The Untold Story of Deaf Theater
PBS Documentaries
0:04 ALIX It’s 1988 and the world shifted.
0:10 ALIX I was watching the news and found myself glued to television,
0:15 ALIX unable to look away.
0:17 DAYMOND When I came here to Plano, Texas.
0:20 DAYMOND that was my first experience with Deaf theater.
0:25 DAYMOND The goal of Deaf theater DAYMOND is
0:28 that it's all accessible for everybody through sign.
0:31 ALIX It’s that moment.
0:33 ALIX That moment when the world shifted, became something more.
0:34 ALIX That moment when the world shifted, became something more.
0:39 ALIX Reporters were tuned in.
0:41 Newspapers flooded the world.
0:44 DAYMOND Come closer together now, and chant..
0:45 DAYMOND Deaf.
0:46 President.
0:47 Now!
0:47 DAYMOND Get closer together.
0:48 ACTORS Deaf.
0:50 President.
0:51 Now!
0:52 PROTESTERS Deaf.
0:53 President.
0:54 Now!
0:55 DAYMOND For this “Deaf.
0:57 President.
0:57 Now!” showcase, DAYMOND there are so many different scenes.
1:01 DAYMOND We're trying to come up with ways DAYMOND to support all the actors.
1:08 DAYMOND Which is really what DAYMOND inspired me
1:11 to write the script DAYMOND for the “Deaf.
1:14 President.
1:15 Now!” showcase.
1:22 DAYMOND It's kind of like with this showcase
1:25 DAYMOND we're trying to teach DAYMOND and inspire
1:29 others DAYMOND how to become heroes in the Deaf
1:31 community from the Deaf President Now protest.
1:33 DAYMOND We can be our own hero.
1:36 DAYMOND We can change our own path.
1:39 DAYMOND Because seeing the Deaf President Now protest happen,
1:43 DAYMOND impacted and inspired all of us.
1:53 DALE I mean, for Deaf President Now protest,
1:54 DALE Deaf students were ready to have their own
1:57 identity DALE as seen in their own president.
2:00 DALE But then what happened?
2:02 DALE The board decided to pick a woman who did not even know how to sign at all.
2:07 DALE They've realized that in the 80s, DALE many Hearing people DALE were
2:12 still oppressing and suppressing DALE Deaf people.
2:20 CATHY Not that.
2:22 CATHY Is it lined up?
2:23 CATHY Is this lined up with that down on the floor?
2:28 ALIX Yes.
2:29 CATHY Good?
2:30 Perfect.
2:30 CATHY All right, go ahead and staple it in.
2:34 DAYMOND For me to have access into that Hearing world,
2:37 DAYMOND I’m always having to say...I'm Deaf.
2:39 (And they always say) “That's cool!
2:41 That's cool!” DAYMOND And then, when I try to be involved,
2:44 DAYMOND (They continue to say) “Yeah!
2:46 Yeah!
2:46 Yeah!” DAYMOND I'm like, well, no,
2:51 I'm interested in DAYMOND getting access to an interpreter.
2:55 DAYMOND Which means I have to understand...
2:57 DAYMOND their goals, their intentions, and I have to try to match them.
3:02 DAYMOND Which makes it hard for me,
3:05 DAYMOND that I have to meet their expectations.
3:11 DAYMOND I can't speak for all other Deaf actors out there,
3:15 DAYMOND because maybe they had a different journey than I did.
3:20 DAYMOND But I can share one challenge that we all have in common.
3:27 DAYMOND And that challenge will always be accessibility.
3:36 AMBER I'm really hoping that AMBER Hearing people that don't
3:40 have as much AMBER education and experience in our world,
3:44 AMBER can get a glimpse of our heart AMBER and our abilities.
3:50 AMBER We are preaching AMBER a little bit about our culture, our history,
3:56 and what it is AMBER to have our Deaf heart and our abilities shine.
4:04 AMBER And so I really hope we have the audience for that.
4:18 SOUND ENGINEER Maybe?
4:20 DAYMOND I can't hear anything.
4:22 I'm Deaf.
4:24 DAYMOND They can hear more than I can.
4:27 SOUND ENGINEER You can hear it?
4:29 DAYMOND I'm Deaf.
4:29 I can't hear anything.
4:35 HAILEY Well, we've been students
4:37 at the TCC HAILEY interpreting program for like,
4:40 two years now, so Day Day has done...
4:43 HAILEY Daymond has done a couple of plays now,
4:45 and we've been to them to see them.
4:47 HAILEY We've just never been involved.
4:49 HAILEY And then this one, we were just like, we should do it.
4:51 HAILEY It'd be fun.
4:52 And it and it's fun.
4:53 FAIRY This is one of his more relaxed showings
4:56 for people who are kind of new to it.
4:58 FAIRY This reflects deaf culture a lot,
5:00 FAIRY but it is interesting to see somebody perform sign language FAIRY
5:03 because it adds an extra layer of emotion that wasn't there before.
5:06 FAIRY It's incredibly beautiful, and personally,
5:08 I think the English translation of FAIRY it doesn't do it justice.
5:12 HAILEY No, it's not even close.
5:14 DAYMOND We have to show how we're doing it DAYMOND with our facial expressions.
5:20 DAYMOND I mean, body language DAYMOND
5:22 and your facial expressions DAYMOND are your words.
5:26 DAYMOND INTERVIEW Your eyes,
5:28 DAYMOND INTERVIEW your mouth movements, your eyebrows...
5:31 DAYMOND INTERVIEW how you move your body.
5:34 DAYMOND INTERVIEW The goal of the words have
5:36 to be analyzed and taken apart to find the meaning.
5:39 DAYMOND INTERVIEW The director of artistic sign language DAYMOND
5:42 INTERVIEW will help the Deaf actors translate the English words
5:44 from the script DAYMOND INTERVIEW and teach how to understand
5:47 the words DAYMOND INTERVIEW in the language that it is.
5:50 DAYMOND So the actors work with the director
5:54 DAYMOND to take the body language and the English
5:57 language and consider the stage DAYMOND to figure
6:00 out how to make that all into one picture.
6:03 DAYMOND So it looks good.
6:05 DAYMOND It feels good.
6:09 DAYMOND I want to see it.
6:11 DAYMOND Put it on.
6:15 DAYMOND Remember, you're that little train that could.
6:18 DAYMOND I think I can.
6:19 I think I can.
6:20 I think I can.
6:20 Choo!
6:21 Choo!
6:26 SYMANTHA It’s actually cute!
6:30 REBEKAH because we understand each other.
6:35 REBEKAH We can hold each other accountable...
6:37 REBEKAH for cues and stuff.
6:41 REBEKAH I remember one show REBEKAH there was
6:45 a half-Deaf cast REBEKAH and a half-Hearing cast.
6:47 REBEKAH Half of them didn't know sign.
6:50 REBEKAH I had to pretend that I understood them.
6:54 REBEKAH But all I saw were their lips
6:59 moving REBEKAH and I’d make faces like this.
7:04 DAYMOND The goal is always for DAYMOND everybody
7:07 to feel welcome here at the Deaf theater.
7:09 DAYMOND I feel like...
7:12 DAYMOND I'm at home.
7:24 DAYMOND This is my favorite picture.
7:26 APRIL Let me see.
7:28 APRIL That's cool.
7:29 DAYMOMD That's from California, DAYMOMD from before you were born.
7:33 DAYMOND Look at this picture.
7:35 APRIL Oh, I see your hearing aids.
7:39 DAYMOND We had the hearing aids in our ears and an FM system,
7:42 DAYMOMD but it was a box that was strapped to your chest
7:45 DAYMOMD and then it would connect to your hearing aids.
7:47 DAYMOND But I didn't like it.
7:49 It was so big.
7:50 APRIL It looks so big.
7:51 How does that fit your ear?
7:53 DAYMOND I know my ears are small.
7:55 APRIL I see that.
7:57 DAYMOND It connected to the teacher's microphone DAYMOMD so I
8:00 could hear what the teacher was saying, but I didn't care.
8:02 DAYMOND I didn't want to wear hearing aids all the time,
8:04 DAYMOMD because if there was any background
8:06 noise that was loud, it was distracting.
8:07 APRIL Especially if you're having a conversation with one person,
8:09 APRIL you don't want to be distracted by the background noise.
8:12 DAYMOND If somebody banged on the door or dropped something,
8:14 it felt like I was hearing DAYMOND that sound in my head,
8:16 like a drummer in my ear.
8:17 DAYMOND There were compartments for the FM systems DAYMOND that we
8:20 had to put them in so that they would charge overnight.
8:23 DAYMOND I would take some of the FM systems and disconnect the batteries.
8:27 DAYMOND The next day we'd show up and they'd be dead.
8:29 DAYMOND So I didn't have to wear it that day.
8:31 APRIL So you didn't have to use it?
8:33 DAYMOND Yes.
8:34 APRIL You were a horribly bad kid.
8:37 DAYMOND No, I was an angel.
8:46 AMBER A wave out to the side.
8:48 AMBER There you go.
8:49 One, two.
8:50 AMBER Back to the front, three.
8:52 AMBER And then we want your arm, AMBER your fingers to just barely touch.
8:57 AMBER Start twirling.
9:02 JESSICA That’s too close.
9:05 JESSICA You don’t want that to be touching.
9:11 ALIX My best friend's coming.
9:13 ALIX A lot of my coworkers are coming.
9:15 ALIX A lot of people I know within the community.
9:19 ALIX The Deaf (community) is very small.
9:22 ALIX So as a result, every time that there's a Deaf event,
9:26 ALIX you're always going to see somebody that you know there.
9:39 BRITTANY You're in row D, seat 13 and 14.
9:43 AUDIENCE MEMBER So 13 and 14.
9:45 BRITTANY Yes, 13 and 14 is on the left hand side.
9:47 BRITTANY When you walk in, you'll be able to see it.
9:50 DALE Congratulations!
9:51 Very proud!
9:54 DAYMOND I’ll be right back.
9:57 DARRELL We have a big vision at the North Texas Performing Arts.
9:59 DARRELL We believe everyone should have the opportunity DARRELL for the profound
10:02 experience DARRELL of taking the stage and having their voices heard.
10:06 DARRELL Daymond has created some very unique messages DARRELL where
10:08 he's telling a story not just to the Deaf community,
10:10 DARRELL he's telling a story to the hearing community.
10:13 DARRELL He's helping open up our eyes to the challenges,
10:16 the difficulties, DARRELL and the opportunities for those in the Deaf world.
10:21 AUDIENCE MEMBER They told me they have interpreters,
10:23 AUDIENCE MEMBER so I thought, oh, okay.
10:24 (AUDIENCE MEMBERS IN DIALOUGE) Is this your first time learning ASL?
10:27 AUDIENCE MEMBERS IN DIALOUGE Yes, I just recently started losing my hearing.
10:31 AUDIENCE MEMBERS IN DIALOUGE So I’m just now learning.
10:35 DARRELL What we learn in our lives is everybody has a special story to tell,
10:38 DARRELL and there are unique stories DARRELL and challenging
10:40 stories and stories that we can all learn from.
10:44 DARRELL Good evening.
10:46 DARRELL Good to see you all.
10:47 DARRELL Thank you all for being here.
10:48 DARRELL Thank you for being here DARRELL and thank
10:50 you for continuing to be a part (CATHY INTERPRETING
10:50 FOR CAST) and thank you for continuing to be
10:51 a part (CATHY INTERPRETING FOR CAST) of supporting our shows.
10:57 ALIX For 124 years, we thrived ALIX through seasons...
11:04 ALIX of pain.
11:07 ACTORS ON STAGE Deaf!
11:11 President!
11:12 Now!
11:15 DAYMOND For the dinner table syndrome scene,
11:23 DAYMOND I want to show what happens when a Deaf person is sitting
11:27 at the table DAYMOND and all the Hearing
11:29 people there are having conversations around them.
11:31 DAYMOND They are laughing,
11:33 and the Deaf person is trying to catch these little bits,
11:35 DAYMOND and are always asking what was said.
11:38 DAYMOND The Deaf person is trying to catch
11:39 these DAYMOND small scraps of the conversation,
11:41 DAYMOND and they're just left not understanding.
11:44 DAYMOND The Deaf person asks their parents
11:46 to interpret what’s being said at the table, DAYMOND and the parents always say,
11:49 “I'll tell you later.” DAYMOND And then it's always later...
11:55 DAYMOND But why later?
11:57 DAYMOND I want to know now.
11:59 ALIX Dad, you want me to learn ALIX
12:01 how to become an independent ALIX lady, right?
12:06 ALIX Do you not think I'm capable of being an adult?
12:09 ALIX Do you not think I can't still achieve
12:12 ALIX all the things you wish that I could?
12:15 DAYMOND I'm going to make sure
12:17 that the Hearing people DAYMOND watching the “Deaf.
12:20 President.
12:20 Now.” showcase DAYMOND understand and they go DAYMOND “That's how you
12:26 felt this entire time?” DAYMOND And the Deaf person will go,
12:29 “YES!” ALIX In this season, ALIX I’m breaking free.
12:36 DAYMOND You can't just expect for us DAYMOND to do all of the work.
12:41 DAYMOND Give me access to all of you.
12:44 DAYMOND We work ten times harder DAYMOND
12:49 to be able to communicate with everyone.
12:51 ALIX I am Deaf.
12:53 ALIX And I am...
12:53 ALIX proud.
13:01 CATHY You were loud.
13:05 ALIX Thank you.
13:06 DAYMOND As a deaf person,
13:07 you go looking for your own home DAYMOND that's on the same level,
13:11 DAYMOND same communication, empathy and understanding.
13:15 DAYMOND Finding someone who can sign with you,
13:18 DAYMOND so you can feel that connection.
13:22 LIGHTING ENGINEER We’ve got to wait for the birds.
13:26 PLAY Mommy, why are the birds on the telephone line PLAY being so jumpy?
13:34 PLAY Well, that particular line is a TTY line.
13:39 PLAY That's what's making the birds jump so much.
13:44 DAYMOND It’s time to educate.
13:47 DAYMOND So I wrote the script DAYMOND to share that story.
13:57 FAIRY Daymond ran backstage during intermission,
14:00 FAIRY and we heard that a lot of the audience members were crying.
14:03 REBEKAH Feeling great!
14:06 REBEKAH Yeah.
14:10 REBEKAH I just wanted to connect with them.
14:13 REBEKAH To be impactful.
14:14 REBEKAH To really influence them and help them feel the message.
14:18 AUDIENCE MEMBER You know, in our family,
14:21 that dynamic of I'm Hearing and she’s Deaf.
14:23 AUDIENCE MEMBER Seeing that dinner table scene,
14:26 AUDIENCE MEMBER that was our family.
14:29 AUDIENCE MEMBER I’m proud of you.
14:31 DARRELL Everybody has a story to tell.
14:32 DARRELL That means that you have to think about DARRELL
14:34 communities that otherwise wouldn't have that opportunity to take the stage.
14:38 DARRELL And it's so absolutely critical, that we hear those voices.
14:42 DARRELL In doing that, we make ourselves better.
14:44 DARRELL We become better people, we become more whole.
14:47 DAYMOND Thank you.
14:48 DAYMOND Did you enjoy it?
14:52 DALE We don't want to forget DALE what we went through before,
14:57 DALE because history can repeat itself again.
15:02 We want to keep teaching DAYMOND You are not alone.
15:09 DAYMOND We are with you.
15:12 DAYMOND You are not forgotten.
15:16 DAYMOND We are here together.
15:20 DAYMOND The legacy I want to leave behind DAYMOND is to support and encourage.
15:28 DAYMOND To pass on my candle flame...
15:32 DAYMOND and let that spread DAYMOND to the rest of the community.