The Weirdly Specific Science Behind Ship Camouflage
Half as Interesting
0:00 Can you spot the ship in this image?
0:02 It might be tricky because it's been
0:04 camouflaged, but if you look really
0:06 closely, you can see the ship right
0:08 here.
0:09 This is dazzle camouflage, and
0:11 it's probably the most popular and
0:13 widely used method for camouflaging a
0:15 ship.
0:16 It's been used since World War I,
0:17 and can still be seen on warships today.
0:20 But you, the brilliant and discerning
0:23 viewer, may have noticed that it doesn't
0:25 really make the ship any harder to see.
0:27 And that's part of the point.
0:28 To explain how this camouflage works, we need to go
0:31 back to the thing that brought it into
0:32 existence in the first place, the
0:34 killing of Archduke Ferdinand of
0:36 Austria.
0:37 In 1914, this guy was
0:38 assassinated and everyone was pissed
0:40 off.
0:40 To blow off some steam, we had to
0:42 invent a whole bunch of new ways to kill
0:43 each other about it, such as
0:50 But I want to talk about this one, the
0:52 torpedo.
0:53 This turned naval warfare on
0:55 its head.
0:56 Going into World War I, the
0:57 British Royal Navy was unparalleled.
1:00 The largest and most powerful navy in the
1:02 world.
1:03 The Germans knew they couldn't
1:04 just take control of the world shipping
1:05 lines by using conventional warships.
1:07 And no one had invented manipulating a
1:09 foreign population into voting against
1:11 their own interest by posting things
1:12 that old people find scary on Facebook
1:13 yet.
1:14 So, they had to take the low road.
1:16 And the low road was underwater.
1:18 In 1914, the British HMS Pathfinder would
1:21 earn the honorable distinction of being
1:23 the first ever ship to be sunk by a
1:25 submarine.
1:26 Over the next few months,
1:27 British ships in the North Sea started
1:28 dropping like flies.
1:30 Despite the size of
1:31 their fleet, the Royal Navy had no way
1:33 to deal with these stealthy new German
1:35 Ubot.
1:36 Their solution, which they
1:37 implemented years later, would not come
1:39 from a lab or a weapons manufacturer,
1:42 but by an old British painter named
1:44 Norman Wilkinson.
1:45 Now, I don't have a
1:46 picture of this guy that I could
1:47 license, but imagine an old British man.
1:49 That's [music] exactly what Norman
1:51 looked like.
1:52 He had spent years painting
1:53 pictures of British ships for war
1:55 propaganda posters.
1:56 And after shading the curves and contours of hundreds of
1:59 ships, he realized that he had a way to
2:01 hide them.
2:01 A technique that would later
2:03 be dubbed dazzle camouflage.
2:05 To explain how this works, though, we need to talk
2:07 about how these ships were getting sunk
2:08 in the first place.
2:09 Sinking a ship with
2:10 a torpedo, at least at the time, was
2:12 really complicated.
2:14 These torpedoes were fairly slow, maybe 40 mph, and could
2:17 only travel in a straight line.
2:19 That means that in order to actually hit a
2:21 ship with one of these, you couldn't
2:22 shoot directly at it.
2:24 It would be long
2:25 gone by the time the torpedo got there.
2:26 Instead, you had to fire at where the
2:28 ship was going to be several minutes
2:30 from now.
2:31 And that is tricky.
2:33 It requires knowing a lot more than just
2:36 where the ship is.
2:37 You also had to know
2:38 how quickly it was moving and exactly
2:40 what direction it was moving in.
2:41 These sorts of calculations had to be done in
2:43 real time using one of these and one of
2:46 these.
2:47 Speed was generally measured with
2:48 a pocket watch following the mass of the
2:50 ship as it traveled from one side of the
2:52 scope to the other.
2:53 Distance could be calculated with two lenses and a little
2:55 bit of trigonometry.
2:56 [music] And direction used a cuttingedge German
2:58 technique called looking at it and
3:00 making a really good guess.
3:02 All of these techniques were visual and all of them
3:04 relied on being able to tell which part
3:05 of the ship was which.
3:06 Where the mast was, where the front of the ship was
3:08 pointing.
3:09 All pretty easy to do from a
3:10 distance, unless the ship looked like
3:12 this.
3:14 Dazzle camo, of course, did not
3:16 make the ship harder to see, but it did
3:18 make it a lot harder to understand what
3:20 you were seeing.
3:21 From a distance, these
3:22 black lines can create shadows where
3:24 there are none, and these white lines
3:25 can erase the shadows that were already
3:27 there.
3:28 This triangle in the middle might
3:29 look like it's pointed at the camera,
3:30 for example, when it's actually a flat
3:32 surface on the side of the ship.
3:34 It can also be tricky to tell where the sky
3:36 starts and the ship ends.
3:37 Is the deck of
3:38 the ship here or here?
3:40 If you get that
3:41 question wrong, you'll also be wrong
3:42 about the angle that the ship is
3:44 pointing.
3:44 The hope here was that at
3:46 least one of these mistakes would be
3:47 enough to get the submarines to either
3:49 fire their torpedoes in the wrong
3:50 direction or reposition themselves to
3:52 fire from too far away.
3:54 Did it work?
3:55 The answer is a resounding kind of.
3:58 There wasn't a ton of data to back any of this
4:00 up, but a lot of ships ended up using
4:02 the camo [music] anyway.
4:03 About 4,000 merchant ships and 400 Navy ships were
4:06 dazzled [music] by the end of the war.
4:08 The Navy found that the dazzled ships
4:10 were 26% less [music] likely to get
4:12 struck in the center of their hall,
4:14 suggesting that they were probably
4:15 harder to get an accurate lock on, but
4:17 they were also 31% more likely to be
4:19 attacked in the first place because,
4:21 well, they look like this.
4:22 Frankly, it's hard to say whether this stuff is a good
4:24 idea, but it never went away.
4:26 It carried on through World War II and still lives
4:29 on to this day.
4:30 Admittedly, it's not going to do much against a modern homing
4:32 torpedo.
4:33 Nor is it going to hide your
4:34 ship from radars or sonars or
4:36 satellites, but even in the year of our
4:37 lord 2026, we still sometimes have to
4:40 use our eyeballs to find and kill each
4:42 other.
4:42 And I think that's beautiful.
4:43 Piloted drones, for example, still rely
4:46 on these same sorts of visual cues that
4:48 World War I era torpedoes relied on, and
4:50 they can be tricked just the same.
4:52 Off the battlefield, dazzle camo has even
4:54 more applications.
4:55 If a car company
4:56 wants to test a prototype on a public
4:58 road, it'll often look like this or
5:00 this.
5:00 If a competitor manages to get
5:02 their hands on a picture, it'll be hard
5:03 to discern exactly what the shape of the
5:05 car is, and lots of little details will
5:07 get lost in the shuffle.
5:08 Plus, if someone fires a torpedo at their
5:10 valuable prototype, it'll be much more
5:12 likely to miss and kill a bystander
5:14 instead.
5:15 [music] That's just good
5:15 business sense.
5:18 But more than in war or capitalism,
5:20 dazzle camouflage finds use every day in
5:22 nature.
5:23 The same principles that
5:24 protected ships in World War I protect
5:26 animals like damsel fish and zebras from
5:28 predators.
5:29 Unfortunately, stripes aren't always enough to protect these animals
5:31 from us because humans have become the
5:34 one predator nature never prepared them
5:36 for.
5:36 So, protecting them now takes more
5:38 than evolution.
5:39 It takes people stepping
5:40 in.
5:40 And that's why [music] we've
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