Went to the BIGGEST CAMERA SHOW In JAPAN CP+

Went to the BIGGEST CAMERA SHOW In JAPAN CP+

Potato Jet

0:00 All right.

0:00 So, there's this event called CP+ that I've always wanted to go to.

0:04 It's basically the biggest camera show in all of Japan.

0:07 And actually, according to Nikon,

0:09 this is the Asia's biggest camera shows.

0:12 You said Asia's biggest.

0:13 Asia's biggest.

0:14 Oh, like including all of Asia,

0:17 including all of Asia.

0:18 And since we're there, we might as well have a little bit of fun,

0:20 visit some family, and also Japanese baseball.

0:23 They take it very seriously over there.

0:24 Even my mom tried to get me to be a superstar.

0:26 Too bad I sucked at it.

0:28 But anyways, I've always wanted to see a game there in Japan,

0:31 and it just so happened that the great almighty Shoi

0:33 Otani himself was coming to Japan to play a game.

0:36 So, of course, we can't miss that.

0:38 All right, so here we are at the convention center here in Tokyo.

0:41 Well, Yokohama, close to Tokyo.

0:43 But I'm excited because I've never really

0:45 experienced the camera space here in Japan, which is the home of Canon, Sony,

0:52 Panasonic, Nikon, Toyota, Honda, Yamaha, Mitubishi, Mitsubishi, Kodak.

0:57 Actually, I don't know if that's from here.

0:59 Where's Kodak from?

1:00 So, let's get in there so I could practice some of my broken Japanese, you know.

1:05 I can actually speak a little bit more than just that.

1:07 I was imitating Frank over here.

1:11 Yeah, that's We're in.

1:13 Okay, so first impressions.

1:15 It's much smaller than NAB in Las Vegas, but all the big dogs are still here.

1:20 We got Sony, we got Nikon, we got Fujifilm, we got Canon.

1:23 All just lined up right here.

1:25 Panasonic's in the back.

1:26 Oh, Red here, too.

1:27 There's Nikon.

1:28 We got some jump rope action here at Canon,

1:30 which is what Frank is shooting on right now.

1:32 So, you know, if the video looks like trash,

1:34 you could blame Frank for shooting on a Canon.

1:36 I'm like, you sure you don't want to shoot on my Sony's?

1:39 He's like, no.

1:40 And this is his favorite place.

1:41 Canon Frank right here.

1:42 Canon USA.

1:43 I mean Canon Japan.

1:45 But

1:45 this is what I'm here for.

1:46 For sure.

1:47 This is like over $1,000 worth of lenses.

1:50 All the cameras up here.

1:51 This is fantastic.

1:52 With sensors wide open, just waiting for dust to come and land on the sensor.

1:58 It's Japan.

1:59 There's no dust in Japan, bro.

2:01 That's right.

2:02 My first RF lens ever.

2:04 28 to 70.

2:05 3 lb.

2:06 And it cost me $3,000 when I got it.

2:09 And I'm still using it.

2:10 Yeah.

2:10 28 to 73 lbs.

2:11 You know, Sony makes one, too.

2:12 It's smaller.

2:13 I know.

2:13 I know.

2:14 5 years later, though.

2:15 Hey.

2:15 Hey.

2:15 Hey.

2:16 Frank and I have a lot of beef.

2:18 800 mm.

2:19 F11.

2:21 F11.

2:21 F11.

2:21 But it is nice.

2:22 Like for 800 bucks or something, right?

2:24 Give or take.

2:24 Yeah.

2:25 It is pretty cool having 800 mil with stabilization.

2:28 But it's an F11.

2:30 70 to 200.

2:32 Macro.

2:32 That's small.

2:33 Yeah, that's cool.

2:36 Oh, you got Oh, yeah.

2:37 This is light.

2:38 I might need this lens.

2:39 70 to 200 F4 macro.

2:41 Yeah, look at that macro here.

2:42 I'm finding some excellent Sony gear here while I'm at the Canon booth.

2:45 I know.

2:46 I know.

2:47 This is sick up here.

2:48 I just have like that whole lineup of super telephotos.

2:51 Is that an RF lens in your pocket or are you just

2:54 excited to see me see that camera rig all the way over there?

2:57 200 to 800.

2:58 So, this can start as like a fairly practical lens

3:00 and then go into like some serious like specialty territory.

3:04 Frank, this is the lens you need to get right here.

3:07 200800.

3:06 Yeah.

3:06 If I was a Canon shooter, this would be I would have this.

3:09 And it's light, too.

3:10 It's lighter than my 2 to 600.

3:12 It's slower, though.

3:13 F6.3 to 9.

3:15 Not bad.

3:15 I mean, for the range.

3:17 That's not bad.

3:18 Let's try it out.

3:18 Wo.

3:18 This is light for how it looks.

3:21 Yeah.

3:21 Oh, wow.

3:22 1,200.

3:23 See that closeup of that lens?

3:25 That lens is all the way over there.

3:27 Look at that.

3:28 Yeah.

3:28 That's crazy,

3:29 dude.

3:29 Just imagine all the birding we could do with this.

3:32 That's so cool.

3:33 That is super cool.

3:35 Frank, how do you feel right now?

3:37 I feel great.

3:37 I want to live here.

3:38 I want to stay right here.

3:40 Put us set up a tent and that's it.

3:42 Just live here forever.

3:43 Live here forever.

3:44 Frank might have a small case of Asian fever.

3:46 Just we'll just put that out there.

3:48 As a matter of fact,

3:48 I feel like the real reason Frank came is to find himself a Japanese wife.

3:52 And he did manage to find some success.

3:55 Why are you folding?

3:56 What?

3:57 What is Oh my god.

3:58 Look what I got, bro.

4:00 You did.

4:01 I won this.

4:01 Did you really?

4:02 and I recorded B-roll.

4:04 So, I was trying and trying and trying

4:06 and the employee was kind of like looking at me fail.

4:10 Gosh.

4:09 And fail and fail until finally she kind of like pushed me

4:12 out of the way and she opens up the cabinet and she

4:14 readjusts it and places it like at the edge so

4:18 that the arm can like barely touch it and I can win it.

4:21 And I'm just like taking that home.

4:24 Hell yeah.

4:25 I'm taking it home.

4:26 You're going to put it somewhere like I'm going to put it somewhere.

4:28 Yeah.

4:28 Yeah.

4:28 And what happens when guests come over?

4:30 Are you going to hide it somewhere?

4:31 No, there's no hiding.

4:32 Where are you going to put it?

4:33 I'm proud of this.

4:34 What are you talking about?

4:35 You cannot wait to unbox it.

4:38 Oh my gosh, she's perfect, bro.

4:40 But anyways, back to CP Plus.

4:41 There's endless things to check out.

4:43 But something that did catch my eye is this waterproof drone.

4:46 I mean, definitely something I want to test one of these days.

4:48 Seems really cool, but I am curious how you can possibly

4:51 keep those lenses clean when there's so much splashing going on.

4:54 Then swung by Insta 360 to see what they're up to.

4:57 This is cute, right?

4:58 What's her little name?

4:59 Hi, you're so cute.

5:00 A lot of user use this camera to show the POE from their pets.

5:05 This is the best thing here in all of CP plus right here.

5:09 Whoa.

5:10 Is this a dive housing?

5:11 So, right when I get back from Japan, I'm going to go on a diving trip.

5:13 We're going to do some underwater filming.

5:15 And apparently, these actually can stitch underwater, which is pretty sick.

5:18 Now, I keep seeing everyone do this to their Ace Pro.

5:22 Is this getting popular now?

5:23 Yeah.

5:23 And you can see this wall.

5:25 All these are from Japanese users.

5:28 These are taken with this camera.

5:29 Yes.

5:29 What?

5:30 You would never think this is taken with an action camera.

5:32 Wow.

5:32 I didn't realize that can shoot with this resolution.

5:36 Yeah.

5:36 And also we made a book.

5:38 This is all from Ace Pro 2.

5:40 This is all from Ace Pro 2.

5:42 Yes.

5:42 This is with Yes.

5:44 This is Go Alro.

5:46 Well, that's cool.

5:47 Yeah.

5:47 Yeah.

5:47 This is QU.

5:48 So, this is with anamorphic lenses.

5:50 Wow.

5:51 Got zoom rocker right here.

5:53 Have you ever tried this before?

5:54 The the cage?

5:55 No.

5:56 But our friends been using it though.

5:57 It still feels weird to me to take pictures with an action camera,

6:00 but I've seen good stuff come out of it.

6:02 I actually I like the photos out of this thing.

6:03 It's pretty good.

6:04 The only thing is that it's always wide shot, so that's the only thing about it.

6:08 But I like it.

6:09 So Ralph's actually been in Japan for the last few months

6:11 and uses the Ace Pro 2 to take a photo every single day,

6:14 which is pretty cool.

6:15 But also has some other fun toys like the new Meta AI displays.

6:18 Do I look badass?

6:20 And they don't look good on me.

6:21 They don't.

6:23 Hold on.

6:23 Is there a display screen on there?

6:25 There's like a screen on this.

6:26 It's only one lens though.

6:27 Oh, shoot.

6:27 I see something.

6:29 Oh, that's crazy.

6:30 Okay.

6:30 Oh, you're controlling something.

6:31 How are you controlling it with the It's a neural band that you wear.

6:34 Oh, you should have just said with my brain.

6:36 You can control with the uh the temple, too.

6:38 Yeah, you can you swipe around like a touchpad.

6:41 What?

6:40 Oh, shoot.

6:40 Calls.

6:41 No, wait.

6:41 I don't

6:42 like about to call somebody, I think.

6:43 So, I was about to call his ex-girlfriend just be like,

6:46 I've been waiting for you to call.

6:48 Oh, no.

6:48 I made a call.

6:49 No.

6:50 Break them.

6:50 Snap them in half.

6:52 Hold on.

6:53 So, you can't see anything, huh?

6:55 No, I can't see anything.

6:56 Can I watch videos on this?

6:58 Not really.

6:59 You can watch reals if someone sends them directly to you.

7:01 You can't like hop on Instagram reals.

7:03 Okay.

7:03 Okay.

7:03 Oh, you can't dim scroll.

7:06 No.

7:05 Look at him.

7:05 He's like rain man over here

7:09 that way to the 7-Eleven.

7:12 To adjust the volume and the brightness, you do you do a pink

7:16 HR.

7:16 The thing is like I do my my pockets, too, so it looks a little little sketchy.

7:20 Oh, shoot.

7:20 I have maps.

7:21 Yeah.

7:21 So you can see where you are in the map.

7:22 I've always wondered is does it feel like you're looking at something really

7:25 close to you or does it feel like you're looking at something far away?

7:28 I think like focus wise you're it's

7:30 like focusing on something like a phone distance.

7:32 So it's not like super straining.

7:34 Well, that's crazy.

7:34 You're just like doing this.

7:37 Yeah.

7:37 The the best part is the the handwriting feature.

7:38 So if I'm responding to a message

7:41 Uhhuh.

7:40 I can I can just pretend to write.

7:42 So

7:42 you're texting somebody.

7:43 So I I can just write

7:47 I'm here.

7:48 You just write it like this.

7:49 Yeah.

7:49 You finger.

7:50 Or then you can just pretend you're holding a pen.

7:51 If I'm looking in the sun, it's pretty hard to see because it's like bright.

7:54 But if I'm looking at the floor, it's like it stands out pretty good.

7:57 Yeah.

7:57 Yeah.

7:58 Did you want to try the translation?

7:59 Because it will work in Spanish if you want to see see the translation.

8:02 Oh, can you speak in Spanish?

8:06 Baseball.

8:05 Here we go to watch the baseball game.

8:07 Yeah.

8:08 Pretty close.

8:08 I mean, for Gen One, it's pretty interesting.

8:10 Yeah.

8:10 Yeah.

8:10 Do would you recommend people buy it?

8:13 That's a no.

8:14 If if you like tech, I like them, but the battery life is terrible.

8:17 Oh, yeah.

8:18 DJI is here, who is now officially banned from the United States of America.

8:24 Isn't that awesome?

8:25 No, it's not awesome.

8:26 It sucks.

8:26 Isn't that awesome?

8:27 It hurts.

8:28 It hurts.

8:29 It does hurt.

8:30 It's painful.

8:30 I always like making videos about DJI stuff because their stuff is so good.

8:36 My days of making DJI videos,

8:38 this is going to be a lot harder because I have to go

8:41 travel outside the country to get a hold of their stuff now.

8:44 So, I don't think we're going to get this back home in the States,

8:47 but this is like a Roomba, like a DJI vacuum cleaner.

8:51 I mean, I bet you this is probably pretty good.

8:53 It's got to be probably one of the best ones ever created on planet Earth.

8:57 You could probably fly upstairs,

8:59 probably do your laundry and dlog, but we will never know.

9:02 It's so interesting that we're here in Japan,

9:03 so everything feels like a different planet, but the gear is still the same.

9:07 So, it makes you realize it's like how international these brands are, you know?

9:10 when they have scopes up on Da Vinci Resolve looking through the R3D workflow.

9:15 We could all look at that and like totally understand each other.

9:17 That is how it is.

9:18 All of us have that in common.

9:21 Yeah.

9:20 Yeah.

9:20 The camera, the apertures, the settings.

9:22 And

9:23 I think that's one of the things I really love about

9:24 traveling is you go somewhere really far away where people look different.

9:28 They speak a different language.

9:29 They have a different culture.

9:30 On the surface level, we are opposites.

9:32 But then you go a little bit deeper and you start to realize that, wo,

9:35 we're actually very similar in a lot of ways.

9:38 You know, we're all the same creature.

9:40 You know, we all eat, we all sleep, we all sometimes get diarrhea.

9:44 Another great example is the baseball game that takes

9:46 place on the other side of the world.

9:47 I mean, when you're watching it, it's the same exact baseball we watch,

9:50 but then you get up to get some food and all of it is kind of different.

9:54 Instead of peanuts, you have edeteamame right there.

9:56 You have curry.

9:57 Yummy.

9:57 Sushi and bento.

9:59 But of course, you can't have a baseball stadium without some hot dogs.

10:02 You got pork tongs over here instead of hot dogs.

10:04 Pork tongue is good.

10:05 You just can't think about the fact that you're eating pork tongs.

10:07 I was also surprised to see people bringing in their super telephoto lenses.

10:11 Oh, and also there's these little girls that bring beer

10:13 to you in a keg in a in a backpack keg,

10:16 which apparently is pretty heavy.

10:17 And they do laps up and down the stadium all game.

10:20 So, you would think this is a job for some big buff dude, right?

10:23 But no, if you're a dude, no.

10:24 If you're buff, not a chance.

10:26 Pretty sure you can only have this job if you can fit into this skirt.

10:29 And once your load gets a little bit lighter, bam,

10:31 we'll use Japanese efficiency to swap it out in like 5 seconds.

10:35 I've never seen this man this happy.

10:37 You know, anytime there's a great Japanese athlete,

10:39 we get really excited cuz, you know, we're we're generally smaller people.

10:42 So, you know, we're not playing in football.

10:44 We're not really playing basketball, but baseball,

10:47 we sometimes get Ichiro and now Otani.

10:50 Hey, how you doing?

10:50 Good to see you.

10:51 Good.

10:51 What are you doing here?

10:52 Oh, just uh we're making a little video.

10:54 We're stopping by Angelbert.

10:55 I recognized Roman here.

10:57 You're the the the founder of Angelbert, was it?

10:59 So, a few years ago, I met Roman.

11:01 Actually, I think a party at the Cosmopolitan in Las Vegas.

11:05 But basically, that's where I learned that Ary and Red

11:07 basically they trust the angel birds to make their cards.

11:10 And that's what I've been using ever since.

11:12 I feel like memory cards are one of the underdogs of your camera setup.

11:15 You know, you don't really spend too much time thinking about it.

11:18 That is until you run into an issue like we did earlier that day.

11:23 Corrupted file.

11:24 Shut up.

11:24 Oh, yeah.

11:24 It's that one corrupted file.

11:27 Frank, you corrupted the file.

11:28 I did not corrupt the file.

11:29 You pressed every single file.

11:30 All I did was turn this dial.

11:31 That's the aperture.

11:33 I've been using this since day one.

11:34 I've never seen that screen.

11:36 I just changed the aperture.

11:37 You went like this.

11:40 It froze.

11:40 Screen froze.

11:41 Corrupt file.

11:42 You sure you don't want to shoot this on my Sony?

11:44 Don't press every button all at once.

11:46 Bro, I didn't I just turned them.

11:48 So, I filled in Roman to kind of get

11:49 his thoughts on why these types of corruptions happen.

11:52 Don't worry, we were using angel bird.

11:54 So, this would be a good time to say, "Yeah,

11:56 if it was an angel bird, it wouldn't have happened.

11:58 I have angel bird cards and my camera.

12:00 It can also be the uh camera itself, the electronics.

12:03 It can be the battery.

12:04 It can be an accessory like a microphone or an HDMI monitor.

12:09 One thing is please make sure you format the card always in the camera.

12:14 The offload on the computer side,

12:16 the computer, the host system, Mac, Windows, whatever,

12:19 they are writing a lot of files on the card, hidden files,

12:23 which then can also act in that the camera is freezing up.

12:27 So from there, Roman showed me his card readers,

12:29 which have a right protect option to make sure the card

12:31 doesn't get manipulated whenever you plug it into your computer.

12:33 And I'm always amazed to see how much data

12:36 can be stored on a tiny little memory card.

12:38 Now you guys make a 1 TB micro SD card.

12:40 Yes, actually they are up to 2 terbte,

12:42 but 256 as well as 512 are the ones

12:46 which are most compatible also with the action cams.

12:49 Okay.

12:49 In 5 years from now, yes, how many terabytes will this thing be?

12:54 He might be the one that would know cuz he's the the founder of Angel.

12:58 I don't know if you have heard about shortage and pricing trees.

13:02 It is going really through the roof and within the next

13:05 2 3 years we don't see that it's getting better.

13:07 So it just will be raising up more in regards of pricing shortage is real.

13:12 Yes, definitely.

13:13 Yeah, 100%.

13:14 And this and it's it's not the story any better anytime soon.

13:18 Okay.

13:18 So So if we should we buy them now?

13:22 Is this like buy getting in early on crypto where we're just

13:25 like let's buy all the chips now and then they'll rise in price.

13:27 Frank says whenever we're walking through

13:29 here in Japan it's like playing where's

13:30 Waldo where it's hard to find me cuz everyone kind of looks like me.

13:34 That's a very stereotypically racial thing to say.

13:37 Frank, it's true though.

13:46 Japanese drone operator right here.

13:48 FPV drone.

13:57 There's Japanese subtitles, I guess.

13:59 I didn't even know there were Japanese subtitles on these videos.

14:02 So, he's been building FPV drones with 360 cameras for 4 years now.

14:06 I mean, to me, anyone that's put a 360 camera on an FPV drone

14:09 has my respect because I've been down that road and it is not easy.

14:14 But, I think that's kind of why it's awesome that we

14:15 now have options like the anti-gravity A1 360 camera on a drone.

14:20 You know, you get that full immersive experience.

14:22 Oh, I think is this the line to fly it?

14:23 But it's cool how they set this up so you

14:25 can actually experience looking around from the goggles and everything.

14:28 And it was cool that even all the way out here on the other side of the planet,

14:30 I still get to see some familiar faces.

14:34 What's up, man?

14:35 How you doing?

14:36 Hey, how's it going?

14:37 Good to see you guys.

14:38 You guys uh making a video while you're here?

14:40 What are you guys up to?

14:41 Just wandering around enjoying ourselves.

14:43 Oh, okay.

14:44 Cool.

14:44 You know, you're putting me in shape cuz you're working so hard right now.

14:46 This is a prop.

14:49 Huh?

14:48 Yeah.

14:48 This there's no there's no this this too.

14:51 This is a prop too.

14:52 This is product place walking around with the product placement.

14:54 It's just like hey you want something you want a little tripod man.

14:59 What better way to end the day exploring

15:01 the streets with some friends and having some yaki tori.

15:04 Now every time I come to Japan hands down one

15:06 of the musto things is to get on the bullet train.

15:11 Like these things go so fast and ride so smooth.

15:13 You feel like you're in this futuristic machine.

15:16 But they've actually been around for a long time.

15:17 Here's a picture I took of Dylan way back in the day.

15:20 But this thing's actually been around since 1964.

15:23 So, my mom actually would take this thing around

15:25 when she was growing up here as a kid.

15:26 And after all this time, there are zero accidents that cause fatalities.

15:30 But basically, you get yourself a little bento box.

15:32 And by the time you're done eating it,

15:34 you've already blasted across the other side of Japan.

15:40 Oh, what the heck?

15:42 I think you got the wrong thing.

15:45 Well, well, I still got to see my cousins in Shizuoka

15:48 and also got to see my uncle Maka in Osaka.

15:51 He actually took us out for some delicious pokyaki,

15:53 which even Frank was able to eat,

15:54 which is great cuz he's kind of particular about the food he experiments with.

15:59 Frank had Subway twice yesterday and this morning.

16:02 This morning.

16:03 And we're here at like the food capital of the world.

16:06 This looks good.

16:07 Did we find something?

16:08 Are we not going to Subway?

16:10 Oh my god.

16:11 Yes.

16:12 All right, we did it, Ralph.

16:13 But back to the future.

16:14 We swung by the Tavon booth where you can drop off your lenses to have it clean.

16:18 Very nice.

16:18 And I think a big benefit of going to these shows is

16:20 I can actually grab a lot of these things that I see online,

16:23 pick it up, see how it feels in my hands.

16:25 But that's something I could just do at a regular camera store, right?

16:28 But what I felt was really special about CPU

16:31 in particular is a lot of the people that are

16:33 in charge of creating this stuff and making these big

16:36 decisions on what they're going to make next, they're right here.

16:39 I got to meet and chat with some of the people

16:41 that were in charge of creating one of my favorite lenses,

16:44 the Tamron 35 to 150, which starts at an F2 and goes to an F2.8.

16:50 And it still has that insane range of 35 to 150 fullframe.

16:55 Best lens.

16:57 And for the brands, it's their chance

16:59 to talk directly with customers, get some feedback.

17:01 So, I told them my main complaint about

17:02 this lens is it doesn't have a tripod mount.

17:04 So, I had to get this aftermarket mount, which isn't that great.

17:07 It kind of slips.

17:15 He tells me that adding a tripod foot would increase the weight of the lens.

17:19 So I was like, "How about a removable one by/ quarter 20?"

17:21 And he says even that would actually

17:23 require a different material for the housing.

17:25 So it would still increase weight.

17:29 So there's a lot of nuance when it comes to these things.

17:32 And I really learned that lesson when working on the Trix tripod with Small Rig.

17:35 you know, the first ever hydraulic tripod that sets up

17:38 with just one single lever pull and it's awesome and link description.

17:41 Good reaction.

17:42 Ah, but I really learned a ton about

17:45 how many decisions that go into creating a product.

17:48 So, I feel like it's important to really identify your top few priorities

17:53 and then a lot of the finer decisions kind of revolve around that.

17:56 So, for example, Tamron designs a majority

17:58 of their lenses with the same 67 mil front thread.

18:01 So you have one filter that fits most of their lenses,

18:04 which is awesomely convenient,

18:06 but of course that also means some compromises when it comes to designing.

18:09 So it's all a big balancing act.

18:11 You know, I love my 35 to 150, but the compromise,

18:14 it's a bit heavy, so they created a lighter 35 to 100 f/2.8.

18:19 Maybe less capable, but way smaller and way lighter.

18:22 So this lens is like under 1,000 bucks.

18:24 That's good.

18:24 Now, with CP Plus being only a once a year event,

18:27 it might not necessarily line up with your next travel plans to Japan.

18:31 But don't worry because you can still go

18:33 to one of the many massive camera stores and you

18:36 could pretty much find anything from new stuff

18:39 to old stuff to cool stuff to weird stuff.

18:41 Headmount cam.

18:43 What?

18:43 Headmount cam.

18:44 Is that the V1?

18:45 You love this camera.

18:46 It's my favorite camera.

18:47 It's the G7 killer.

18:50 I still like the form factor of this thing.

18:51 Oh, the V.

18:52 The other heavy hitter boo the form factor I love.

18:56 It's the form factor the best.

18:57 I want better stabilization, better audio, and then we'll talk.

19:02 No log and you can't replace the battery.

19:04 Oh, Panasonic.

19:05 There's a camera that they make that I'm really interested in.

19:08 But I just I'm sure that it's going to overheat

19:10 too fast for what I want to do with it.

19:12 How do they have this plugged in?

19:13 HDMI.

19:13 Oh, the micro.

19:14 Oh, man.

19:15 I'm surprised that this connection hasn't broken yet

19:17 with the people coming here and handling this camera.

19:20 Oh, the RX02.

19:22 I always wanted that but could never justify the price of it.

19:24 Dude, this camera can look pretty good cuz it's a 1 in sensor,

19:26 but the stabilization is crap.

19:29 A75.

19:30 I'm sure it's good.

19:31 I just don't know if I saw enough for me to want to upgrade.

19:34 A lot of this gear is like in really good condition.

19:36 Japanese people are pretty good at keeping good care of their gear,

19:40 and I set a terrible example.

19:42 Some old Nikon glass here.

19:44 The old school nifty50 50 mil F18.

19:47 They have been making these little

19:48 pancakes forever and they've always been cheap.

19:51 How much is this?

19:52 This is basically 10 bucks.

19:54 That's killer.

19:55 This is 10 bucks.

19:56 I used to shoot on a lot of contact Zeiss lenses.

19:58 That was like a budget way to get Zeiss glass.

20:02 These guys are like dinosaurs now and like 10 years ago.

20:04 Oh my god, I got a gimbal.

20:06 They never upgraded the the micro plus.

20:08 That's almost like a decade old,

20:10 but it's still the one I use cuz I can't find anything that tops it.

20:13 And this is what I'm talking about.

20:15 Just to have in your room.

20:16 Pretty cool.

20:17 Here's Nikon, also red.

20:19 I've never had an interpreter live before.

20:21 That's cool.

20:22 So, they can speak in Japanese.

20:24 And then we can hear him in English.

20:26 So, I don't have to speak my broken Japanese then.

20:30 Like, you can speak.

20:33 My name is Matthew.

20:34 I'm an amongst manager.

20:36 So, you're speaking in English.

20:37 Uh, yeah, I do.

20:38 Oh, okay.

20:39 So, I So, do I need concept for this year is a Nikon play park.

20:43 So this is a like a shooting experience zone.

20:46 So you can try like a uh whatever

20:49 gears you'd like and shoot like a moving subject.

20:52 This is a heritage line.

20:53 Oh, that's cool.

20:54 You can see many colors.

20:56 This is all digital.

20:57 The old digital.

20:58 This is no touch.

20:59 I want to touch it so bad.

21:01 Lens is designed for the ZF.

21:03 So you can see the classic lenses here.

21:07 Yeah.

21:06 But it's a the inside of the body.

21:08 It's a it's a modern functions.

21:09 And we also have the Z cinema corners.

21:12 ZR offered a lot for the price.

21:14 So, I'm very curious on what's coming down the pipeline.

21:17 Nothing yet, right?

21:18 Nothing yet.

21:19 I'm going to act like I could read this.

21:23 So, like everything has been filmed by ZR.

21:26 That's crazy that this looks just like Red footage.

21:29 You get it on a $2,400 ZR.

21:32 You got full-frame autofocus R3D.

21:37 You speak Japanese.

21:45 Ever since the ZR came out,

21:46 I feel like a lot of filmmakers all of a sudden was like,

21:48 should I start buying Nikon glass?

21:50 So, here they show me the just announced Nikon 70 to 200 f/2.8.

21:55 And don't forget this is CP plus.

21:56 So, the developer himself is actually giving me the rundown.

21:59 This is the original.

22:00 This is the Mark I.

22:01 for the new lens is a bit smaller,

22:03 noticeably lighter by 360 gram, but being more durable,

22:06 better bokeh, and improved autofocus,

22:08 which should give you much better confidence when shooting fastmoving objects.

22:11 Then I asked him what kind of differences there are for video shooters,

22:14 and he said a couple different things,

22:15 like the Arca Swiss built into the tripod plate.

22:18 You also don't have to worry about it extending out

22:20 or shrinking when you're zooming and less just internal movement,

22:23 which should help with gimbal balancing.

22:24 And he was saying overall the users that are

22:26 using these cameras and lenses to shoot video is growing.

22:29 So, it's definitely something I think about that.

22:31 Now, he was definitely saying a lot of words

22:33 that is way beyond my basic Japanese vocabulary.

22:40 So, I ended up being very grateful for the interpreter in my earpiece.

22:42 Your translation is pretty good.

22:44 Like, how do you how do you translate so fast?

22:47 Yeah.

22:47 Like training like for like more than 5 years.

22:50 So, you can hear and then just speak it like as it's

22:53 happening cuz you're talking while you're listening at the same time.

22:57 Yeah.

22:57 So this is simultaneous interpretation.

23:00 What are you going to do all week?

23:01 Are you free all week?

23:02 Can you hang out with us all week?

23:05 We need you everywhere.

23:06 We're going to take you.

23:09 Oh, thank you so much.

23:10 Good stuff.

23:10 We're excited to see what else you guys come up with.

23:13 We're waiting for the new ZR or the ZR Pro.

23:17 Z Pro.

23:19 I was also pretty excited to see what Canon's 3D VR lenses can do.

23:23 It only shoots in one direction,

23:24 so it's not like 360 where you can look around in every direction,

23:27 but as long as you're looking forward,

23:28 it actually looks like really convincing 3D.

23:30 So, you know, looking ahead,

23:31 if VR goggles like the Oculus Quest or Apple Vision Pro really take off,

23:35 this is definitely a very valuable specialty,

23:38 dude.

23:39 Even this, look how small it is, man.

23:41 That's actually dope.

23:42 Oh, and Ni was also there.

23:43 They've been on my radar because they make cinema lenses, you know,

23:46 PL mount with manual focus,

23:48 but with really great optical quality for relatively low cost.

23:52 They just released the rewind series which is

23:54 going to give us more of a vintage look.

23:55 But they originally started with filters filter system that we call the jet mac.

23:59 You can look.

24:03 Oh.

24:03 Oh.

24:04 Oh, that made me very nervous.

24:05 Oh, this is the uh 20 2870.

24:08 The F2.

24:09 F2.

24:09 Yeah.

24:09 But now that I've been to CP Plus,

24:10 I feel like I understand what Roman meant when I asked them.

24:13 Would you say this is the biggest camera show in Japan?

24:15 Uh, I would say yes.

24:17 And uh I would say definitely it's one of the most important one

24:21 but not only for Japan because the industry is here.

24:23 You know it wasn't quite the shiny new

24:25 cameras being announced everywhere type of hype show.

24:27 It was more of all the mega brands under one roof and sharing a space

24:32 with all their customers and also just their competitors

24:34 and just kind of like a big recalibration.

24:37 And as we were packing up to go home we had one last surprise.

24:41 Oh no way.

24:42 I was like why does this guy look so familiar?

24:44 Oh my god.

24:45 People are going to think this is staged for sure

24:47 cuz we There's no way we've ran into you twice.

24:51 Yes.

24:50 On the same video.

24:51 But this is Shibuya Crossing right here, right?

24:53 Shibuya Crossing right there in the most crowded place in Tokyo.

24:56 There's so many people that look like us.

24:58 How do we How do we find each other?

25:00 I got to head to the airport in 12 minutes.

25:02 Okay.

25:02 So, I got to leave.

25:03 But what?

25:03 I can walk with you guys.

25:04 So, you didn't see him though?

25:06 No.

25:06 Well, I saw you guys looking at each other like, "Oh,

25:09 is there some chemistry going on?" And I looked and I'm like,

25:11 "Yeah, we were like this.

25:12 We were like this." were like, "I know you from somewhere."

25:15 That's exactly how that's the point of view.

25:17 Did you end up going back to CP Plus for day two?

25:20 CB Plus was cool, but really like when it comes to Japan,

25:23 going to like the big camera stores, I feel like that's where really it's at.

25:26 Oh, shoot.

25:27 15.

25:28 My checkout is in 6 minutes.

25:29 Is this always like this?

25:30 It's always like this.

25:31 Not always.

25:32 What's your favorite mics, by the way?

25:33 I too rock.

25:36 Oh, the DJI Mic 3.

25:38 Yeah.

25:37 But I also bring around a mic, too.

25:39 Oh, yeah.

25:40 Yeah.

25:41 USBC, man.

25:41 You can't beat I want to start

25:42 a segment called like what camera are you wearing?

25:45 What is this?

25:46 RX1R Mark III.

25:47 Possibly the second most hated camera in 2025.

25:51 It's the first be the FX2, which I like.

25:54 Yes, actually.

25:55 I I like it cuz it's small.

25:57 Very easy to bring around.

25:58 Look at this.

25:58 It's very cute.

25:59 Very nice.

26:00 How do you like the new A75?

26:01 It's great.

26:02 I was kind of pee because I spent $7,000

26:05 on the A1 Mark II and now something came out for 20 what?

26:08 $2,800.

26:09 It's a very nice camera.

26:11 I was just waiting for the A7S4 to come out.

26:14 That's really what I'm looking for.

26:16 A7S4 FX3 Mark II.

26:17 So, it was an exciting trip right up to the very last second,

26:20 but I was excited to get back home to the USA where I have access to drugs.

26:25 And when I say drugs, I mean Claritin D, you know, allergies.

26:28 How you doing, Frank?

26:29 Doing good.

26:32 Oh my gosh.

26:33 I cannot wait to get back to Clarin D.

26:36 Look at my eyeballs.

26:38 Oh, I look dead.

26:40 The stuff in Japan doesn't quite cut it.

26:42 And the good stuff is illegal to bring in.

26:44 So, as soon as I get back home, Carrie saves the day.

26:46 I brought you a treat.

26:48 Oh my gosh.

26:48 Yes.

26:48 Give me some drugs right now.

26:50 Oh yes.

26:51 I'm going to smuggle this into Japan and become a drug lord.

26:54 You don't know how bad I've been wanting this.

26:57 Oh my god.

26:58 And of course, I couldn't leave Japan empty-handed.

27:00 So, I went to town on this little claw machine,

27:03 especially after I saw this little rice ballshaped bird.

27:06 Oh my god.

27:07 It happened.

27:07 It only took like $5,000.

27:10 You get a green card.

27:11 Let's go.

27:13 This for me?

27:14 Yeah.

27:15 Try it.

27:15 You want it?

27:17 Uh-huh.

27:17 It's so cute.

27:18 You like his little feet?

27:19 Look at his little feeties.

27:21 Oh my gosh.

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