MORK | Viking Action Series — BTS | Higgsfield Original Series (2026)

0:00 Action.

0:03 [screaming] [groaning]

0:05 Oh, stop, stop, STOP.

0:06 CUT.

0:08 WHY ARE THERE PEOPLE IN THE MO- WHERE IS THE AD?

0:11 SOMEBODY GET THESE PEOPLE Scene one, take one.

0:15 Set.

0:19 This is behind the scenes of Higsfield Originals.

0:23 Did I say it right?

0:24 Yeah, perfect.

0:26 Can we actually shoot now?

0:28 Hello.

0:29 I play the Yarl, a ruthless Viking warlord.

0:34 We are landing on this beach and we are not welcome.

0:41 I play the leader of a gang of cutthroats.

0:43 My character is a savage who lands on foreign

0:45 soil and takes [music] everything and kills everyone.

0:49 The role is a piece of[ __]

0:52 [laughter] Don't, don't use that.

1:00 107, [music] eight, 108, 108, 108, ONE.

1:05 [laughter] ATTACK!

1:06 [screaming] OF COURSE, WE ALL LOOK very scary on camera.

1:10 But look at the Yarl.

1:12 Who's a good boy?

1:14 Who's a good boy?

1:17 Our Viking ancestors [music] would not be proud of such softness in a chieftain.

1:22 [laughter] But what can I say about our main villain, the Yarl?

1:24 He is very dedicated and very professional.

1:27 you, Yarl.

1:28 When you work next to someone like that, you want to grow, too.

1:31 [music] You want to be better.

1:32 He raises the bar for every He raises the bar.

1:37 [laughter] [screaming] [laughter] I hate.

1:46 I HATE POSTS.

1:47 I'M CALLING MY AGENT.

1:48 STOP LAUGHING.

1:52 SO, WHERE ARE WE RIGHT NOW?

1:54 This is our village.

1:55 We're making a movie.

1:57 And this is my brother in the show, Edrick.

2:00 I think he's an idiot.

2:02 You're the idiot.

2:03 I heard that.

2:05 Come back here.

2:09 [music] [clears throat] In the series, my name is Bjorn, Bjorn the Bull.

2:14 I think my character [music] is very cruel,

2:16 but he is very loyal to his chieftain.

2:18 I would say loyalty [music] is his greatest strength.

2:21 The project is very interesting, a lot of positive emotions.

2:24 Of course, there are tough days.

2:26 We depend a lot on the weather.

2:28 What's the most interesting that's happened on set?

2:30 Every day something interesting happens.

2:32 Even look over [music] there right now.

2:35 [laughter] Every day.

2:36 Bjorn is very dedicated.

2:37 He rehearses a [music] lot.

2:39 Even though he might seem light-hearted,

2:42 he's kind of like a big child in some ways.

2:45 [music] Maybe that's true, but he is very kind and very hard-working.

2:48 I'll tell you one thing, the jalapeno was a mistake.

2:53 ALL RIGHT, NOBODY FOLLOW ME.

2:55 THE SCENE IN THE mountain cabin,

2:57 I am sure we could have shot any other cabin down there.

3:04 This director, this director will be the DEATH OF US.

3:09 [groaning and screaming] HELLO, EVERYONE.

3:11 I play the mother [music] of two beautiful children.

3:13 My scene takes place in this cabin.

3:16 Honestly, when I first saw the script, I was in shock, just [music] in shock.

3:21 I believe that such excessive illustration of violence is not necessary,

3:25 but the director insisted.

3:26 He explained that it [music] was a request

3:28 from the producers and that for this genre of series,

3:31 that level of brutality is necessary.

3:32 [music] Plus, I don't fully understand him.

3:36 He barely speaks English.

3:39 See?

3:40 Action.

3:44 [laughter] ACTION.

3:49 ACTION.

3:52 THIS ONE'S MINE NOW.

3:55 [laughter]

3:55 SO, HOW are the shoots going?

3:56 Everything's great.

3:58 The only [music] thing is, it's really hard to work in such a small space.

4:02 The scene is intense, rated R for sure.

4:04 It's definitely not for the [music] faint-hearted.

4:07 You're dead.

4:10 [laughter] THOSE WERE THE LAST SHOTS AT THIS LOCATION.

4:12 THANK GOD WE'RE DONE.

4:14 ALL RIGHT, next location [music] is THE CITY.

4:17 BUT I WON'T BE THERE.

4:18 TODAY IS MY WRAP.

4:20 OH, NO!

4:21 BUT YOU'LL COME VISIT US?

4:22 Of course.

4:28 SEE YOU AT THE CITY.

4:54 My name's Kale, [music] also known as Mork.

4:56 I'm the protagonist of this series.

4:59 The story takes us from childhood on the island to I'll be there in a minute.

5:02 to here.

5:04 I come here to avenge the death of the people

5:06 closest to me and the trauma I survived.

5:08 Sorry, [music] busy day.

5:09 I think our role in the story is a bit under-appreciated.

5:12 I think they could have given us more dramatic weight,

5:14 a bit of backstory for [music] our characters.

5:16 Who are these guards?

5:16 Where did they come from?

5:17 Right, right.

5:18 What is our motivation?

5:19 Why do we guard this gate?

5:20 What happened in our [music] lives that brought us to this moment?

5:22 Exactly, exactly.

5:23 Stanislavski method.

5:26 Yes.

5:25 God, boys are funny characters.

5:28 But overall, the atmosphere on set is very friendly.

5:31 The guys are all sharp.

5:34 Checkmate.

5:36 I think this is [music] going to be an excellent film.

5:38 Yeah, again.

5:39 Again.

5:44 [music] [screaming]

5:47 Finally, we're moving to interior shoots.

5:49 This is our scene at the table.

5:50 We've come to feast and to grope the lusty maidens.

5:54 on set.

5:55 Because in real life, you're clearly not managing.

5:59 [laughter] [music]

6:17 My Tinder profile is about to get very complicated.

6:20 Swiping right is going to be a real commitment.

6:26 [music]

6:28 Did you miss me?

6:33 My king.

6:34 Should I keep this angle?

6:36 [laughter] Watch this.

6:42 Woah!

6:44 [screaming] WHAT THE[ __] [laughter]

6:48 THE IRONY IS, I'M THE ONE WHO FLIPPED that table.

6:52 And I treated all that food pretty badly.

6:55 In the end, the food got its revenge [music] on me.

6:58 Karma.

6:59 Kids, don't play with your food.

7:03 [music] Overall, the atmosphere on set is very fun.

7:04 Bjorn is something special, of course.

7:07 I'm supposed to feel this deep blood hatred towards him,

7:10 but honestly, it's impossible [music] to stay serious around him.

7:12 Just look.

7:15 See?

7:16 How am I supposed to work with that?

7:17 I remember [music] you, boy.

7:22 [laughter] You're heavier than [music] last take.

7:24 I remember you, boy.

7:27 [laughter] I remember, man, you have beautiful [music] eyes.

7:30 Get off me.

7:30 Seriously.

7:32 [laughter] I hope we're not disturbing.

7:44 NO WAY!

7:45 OH, KALE, YOU'RE NOT.

7:50 I MISSED YOU.

7:52 I missed you guys.

7:54 So, how are the shoots going?

7:55 One more shot, my martini shot.

8:01 Five minutes.

8:04 We [clears throat] have to go shoot.

8:06 Good luck.

8:12 You do realize that all of this is AI?

8:15 I think everyone realizes that, but not everyone wants to believe it.

8:19 [music] Believe what?

8:22 That none of this is real.

8:24 That all of this is AI.

8:28 But on the other hand, what is actually artificial about all of this?

8:32 [music] The director works on this project constantly.

8:34 It's It's him prompting, always as I think of it as if we were actors.

8:38 We are simply his instruments.

8:40 We all serve the story to tell a story, [music] and that is what matters.

8:43 When the shoots are done, what are you going to do?

8:45 I want to go home and go on the Higsfield AI page and play with Seed Dance, too.

8:49 [music] You want to make your own movie?

8:50 Mhm.

8:51 What will your movie be about?

8:53 It's about a little bug who wants to find his mom.

8:55 What's trash.

8:58 [music]

8:57 It's not trash.

8:59 Aren't you afraid that people in the real

9:00 world won't empathize with you cuz you're AI,

9:02 that there's a prejudice toward [music] AI?

9:04 I think that's not out of the question, but we work very hard.

9:07 I think it would be wonderful [music]

9:09 if you watch our series and appreciate it for what it is,

9:12 so that we can make a second part.

9:15 [music] [music] Three, two, one.

9:33 It's a wrap.

9:38 [music] [music] [music] Ah.