How an Architect Designed This Home to be a Study of Light
Design Will Save The World
0:01 So we started building this house, including the design phase,
0:05 sometime in 2014.
0:08 I remember meeting with our architect, Denise DeCastro, for the very
0:11 first time.
0:13 And she already had
0:15 these very smart questions regarding how we
0:19 want our house to look like.
0:21 Her very first question I remember was,
0:24 she said, what do you guys do?
0:28 I am Kay Concenco. My husband and I are the homeowners.
0:33 It's very important that the house
0:36 is able to
0:38 function the way that you already function.
0:42 What's your work? What do you do first thing in the morning? How does
0:46 your day go?
0:48 Do you entertain? So our lifestyle, it dictated much of how our house
0:54 was going to look like.
1:18 My favorite part of the house is the pocket garden. It was an idea that
1:22 was from our architect.
1:25 It sits in the middle of our house.
1:33 Our pocket garden
1:35 has a height of ten meters.
1:37 It acts like a divider.
1:42 It is made out of glass from floor up to the roof deck.
1:50 Someone once referred to it as the lungs of the
1:53 house because
1:55 air can flow through it from the side, from the top,
1:59 acting like like lungs.
2:12 My name is Hannu Virtanen and I'm the managing director of Arctic
2:16 Forest Products.
2:23 We have worked on this one, this is about 13
2:29 years ago, roughly,
2:32 and we remember this particular project because Architect Denise was
2:40 challenging us in many aspects, not only
2:45 on the
2:46 design aspects, but on structural aspects as well, especially on
2:52 the stairs, which we
2:54 didn't do earlier.
2:57 We used our laminated timber for the girders and the steps, and we are
3:03 proud to
3:04 notice that they are still in perfect shape today.
3:09 So that was a very special
3:12 demand, actually, from Architect Denise. In that time and it has
3:18 proven to be a very
3:21 sensitive decision from her side, but also proven to be very practical
3:27 and well analysed decision to trust us on that aspect.
3:34 Majority of our timber comes from Finland or at least Northern Europe.
3:40 Even you need to transport it here.
3:43 The timber in Finland grows
3:46 75 to 100 years before its harvest.
3:50 That requires
3:52 that you need to
3:55 plant
3:56 ten
3:58 if you cut
4:00 or harvest one.
4:14 My husband is a photographer, so when
4:17 our architect found out about that,
4:19 she used that as her inspiration of how she would use light
4:24 as a big feature of the house.
4:27 So we started calling the space, the house,
4:31 as some sort of museum of light because light really enters in very
4:36 interesting ways
4:38 in the different spaces of the house at different times of the day.
5:11 Of course, just like anything that you build, there are many challenges
5:15 that arise,
5:16 especially if you have many subcontractors, which was the case for us.
5:21 It has its pros and cons.
5:23 One thing good about having subcontractors apart from your general
5:28 contractor is the subcontractors get to focus on their expertise.
5:33 But, one of the challenges is you have to talk to so many people.
5:39 Sometimes they don't agree with each other.
5:41 But the one that really held everyone together was actually
5:46 our architect.
5:48 She would be the one to get everybody together and, okay,
5:51 let's sit down, let's get this in control,
5:53 let's
5:54 find the best solution.
7:10 I'm Joey Baltazar.
7:12 I'm the general manager of Yamal Creative Concepts Enterprise.
7:18 Architect contacted me to do the customized flooring combined with
7:23 the traditional flooring for that project.
7:26 So that project was quite very smooth during the entirety of the
7:31 execution of that project. I call myself as a wood specialist, basically,
7:36 because we're doing wood floorings.
7:39 I've been working with the architect for quite a long time already.
7:42 But as far as I know, after her graduation in Harvard,
7:46 wherein she graduated as magna cum laude in architecture,
7:51 I think it was the first two years she practiced here in the Philippines.
8:01 I'm architect Bejay Florendo. I'm the design director for DEQA
8:06 Design Collaborative.
8:08 So DEQA Design Collaborative
8:11 is a
8:12 design studio located in Makati and our founder is architect
8:17 Denise de Castro.
8:19 At first, the client really wanted to have a very minimal palette,
8:24 mostly with whites and grays. But architect Denise introduced
8:29 the
8:31 element of wood.
8:38 With the element of wood,
8:40 it creates more warmth and depth so every space gives you a refined
8:46 but inviting ambiance.
8:49 So with this project, we really prioritized the natural lighting.
8:54 So this project becomes a case study for
8:58 the whole theme that we tried to experiment.
9:02 See how natural light works all throughout the day and also how
9:07 artificial lighting supports it.
9:18 Walls, ceilings were adjusted based on how we want the space to be
9:24 used and how we want the space to receive natural light and at the
9:28 same time how artificial lighting complements
9:31 these spaces.
9:35 Architect Denise's design process is deeply curious.
9:39 We often ask questions that leads us to a better understanding of our
9:45 client's profile.
9:47 With these detailed questionnaires or interviews with our clients,
9:52 this translates to a more
9:55 personalized design strategy.
9:57 That's why we
9:58 are quite confident that all of our projects are quite unique because of
10:03 this process of hers.
10:29 I think this home was able to
10:32 accommodate the changes that were about to happen that we didn't
10:36 know were coming.
11:39 Design does not need to be perfect,
11:41 but
11:42 it has to be empathetic. It has to understand
11:47 the people that will inhabit the space.
11:52 And somehow, at some point,
12:01 It has to be able to anticipate that
12:07 life will change.
12:23 And if design has done that for you,
12:26 it has done enough.