Spring Days out with Hyacinth | Keeping Up Appearances | BBC Comedy Greats

Spring Days out with Hyacinth | Keeping Up Appearances | BBC Comedy Greats

BBC Comedy Greats

0:01 Are you sure this is the right way?

0:04 Well, yes, of course I am, dear.

0:07 Wait a minute.

0:08 We're in Surrey now, and we're going down to Hampshire.

0:11 Yes, that's right.

0:12 But you've got the map open at Norfolk.

0:15 Huh?

0:16 We're near King's Lynn.

0:24 AGAIN!

0:26 RICHARD, LOOK OUT!

0:36 AREN'T YOU SUPPOSED TO SLOW DOWN WHEN YOU GO through one of these?

0:41 Why weren't you concentrating, dear?

0:43 I cannot imagine.

0:52 I think water's got into the system.

0:54 What?

0:56 What does that mean?

0:57 It means that we're stuck.

0:59 Don't be silly, Richard.

1:00 We can't be stuck.

1:01 We have an appointment with the QE2.

1:05 I'll have to go and get some help.

1:07 But the water!

1:08 Well, it can't be that deep.

1:12 Take your shoes and socks off.

1:13 Roll your trousers up.

1:16 Come on, dear.

1:17 Quick's the word, SHARP'S THE MOTION.

1:24 NO!

1:26 RICHARD, A LITTLE DECORUM, PLEASE.

1:30 As befits someone with a reservation for a quality cruise.

1:37 A little faster, Richard, please.

1:42 Close the door, dear.

1:43 There's a terrible draft.

1:52 This can't be right.

1:54 It's a shortcut.

1:59 We're lost.

2:00 Well, of course we're not lost.

2:02 We're here.

2:03 Well, we can't be there because that's a B road.

2:06 Well, then this must be the B road.

2:08 This isn't even a road.

2:10 Richard.

2:12 Richard, I hope you're not going to be

2:13 in this unreasonable mood for the entire holiday.

2:17 Now, please, drive on.

2:20 I'm sure you'll find we come to the road we need.

2:34 Oh, there's a late night floor show.

2:36 Oh, no.

2:38 Oh, it'll be fun, dear.

2:39 Singing, dancing, a touch of comedy.

2:42 No, look.

2:44 Hm?

2:47 Well, it's obvious to me what's happened, dear.

2:50 You've taken THE WRONG TURNING.

2:58 NO, THAT'S A GARDENER.

3:05 OH, WELL, all right.

3:07 I'm coming.

3:18 All right, we'll take a LOOK OVER THERE.

3:44 RICHARD.

3:47 OH, RICHARD.

3:59 PUT YOUR foot down, Richard.

4:00 This is a getaway car.

4:20 Bring her over here, Stan.

4:27 It's not Daddy in trouble, is it?

4:31 I thought Daddy was with you.

4:34 He was.

4:35 Till he saw the giraffe.

4:38 Is that Father?

4:39 It's Hyacinth.

4:42 Ah, well, that's all right, then.

4:44 Come on, let's have another cup of coffee.

4:47 Richard Bucket.

4:49 It's Bouquet.

4:50 B O U Q U E T.

4:54 Right.

4:55 I'd like the answer to a few questions, Mr.

4:56 Bucket.

4:57 It's Bouquet.

5:01 Mrs.

5:02 BUCKETS.

5:03 IT'S BOUQUET.

5:07 SAY IT AGAIN, MRS.

5:08 BUCKET.

5:12 LOVELY DAY, isn't it?

5:26 Richard, I don't like the look of this suspicious-looking person.

5:31 Please get RID OF HIM.

5:40 SUICIDE MISSION.

5:43 I ADMIRE a fool's nerve.

5:44 Very rare quality these days.

5:47 Such stupidity.

6:01 Well done that man.

6:04 Please play through.

6:08 Thank you, madam.

6:09 And congratulations to your husband.

6:12 He's a dynamo to his fingertips, bless him.

6:15 I've known him throb away quietly EVEN IN REPOSE.

6:33 YOU'VE DONE IT, DEAR.

6:34 They were impressed.

6:36 Can we go home now?

6:37 Of course not, dear.

6:38 We'll finish the round and then we get chatting to Mr.

6:41 Milburn in the club.

6:54 Uh-hey!

6:56 STRIKES ME, MATE, YOU NEED A BIGGER HOLE OR A SMALLER BALL.

7:00 COME ON, MATE.

7:00 HURRY UP.

7:01 COME ON, WE HAVEN'T GOT ALL DAY.

7:09 HE'S COMING YOUR WAY.

7:10 WHO?

7:11 Don't look now, Richard, but I do believe he is.

7:15 He is.

7:16 Mr.

7:16 Milburn's coming.

7:17 He's going to invite us to join him.

7:19 I told you you'd made an impression.

7:21 I say, uh would you mind?

7:23 Uh do you think your husband could do his stuff again?

7:26 Uh we've got a couple of offensive types up there.

7:29 Need to be taught a lesson.

7:31 Richard, how wonderful.

7:33 He's leaning on you already, dear.

7:39 Off you go then, dear.

7:44 Go on.

7:47 Come on, hurry up.

7:48 Let's see you get the little ball DOWN THE HOLE.

7:51 I SHOULD WATCH your stuff.

7:53 This chap's dynamite.

7:55 I've seen him deal with bigger lads than you.

7:57 Oh, yeah?

8:29 Can you SEE ANYTHING NOW?

8:32 I DAREN'T LOOK.

8:36 Come along, Richard.

8:38 Use your eyes.

8:40 I daren't even open them.

8:41 I DON'T LIKE HEIGHTS.

8:44 It's at times like these, Miss Marple Sheridan.

8:47 When did he ever climb a tree?

8:50 He would for HIS MUMMY, DEAR.

8:55 RICHARD, YOU'RE NOT ALL that high, dear.

9:01 That's not the impression you get from up here.

9:04 Well, scan the countryside.

9:07 Look particularly for evidence of mounds and depressions.

9:14 The only depression is mine.

9:16 I feel extremely unsafe.

9:20 Really, Richard?

9:21 Here we are in the pursuit of history,

9:24 and all you can think about IS YOUR SAFETY.

9:31 HOW COULD THAT HIKER HAVE the impertinence to think I was talking to a tree?

9:37 I didn't believe you were up there at all.

9:39 Why didn't you answer?

9:40 I must have been totally engrossed in looking for Iron Age remains.

9:45 Well, you should have answered.

9:46 Well, look for lumps and depressions, you said.

9:49 I must have been so wrapped up in looking for lumps and depressions.

9:52 It was very humiliating for me.

9:58 Mind the pothole in the road.

10:00 MINDING THE POTHOLE.

10:05 OH!

10:06 THAT MUST BE MY Richard and your Dorian.

10:09 Oh.

10:10 Oh.

10:11 Oh, damn legs.

10:13 Always the first thing to go.

10:16 Help Bunty, will you, Richard?

10:17 Yes, Richard, help Bunty.

10:19 I'll entertain this fascinating creature here.

10:25 GOD, OH, DORIAN'S BACK ON FORM.

10:39 HELLO, HOW ARE YOU, MY MRS.

10:40 THING?

10:42 YOU KNOW, I could feel her staring at me in Polish all the way.

10:49 I hope we're well enough dressed.

10:52 She said casual.

10:55 Ah!

11:04 Always a demon on the dance floor, oh, Dorian.

11:08 Oh, damn legs.

11:08 Always the first thing TO GO.

11:11 OH!

11:14 OH!

11:17 OH!

11:21 OH, EYES LIKE THAT.

11:23 YOU'RE A DAMN fine filly on the flat.

11:25 Let's see how you go OVER THAT JUMPS.

11:28 COME ON!

11:33 HEY, YEAH!

11:35 I BOUGHT THAT DRESS FOR YOU.

11:37 YOU KNOW, I REALLY SHOULD BE UNPACKING MY CRYSTAL GLASSWARE.

11:40 OH, there's plenty OF TIME FOR THAT.

11:44 COME ON.

11:45 LET'S KISS THEM SOLID ROSY CHEEKS.

12:16 HELLO, ARSON.

12:18 HOW DID YOU GO WITH YOUR early retirement, Dickie?

12:22 I've lost my mittens.

12:25 And now my eyes have gone.

12:27 All I can see is looking.

12:31 I think I need to have a drink.

12:33 Come on.

12:34 Give me a hand over.

12:36 Yeah, I'll join you in a minute.

12:37 Now, COME ON, OLGA.

12:42 HEY.

12:44 I THINK I'LL GO AND LOOK FOR THE DOG AGAIN.

12:49 ZOE.

12:51 Where's Dickie going with Mrs.

12:52 Thing?

12:54 Zoe.

12:55 Zoe.

12:57 Zoe.

13:04 How could he know Mrs.

13:05 Thing was called Zoe?

13:14 Gang riding, Arson?

13:16 What?

13:21 Yes.

13:22 You have the money for it, don't you?

13:24 Tell you what.

13:28 Why don't we all go together?

13:50 Emmett, you are wicked.

13:52 Yes, I know.

13:54 Isn't it delicious?

13:56 Why not just tell them that we can't ride?

14:00 I don't know that I can't ride.

14:02 I've never tried.

14:05 There's every possibility that I might ride beautifully.

14:09 The clothes fit.

14:18 Off you go, Emmet.

14:20 We'll catch you up later.

14:21 No, no, no.

14:22 I'll wait.

14:23 We'll go together, Hudson.

14:25 That's what friends are for.

14:28 Right then.

14:29 I'll go around the corner and mount.

14:31 Why around the corner?

14:32 I always think modesty requires a lady to mount alone.

14:37 Except in the presence of her husband.

14:47 Emmett, stop it.

14:50 Now listen, horse.

14:51 I'm not a person to be trifled with.

14:54 Hudson, come and help ME UP HERE.

14:59 NOW I NEED YOUR SUPPORT, DEAR.

15:25 I'M JUST TAKING YOUR ORDER.

15:35 HOW MUCH LONGER ARE they going to be?

15:43 So far, so good.

15:46 How does one start it?

15:49 You can't get tongue or something.

15:51 Mm.

15:57 Oh, this is ridiculous.

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