38 in and figure out the laugh and you're working with the audience.
1:40 So, this leg is only three weeks, 14 shows,
1:45 and probably I'll just start to get it right on like the 14th show.
1:49 But if we're going to establish
1:50 that the the Colossal Walk is always going Colossa,
1:54 it's from Colossal Walk.
1:56 See, you name everything mega,
1:57 but I get sick of everything being a mega this and a mega that or jets.
2:00 We have jet fries, jet creams, mega bakes, mega mega walk.
2:07 No, fries.
2:07 I just said it's colossal walk.
2:10 Colossal, but that's what it was before.
2:11 You changed it to colossal walk.
2:12 It was a mega mega bake.
2:13 Mega bake.
2:14 The mega bake and the mega
2:15 the mega bake.
2:16 That's it.
2:17 Just the mega bake.
2:17 Yeah.
2:17 Yeah.
2:18 Well, this should be the mega walk then.
2:19 I thought I'd already had two.
2:20 You did know.
2:21 You're confusing me.
2:22 No, absolutely not.
2:23 I promise.
2:24 It was the Mega Walk and then I changed it
2:25 to the Colossal Walk because I thought we'd already had two megas.
2:28 But if we've only had one mega.
2:31 Yeah.
2:30 Then we can make it We can make it Yeah, because then it was the Astrop.
2:33 It was the Astrop.
2:35 Astrop.
2:35 And then the Jet Fry.
2:36 Jet Fry.
2:37 Okay.
2:37 It's a Mega Walk.
2:38 So then we bring in the Mega Walk already in its its hot configuration.
2:41 And then only once that's out will um the volunteer come.
2:46 Okay.
2:46 All the moving pieces get crossed up.
2:49 Yes, I know.
2:49 Uh the Jet Cream was a hit before, but it's been completely modified.
2:54 It's been completely redone and special things um going into it.
2:59 Uh I I'm not going to say because I don't want to give it away,
3:01 but um but the the mega walk is What are you doing out here, man?
3:10 For this I'm doing um I'm the production manager and then I also do uh lighting.
3:16 I'm also doing sound.
3:17 I'm also I'm doing everything.
3:18 I do all the technical aspects of it.
3:20 This is like whatever their house arrangement is.
3:23 So whatever they use I'm just going to use.
3:26 Okay.
3:26 So you go off based off of how they're set up in their rigs.
3:30 Yep.
3:30 So most theaters have the same lights.
3:34 Yeah.
3:34 I took all those hats and put it into one.
3:36 It's an evening with Alton Brown.
3:38 It's supposed to be a little bit more low-key um vibe, not a TED talk,
3:43 but that's kind of how I sell it to venues and stuff like that.
3:46 Is my volunteer ready?
3:48 Please, please come out.
3:49 Hello.
3:50 What is your name?
3:52 Christie.
3:51 Can I do this right here next to this or do
3:53 I have to go in front which seems unnatural?
3:57 Okay.
3:57 Christie, uh where are you from?
3:59 Salt Lake City.
3:59 What do you do?
4:02 Marketing.
4:03 Are you my boss?
4:06 No.
4:05 Well, yes.
4:06 I mean, this concept was meant to be scaled back from his really big productions
4:11 that we've done where we've had a truck full of gear and equipment and props.
4:18 Um, you know, I thought this was going to be
4:20 Alton walking back and forth on stage just telling stories.
4:24 And somehow we've have a jet cream out here and we have a mega
4:28 walk and it looks like he's a school teacher at his little bench, workbench.
4:34 Um so he's he's delivering a really great show
4:38 with this place enough gives you enough room to come down around.
4:41 Yeah.
4:41 It also it also gives um Travis kind of like one main point
4:46 to to which would I make your life easier.
4:49 Yes.
4:48 Then by all means, you know,
4:50 I would love if this look was a little different from that look because it's hot
4:54 and I would love that to be cold.
4:56 So red, blue, you know, um and then just white when that thing is is down here.
5:01 I'll make it.
5:02 Disco, we cook.
5:04 Volunteer will be here.
5:05 I'll be here.
5:06 Blah blah blah blah blah blah.
5:07 Camera work.
5:08 Is that okay?
5:09 Is that okay?
5:10 The position.
5:10 I'll put it up.
5:11 Yeah, he'll put it up.
5:11 But I The last time I saw it, it was okay.
5:14 Yeah.
5:14 Okay.
5:14 You were good with it where it was because we never talked about it.
5:17 But I can't promise you it's not going to get something.
5:19 I don't care about that.
5:20 I'll clean it.
5:21 I'll clean it.
5:23 That's the hardest working man I know.
5:25 When you work with somebody that writes, directs, produces, stars,
5:32 you start to understand, you know, there's a lot that goes into everything.
5:38 was interesting.
5:39 Actors have it so good because actors get
5:42 to park being themselves and they take on these identities
5:46 and they're that identity for a while and maybe
5:48 they make a lot of money being that identity,
5:52 you know, maybe uh you know, Johnny Depp,
5:54 Jack Sparrow, you know, sorry, Captain Jack Sparrow.
5:58 Um that that's probably just a wonderful thing to be able to park yourself,
6:02 put on another face, go do this personality and um make a lot of people happy.
6:07 Um, but when you're in, you know,
6:09 like the food space as they call it or lifestyle,
6:12 whatever, you are playing yourself.
6:16 You're not being yourself.
6:17 That would be disastrous.
6:18 I think some people try to do that.
6:20 Um, I noticed really early on, like in the first season of Good Eats,
6:28 that I was creating an avatar.
6:32 The avatar looked a lot like me.
6:35 avatar sounded a lot like me, but it wasn't.
6:39 And even right now, I think talking because I'm talking to a camera,
6:44 it's the avatar again because the avatar is what
6:47 I use whenever I'm talking to a to a camera.
6:50 Doesn't mean that the avatar is lying.
6:52 It just means that it's a pro it's a protective layer.
6:54 It's a prophylactic.
6:56 I am wearing a personality condom so that I don't get infected.
7:02 But you do that because you know you got to protect yourself and and people
7:04 that don't people that like fall for it
7:07 that that actually it's them 100% of the time.
7:11 That's just that's dangerous.
7:12 That's a very dangerous place to be
7:14 because you're never quite protecting yourself.
7:17 My wife whenever I do it refers to it as him.
7:20 She'll say you're being him.
7:24 It's the little things.
7:32 Well, actually, there are no little things.
7:33 Everything's a big thing.
7:34 Everything's mission critical until you've done it 20
7:39 times and then not so much, you know, and all the food, you know,
7:46 is locked in refrigerators and freezers down underneath here.
7:49 So, you know, climbing in there,
7:50 you don't want to do that if you have to, but you do.
7:54 I do culinary prep tomorrow.
7:56 Got to do slicing and dicing for the walk demo,
8:00 but I don't want to do it tonight.
8:03 Nope.
8:05 And of course, I had to remember the code.
8:13 Go home.
8:19 Go away.
8:39 What's up, Todd?
8:40 How you doing?
8:40 Good.
8:41 How are you, Cole?
8:42 Morning, too.
8:43 Morning two.
8:44 Checking all the lights, making sure everything's connecting well.
8:48 our mock got 11 th000 watt park cans.
8:52 Some of them have uh super narrows in them.
8:55 Four of them have narrows in them.
8:58 We'll get the walk to about 700° on the sides.
9:01 It'll stick around more like 450 500 center will
9:04 get to about 750 oil and just start walking away.
9:08 And here we're going to have our ingredients so
9:10 that way they can dump each ingredient in oil.
9:13 Our rice got some extra chopsticks for to test and taste.
9:19 All this goes in together.
9:20 Lid goes on top.
9:21 Goes back in the truck.
9:22 Easy.
9:23 Easy.
9:24 Todd's not normal cuz this is my my longest living collaborator.
9:34 He's he worked on every single episode of Good Eat since 1999.
9:39 Everyone.
9:39 never made a show without him,
9:41 even though he almost killed me a couple times cuz I pissed him off so bad.
9:45 Um, and he's done every single tour.
9:49 And he is a different person when he's on tour than when he is on set.
9:53 He He literally morphs into this other person.
9:57 It's a person with the same skills, but applied differently.
10:01 And I recognize him.
10:02 I'm like, "Yes, that's Todd, but that's Tour Todd.
10:05 There's Ter Todd and there's set Todd.
10:08 two completely different talents and I don't
10:10 pretend to know either of them intimately.
10:12 Like I've never sat him down and said, "Todd,
10:14 what makes you tick?" I don't I don't know.
10:15 I don't look I don't poke the bear.
10:17 It was like, "Thank you, Todd.
10:20 Love you.
10:20 Here's your pay." You know,
10:22 like he does it and he's always there and has never let me down once.
10:27 I will never forget we had a huge argument
10:29 and this is the silliest thing in the world,
10:30 but we did a a shot where we were trying
10:33 to go through the center of the earth for him going down.
10:36 I can't remember if we were going from the US to Japan, whatever it was.
10:39 And we had a huge argue about if he went through the center
10:42 of the earth when he came out the other side everything would be upside down.
10:44 And I had the whole thing like, no,
10:46 at some point you would have to turn because you would be going down and then
10:49 at some point you'd have to be going up so it would be right side up.
10:51 Which led to a huge me going fine,
10:53 I'll build everything on this set upside down if that makes you happy.
10:56 And it did.
10:57 And it did.
10:58 I was right.
10:59 But this is how I spend the majority of my days.
11:06 trying to uncoil tangled tiny wires.
11:12 You can coil it up perfectly when you put it in the box,
11:15 but it will always come out like this.
11:17 Found it.
11:19 Yeah.
11:19 Where was it?
11:21 I used to get really angry about it.
11:31 Yeah.
11:32 Will you be following me the whole time, Paul?
11:36 The one thing about being on camera for decades
11:40 as yourself is it does keep you kind of honest.
11:43 You did those things.
11:44 You said those things.
11:46 You that that was you or your avatar, right?
11:50 And you're responsible for your avatar.
11:52 So there's there's an honesty there.
11:54 you don't get to you can only recreate yourself in a certain box.
12:04 But it was also a really interesting period because let's face it,
12:06 people that decided to make food shows became way too important.
12:10 For a good decade, it was ridiculous uh the the notoriety
12:15 that was given to just people because they could cook food.
12:23 Move to the airport.
12:29 So this cocktail, I'd like to have a little bit more of my voice in here.
12:58 So, this is a very important conference part I think
13:00 five about the pre-show video and the music of the pre-show,
13:04 which is really what this whole show is about.
13:06 Let's listen to just fine.
13:10 It's going to be loud.
13:10 People are going to be saying that, you know,
13:13 this conversation's been going on
13:16 all day long about the pre-show video, the music on the pre-show video,
13:20 all the rest of this stuff.
13:21 It's okay.
13:22 I'll work with you.
13:23 Come see the show.
13:24 Once the show starts, you just go home cuz the good part's over.
13:28 You good?
13:29 You got it.
13:29 You got us in nature.
13:32 Look at the two chimp pansies fighting.
13:35 You're not chimpanz You're just like the conversation about the uh about
13:46 Did you throw poop?
13:51 So, we'll just be finishing the AI section.
13:58 Sometimes this is all about just not getting sued
14:02 by someone with a massive legal department like certain food manufactur.
14:09 So, may I?
14:10 Yes.
14:10 Hey, Travis.
14:11 Here we go.
14:12 Here we go.
14:13 Pringles potato chips.
14:15 Pringles potato chips.
14:16 Of course, absolutely positively everyone of them
14:19 is exactly the same as the others.
14:21 Designed that way so that they have uh more
14:23 strength when they're stacked and won't break and shipping.
14:25 They're all exactly the same.
14:26 So, what they started to do is they
14:28 started to feed Pringles to the uh the testers.
14:35 Can you even hear that?
14:36 Or you have to turn it up.
14:37 I can eat two at a time though.
14:39 Right.
14:41 Same touch.
14:44 And sometimes they turn the amplifier up.
14:49 Remember the test subjects didn't know there was an amplifier, right?
14:52 They turned it up and sometimes they turned it down.
14:56 And then they asked the test subjects,
14:58 this is very difficult to do without a beverage.
15:01 Now I already drank my martini.
15:04 They asked the subjects look me if something bad happens up here.
15:07 They asked the subjects to rate the taste and the freshness of the potato chips.
15:14 And guess what?
15:15 Every single test subject said that the quieter potato
15:18 chips were not as fresh and didn't taste as good.
15:23 It's easy to just add stuff.
15:25 It's easy to get another bus.
15:27 It's easy to get another 18-wheeler.
15:29 You know, bigger bigger things.
15:31 You know, in our last the last tour, which was my last tour,
15:34 you know, we built a 27 foot long steam powered hot dog baker.
15:40 Why?
15:41 I mean, it served story, I thought.
15:48 But now I'm obsessed with this idea of like
15:50 going the unplugged route and having very little.
15:54 And we still have two two demos that are very unusual devices.
15:59 Um, very unusual.
16:01 It is unusual.
16:02 There are not a lot of shows like this that play performing arts centers.
16:07 He is a mad scientist when it comes to putting this show together.
16:12 No other I don't I don't know of any
16:14 other person that's doing this type of show.
16:19 If we put this on a t-shirt for the show and an evening by me
16:25 elegant evening of brown We got two head dogs and monster trucks like spins.
16:36 That's how we're going to get the crowd.
16:39 Monster trucks here.
16:41 The problem is that we're so easy
16:42 to entertain that America's not that easy to entertain.
16:47 Guys,
16:50 fishing.
16:55 This is This is the dangerous end.
16:56 All right.
16:56 Is everybody here ready?
16:59 All right.
17:04 Five, four, three, three, two, one, go.
17:12 13.
17:15 9 8 7 5 4 3 2 1 Release.
17:26 Everybody okay?
17:27 But that's uh that's science.
17:29 Sometimes a cruel mistress.
17:31 Here we go.
17:33 Here we go.
17:34 Oh, yeah.
17:35 Oh, I can Can you smell the fish?
17:37 Yeah.
17:38 Do you like fish, Gretchen?
17:39 And I should have asked this probably did this.
17:41 You do like fish.
17:42 Do you like smoke fish?
17:45 You do.
17:46 Okay.
17:47 Okay.
17:53 So, um, on a scale of 1 to 10, would you say this is delicious?
17:56 I would SAY IT'S DELICIOUS.
17:58 DELICIOUS.
17:58 THANK YOU, GRETCHEN.
18:00 Thank you so much.
18:01 Uh, we'll let you uh finish your ice cream
18:03 in the privacy of the back where, uh, you can shower.
18:06 Uh, just follow my attorney out.
18:08 The Jet Cream, everyone.
18:09 Jet Cream 4000.
18:11 Yay.
18:14 One of our finest.
18:15 uh not quite ready for the franchise opportunity
18:20 that I was hoping to offer you this evening.
18:23 Ended up harvesting everything from this end.
18:25 It's just there was a lot of big puddle of liquid in there.
18:27 Yeah, I think what I'm doing maybe switch out my doubleator singleator.
18:32 So, not as much liquid goes in there.
18:34 Get more CO2 in there, less liquid in there.
18:38 You know what I'm saying?
18:39 Well, that's fine unless the ratio stays the same.
18:42 Now, it should stay pretty much the same.
18:43 I just think I think it comes out so quick that maybe I'm overpowering
18:46 to the CO2 where if I have less water out still 15 seconds I'll freeze it up.
18:52 That's my theory.
18:54 Well, we're not going to do it again before the non night show.
18:56 So, make whatever change you like and we'll just deliver it.
18:59 But I got enough out.
19:00 I mean you got enough out.
19:02 But I think I can How we doing and why are we waiting?
19:20 So good.
19:26 No pressure.
19:41 Is that thing a trash can?
19:44 There's like a trash can thing.
19:45 It's trash can.
19:46 It's a trash can.
19:47 It's made for airports.
19:49 So when they have to have transparent stuff,
19:51 but it's super hightensil plexiglass.
19:54 Yeah, we're making ice cream in a trash can.
20:00 Every tour we've done,
20:01 I think at least one thing has malfunctioned at least once.
20:04 Some of them a little bit more dramatic than others.
20:06 I won't go into that.
20:07 Uh, others have been simple stuff that no
20:08 one in the audience would ever know it failed, but I knew it failed.
20:11 I knew it didn't do what it was supposed to do.
20:13 That's the nice thing about live theater.
20:15 The audience doesn't know what they don't know.
20:17 You know, only I knew it went wrong and he knows it went wrong.
20:19 And then all you do is figure out how to fix it.
20:23 Not too many theaters still have like him walking the flies.
20:30 You don't see ropes like this very often.
20:33 Really?
20:36 old house.
20:39 I used to be obsessed old tours, right?
20:42 I don't do this anymore.
20:43 I would steal these rail pins.
20:46 I would What would you do with them?
20:53 Collect them.
20:56 Don't you judge me?
21:03 I'll be back.
21:03 I have to go get a bag of frozen peas and carrots.
21:09 Now that I've shown you that, I can't steal them.