Bob Odenkirk’s Closet Picks
CRITERION
0:00 Bob Odenkirk here.
0:01 I’m in the Criterion Closet.
0:03 It’s just filled with wonders and great films,
0:07 things I love or things I’m curious about.
0:10 I’ll show you some of them.
0:13 Jackie Chan, Police Story is a movie that I
0:16 shared with my kids when they were young.
0:17 It’s just fun, clever action.
0:21 I love it.
0:22 I love Jackie.
0:23 Since we’re talking about Jackie, the Criterion Collection has this.
0:27 These are his early films.
0:28 It’s called Emergence of a Superstar.
0:30 It has six films.
0:32 If you ever wonder about the connection between Buster Keaton and Jackie Chan,
0:36 watching these movies will show it to you.
0:38 Set pieces one after another after another.
0:41 Clever as can be.
0:43 Physical comedy.
0:44 Brilliant.
0:45 I’ve never seen Bruce Lee films.
0:47 Never seen one ever in my life.
0:50 So I’m taking these.
0:51 Scarface.
0:52 Old movie.
0:53 Some of the old movies are funny
0:55 because they’re unafraid of just wallowing in tropes,
0:59 and this one is one of those and great fun to watch.
1:02 Paul Muni, Boris Karloff, George Raft,
1:05 a Howard Hughes production directed by Howard Hawks.
1:09 Uncut Gems.
1:10 Do you know how great this is?
1:11 Do you know how great Adam Sandler is?
1:13 Adam can do anything, and he’s one of the nicest guys you’ll ever meet.
1:18 The Big Heat.
1:19 I’ve never seen it.
1:20 I like a noir film.
1:21 Can I reference the Channel as well?
1:23 The Criterion Channel also has great noir films that aren’t
1:28 even in this Closet that you can see anytime.
1:31 You just get the Channel, you pop it on, you’re going to watch a great movie.
1:35 A Man Escaped.
1:37 Haven’t seen it.
1:38 Can’t wait to see it.
1:40 Frenchies working at it.
1:42 They’re the best.
1:43 They love it.
1:44 Do you know Quadrophenia?
1:46 This is a movie that used all that French filmmaking coming out of the New Wave,
1:55 but it’s a British film,
1:57 using the music of The Who to tell the story of a youth who is rebelling,
2:04 but he doesn’t know what he’s rebelling against.
2:07 And it’s kind of got just an incredible vibe.
2:12 Gotta go up here.
2:13 I’m getting the higher shelves because no one goes there.
2:16 This is a movie called Salò.
2:18 It’s one of the great films ever made by a human being.
2:22 It’s horrifying.
2:23 I’m putting it back.
2:25 I’ve already seen it.
2:26 One time, that’s enough.
2:28 Never need to see it again.
2:29 And yet it says so much about people and power and how it corrupts.
2:36 This is called The Red Shoes.
2:38 This is a beautiful film.
2:40 I caught it on TV when I was young.
2:42 They did all kinds of clever camera techniques to make it come alive.
2:50 It’s just… It’s just a beautiful, romantic, visually stunning film.
2:56 Here’s one of my favorite films of all time: My Life as a Dog.
3:00 Anybody who’s writing or even acting,
3:03 if you want people’s… the viewer’s heart to break,
3:07 don’t have the characters cry.
3:10 This is about a little kid who is
3:15 deeply sad for reasons that are presented to you,
3:20 but he doesn’t really know how sad he is.
3:24 And it is heartbreaking and beautiful.
3:26 In a Lonely Place.
3:28 I just saw this.
3:29 I saw this on the Criterion Channel.
3:33 This a good movie.
3:34 Somewhat of a complex, psychological noir.
3:39 It’s not an obvious story.
3:41 And Nicholas Ray directed it.
3:44 He did a good job.
3:46 The story and the complexity of the story
3:48 and the delicate nature of the story is to be appreciated.
3:54 America Lost and Found: The BBS Story.
4:00 BBS was a group of producers who were
4:04 making cool movies in the late ’60s, early ’70s,
4:08 and these are movies that Nicholson’s in, Hopper’s
4:13 in, Peter Fonda’s in, the Monkees are in.
4:17 They were aiming for cool, thoughtful stuff, but also trying to be very realist.
4:26 Get this box set and you can hang out with them.