Best of Jon Taffer vs. Chaotic Bar Owners 😤 Bar Rescue

0:00 I asked you not to show or move your boobs.

0:04 WITHIN ONE MINUTE OF WALKING OUT OF HERE, YOU WERE STANDING THERE LIKE THIS.

0:09 IF YOUR CHEST IS MORE IMPORTANT to you than your wallet, you're an idiot.

0:13 DO YOU GET THAT?

0:14 YOUR MOTHER HAS A SICKNESS.

0:16 IF YOU CAN'T EXPOSE YOURSELF, YOU HAVE NO REASON TO LIVE.

0:23 John doesn't know what he's dealing with.

0:25 You think I'm going to lay down and take it?

0:27 He are 100% mistaken.

0:29 You know guys, I'd be less than honest

0:31 if I didn't tell you I wasn't disappointed, right?

0:33 My biggest disappointment lies with you.

0:35 You too.

0:35 I thought you came here to help me.

0:37 WHAT ARE YOU DOING?

0:38 YOU STRESS TEST.

0:40 THIS IS THE NIGHT YOU ARE.

0:42 ABSOLUTELY NOT.

0:43 YOU SHOULD NOT HUMILATE THIS BAR IN FRONT OF THE CUSTOMERS.

0:47 THIS IS TOTALLY WRONG.

0:48 YOU'RE FOCUSED ON YOUR EGO.

0:50 Nobody else views this the way you do.

0:52 Amy Sarah, is there anything I'm saying that you think is unreasonable?

0:55 Not at all.

0:58 YOU STARTED IN A HOLE AND GOT WORSE AND WORSE by the minute.

1:02 And as you're sinking, he's doing card tricks.

1:05 It's all about his ego.

1:06 Mr.

1:06 ENTERTAINER, MR.

1:08 MAGICIAN.

1:09 HOW ABOUT THEM?

1:10 WHAT THEY KNOW?

1:10 Amateur kids.

1:13 You will never succeed until you believe in your staff.

1:15 What they know about business?

1:17 Your bar failed tonight.

1:18 It was only a third full.

1:19 Who was in charge of the kitchen tonight?

1:22 He and you.

1:22 Mr.

1:22 Fatboy.

1:26 Wow.

1:25 Fat boy should have.

1:26 Yeah, sad boy.

1:27 We should HAVE STABBED THE KITCHEN LONG TIME AGO.

1:29 YOU HAD six checks.

1:31 You had six checks.

1:33 You entire kitchen.

1:35 I have never in MY ENTIRE CAREER BOSS.

1:38 BAD BOY.

1:40 YOU DISRESPECTFUL SON OF A[ __] DON'T TOUCH ME.

1:45 How dare you me?

1:47 How dare you?

1:49 HOW DARE YOU TOUCHING ME?

1:51 That guy is one of the biggest I've ever met.

1:54 Good night.

1:55 Good night.

1:56 Jeez.

1:59 I am so upset with Amy.

2:01 I wanted us to do this because I knew we needed it.

2:03 It's a business.

2:04 It's not about his pride.

2:05 The way he insulted you, chef, this whole thing is unbelievable.

2:08 I don't know if we can rescue this bar.

2:10 If he's not apologizing, we're not going anywhere.

2:14 You can take all the and get the out.

2:16 This might be the rescue we walk out on.

2:22 No change.

2:23 Nobody get went to the bank today.

2:25 There's Max.

2:26 He's [music] one of the two brothers who opened it.

2:29 I have zero patience for any kind of stupidity today.

2:32 And there's Reich.

2:32 Max's brother.

2:34 Reich and Max were defense department subcontractors in Afghanistan.

2:39 Reich got wounded.

2:40 That's why he wears those sunglasses.

2:43 There's any customers, anybody who's rude or disrespectful, just let me know.

2:49 There's Sabrina.

2:50 She's our manager.

2:52 Max might be the worst [music] user of social media I maybe have ever seen.

2:57 Managing your reputation on social media means that you

3:01 take all negative messaging and [music] you turn it positive.

3:04 Not him.

3:05 I got to show you what Max posted.

3:07 [music] Do you have any problems or issues with my bar?

3:11 Listen [music] you.

3:13 If you want to donate, then I'll give you.

3:15 If not, then shut the up.

3:18 [music] Now, he put that online for all to see.

3:24 Wow.

3:23 In a small town, you're going to lose on social media like this.

3:26 It's over.

3:26 And Max has some other inappropriate responses to reviews as well.

3:30 Look at this.

3:30 He takes all social media messaging [music] and turns it negative himself.

3:34 So guys, here's what I did.

3:36 The people that you just saw on social

3:38 media that Max [music] has been insulting,

3:40 I reached out to them and I asked him to get

3:42 a bunch of friends together to come to this bar.

3:44 Max doesn't have a history of containing his temper on social media.

3:48 Tonight, I want to put Max under stress

3:50 and let's see if he can control his temper.

3:54 Can I have a honey punch, please?

3:57 A honey punch?

3:57 Yes, please.

3:59 There's no urgency.

4:01 And if they're not smiling, her shake is lazy.

4:05 The ingredients aren't going to be properly bound together.

4:09 Warrior.

4:17 Short.

4:17 You see a lot of people.

4:18 Do [music] you see a lot of drinks?

4:20 No, I don't.

4:21 Look at those tickets.

4:23 Look at that.

4:25 What table is that?

4:26 Can you print out their check?

4:28 Food.

4:27 Hey, what's your CC glasses?

4:29 We have no more.

4:30 What was I getting for you?

4:31 Uh, something red.

4:34 Isn't she the manager?

4:36 Give me one second.

4:37 Hey, Sabrina.

4:38 Where's the olives?

4:39 In the fridge.

4:40 But they're confused.

4:41 They're lining up 14 shots.

4:43 Woohoo.

4:44 Way down.

4:45 Look at the drinks crossing the bar.

4:46 They're not collecting money.

4:48 No, they're not.

4:48 They're literally giving away.

4:49 They're just giving away drinks to save face.

4:52 This is a cluster down.

4:54 Never got my drinks.

4:55 You want to wait?

4:56 I can get it for you.

4:57 We've waited 45 minutes.

4:59 We got our food.

5:00 We're done.

5:01 Take care, guys.

5:02 All right.

5:03 He's letting them walk out without pee.

5:05 We haven't gotten our drinks yet.

5:06 Okay.

5:06 What was your drinks?

5:07 I got a cranberry juice and a

5:11 He's comping everybody cuz they're failing.

5:13 Did you guys get everything that you ordered?

5:15 The nachos are burned.

5:16 I would love to bring you another nachos.

5:19 Okay.

5:19 Anything else [music] that I can do to make it happen?

5:21 And you have a problem with the table.

5:22 That's an opportunity to build a better relationship than you've ever had.

5:25 Yeah.

5:26 So, you use it.

5:27 We're all unhappy.

5:28 I I'll fix it.

5:29 Can I get you another nachos for us?

5:31 Yes, please.

5:32 Yes.

5:32 They want another nachos.

5:33 Give me about 2 minutes.

5:34 I'll make it myself.

5:35 Okay.

5:35 It wasn't 25 before.

5:36 So I made two.

5:37 [music] I'm good.

5:38 I'm going to make it myself for you just to make it happen.

5:40 Someone get a phone.

5:41 Okay, take it easy.

5:42 I'll get it for you.

5:43 Take his body language.

5:44 I'll get it as fast as I can.

5:46 This is not a guy who's good at controlling this camera.

5:50 Jeez.

5:50 Hey, make the nachos correct.

5:51 The same people that start bashing me on social media,

5:54 they're here and just they're trying to be a dick.

5:56 I need a nachos.

5:57 You guys have one minute.

5:58 I would serve burnt food if my boss talks to me like that.

6:01 You're here making the food.

6:02 I'm the one who gets yelled at.

6:06 I made it myself.

6:07 Those are beautiful.

6:08 Wow.

6:09 So, their drinks are bad.

6:11 No, their drinks are not bad.

6:13 So, everything is bad for you.

6:16 Yeah.

6:16 Get the out.

6:16 Leave.

6:17 You know, he is disrespecting [music] his own customers cuz I'm going in.

6:23 I didn't send my recon spies in to cause problems.

6:27 I want to see how Max deals with detention of a busy bar.

6:31 Have a nice dinner, sir.

6:32 Please.

6:32 And just like he did on social media,

6:34 he turned it negative, escalated everything.

6:37 Now I have to sit down with him

6:38 [music] and teach him what's wrong about his ways.

6:44 Where is the mental giant who runs this place?

6:46 There you are.

6:48 He needs to hear from you how much he failed.

6:51 Is there any plate that came out

6:53 on this table that you said, "Wow, this is good.

6:56 Try this." You've done everything wrong.

6:59 It's frustrating.

7:00 Are you frustrated?

7:01 Yes.

7:02 I feel from the get-go I was set up

7:04 [music] for failure from the minute that I walk in.

7:08 All right, whatever.

7:09 John, [music] you understand the depth of your failure.

7:12 I go on social media and I watch you call customers the Cword online, right?

7:18 [music] She's here.

7:20 You had a bad experience in this bar, correct?

7:24 Well, who lit you guys in?

7:25 You guys are the one who started this thing.

7:27 Did he not call you the cword on social media?

7:30 I was told you care.

7:31 I don't see it.

7:32 I was told you were respectful.

7:33 I don't see it.

7:33 [music] John, cut the bull crap, man.

7:35 Come on.

7:35 I see a loser,

7:36 man.

7:37 You need to stop with this insulting.

7:39 Was this insulting TO PUT IN FRONT OF CUSTOMERS?

7:42 IS THAT AN INSULT TO HER?

7:44 IS THIS AN INSULT TO HER?

7:46 It is.

7:47 I'm insulting you cuz you insulted them.

7:51 Not one customer looked at YOU AND SAID, "GOOD JOB TONIGHT.

7:55 I LOVED YOUR BUSINESS." RAISE YOUR HAND IF THIS PLACE SUCKS.

8:00 RAISE YOUR HAND IF YOU'LL NEVER COME BACK.

8:03 Max has got patience.

8:06 Good job, buddy.

8:07 You are a failure.

8:10 Apologize to every guest and then I'll come back tomorrow today.

8:14 Have a nice day.

8:18 Okay.

8:18 Come over here and apologize.

8:20 Whatever.

8:20 No.

8:20 Come over here and apologize.

8:21 Get the out.

8:22 I do not like you.

8:23 You need to get out of my establishment.

8:26 She started the whole thing.

8:29 Yes.

8:29 Godamn mother.

8:30 Nothing like that.

8:31 Not ever again.

8:32 Do something.

8:33 You're my line.

8:34 Get out.

8:35 Get out.

8:37 I need A SECURITY.

8:39 DUDE, what are you doing?

8:42 I dare the next mother to step behind this line.

8:47 No, I DID NOT WORK THAT HARD FOR A PIECE OF LIKE THAT TO COME IN MY DOOR.

8:56 Here we go.

8:58 These are the people that demotivated me.

9:00 This is the reason I'm in debt.

9:02 Just a couple idiots talk some stupid

9:04 nonsense crap and everybody else just follows him.

9:07 And you see THIS IS HOW THEY ARE.

9:10 LISTEN, I'M GOING TO CONTINUE to do what is right.

9:12 I'm going to continue to help the homeless veterans.

9:14 I don't care about THESE PIECES OF NOBODY CAN DISCOURAGE

9:17 me and I'm going to continue to do what I WANT.

9:20 I DO NOT OWE ANYBODY APOLOGY.

9:22 NOBODY PAID MY BILL BECAUSE I'M STILL IN DEBT.

9:26 YOU.

9:27 For the record, [music] I'm not apologizing to anybody.

9:30 These people are the reason that I am where I am today.

9:34 Anything they said is false and it's ridiculous.

9:40 I'm not going to apologize to anybody.

9:41 John Tapper doesn't want to help me out and that's fine.

9:44 I'd rather shut it down,

9:45 but I'm not going to lose my selfrespect [music] and dignity.

9:47 All these people that were here upset, they're from the community.

9:49 Customers always right.

9:50 The people in the community are our customers.

9:52 We want them here.

9:53 We want them to believe that we want them here.

9:55 He wants my apology.

9:56 I'm not giving any apology.

9:57 He doesn't have to rescue it.

9:58 I don't care.

9:59 I'm scared that John won't come back tomorrow.

10:01 And what is the future going to look like for me?

10:03 What am I going to tell my kids?

10:05 I don't even want to go home cuz I'm scared.

10:08 I dare anybody who has the bars to walk into my kitchen again.

10:11 There we are.

10:12 This bar [music] was bought by John and Louie 14 years ago.

10:18 How you been?

10:19 How's your man?

10:21 There's John, of course.

10:21 What a pleasure it is to see you today, my friend.

10:23 He likes to engage with the folks that are there.

10:26 I don't know if Louis engages with everybody like like Johnny does.

10:29 I personally like both guys.

10:31 I'll get to you.

10:35 You'll hear Louis [music] more often.

10:37 You might not get a formal induction.

10:39 There's a point where he smells escape.

10:42 He's been known to say some vulgar things to women that maybe shouldn't be said.

10:47 Keep your legs fresh.

10:49 So, this bar is losing $5,000 a month,

10:53 and John is married, has a beautiful son who's 6 years old.

10:57 John's house is on the line.

11:00 He's in debt $100,000.

11:02 So, John is stressed.

11:04 He feels they only have about 8 or 10 months left till they're out of money.

11:08 Louie has no wife, no kid, so he doesn't feel the stress like John does.

11:15 Obviously, there's clutter everywhere.

11:19 It looks like at times they just slap things up on the wall.

11:22 There's dildos hanging on walls.

11:28 Um,

11:30 no.

11:30 Compelling.

11:30 Yeah.

11:32 [laughter]

11:35 And it may be funny to some people,

11:37 but after a while it probably gets tire for people.

11:41 And it's uncomfortable to say the least.

11:45 So, look at this.

11:51 Come on.

11:52 Nothing.

11:52 I got to move my car.

11:53 So, I've had this place under surveillance for the past three [music] nights.

11:57 John, he makes that food at home,

12:00 brings it to [music] the bar, serves it in the bar.

12:03 I have health concerns about that.

12:06 It's illegal to serve food in a commercial environment that was produced [music]

12:10 in a residential kitchen cuz that can't be inspected by a health inspector.

12:16 [music]

12:22 To me, it's great food.

12:24 Problem is he's cooking at home.

12:25 And I've got to change that.

12:27 You got some work to do.

12:28 I do.

12:29 I cook Louis V.

12:31 He got lazy.

12:32 I mean, my brother's an[ __] but he somehow [laughter] managed to make worse.

12:37 You know what the real house line is?

12:39 My brother John never does anything.

12:45 So, there's this resentment back and forth [music] between the two of them.

12:49 Mother, what?

12:51 He's out of his mind.

12:53 My brother's a[ __] [laughter] So,

13:00 these are guys that are losing $5,000 a month

13:02 and are 10 months away from their business closing.

13:04 Have you seen them do this stuff?

13:07 I've seen them like that in the past.

13:10 I've never seen this level of buffoonery from a bunch of truck ass.

13:16 THERE'S A LOT OF GODDAMN BUFFOONERY GOING ON HERE TONIGHT AND I DON'T LIKE IT.

13:21 WHAT A weird Jesus Christ.

13:25 YOU'RE OUT OF CONTROL.

13:28 SO, look at this.

13:29 My recon spies are so uncomfortable.

13:31 They're actually leaving

13:34 with the atmosphere and the things on like on the walls and things like that.

13:37 It's just not a good look for a bar and it's just not there.

13:41 Could you imagine if your house was on the line

13:43 and this is how your brother was acting?

13:50 I'm not going to let this happen.

13:51 I'm going inside.

13:53 Okay.

13:53 I'm going to work.

13:55 Nudity doesn't fly.

13:57 You're acting like you never get a car kill in your life over there.

14:02 Who doesn't have a shot?

14:05 Stick.

14:05 You got a shot.

14:09 John, WILL YOU JUST SHUT the up?

14:20 [clears throat] Pleased to meet you.

14:26 How much you losing a month now?

14:28 Do you know?

14:29 I don't know.

14:30 I don't have anything to do with the business end of this.

14:32 We don't make money in the next couple months, we're done.

14:35 Yes, absolutely.

14:36 You should wear a ball cap to hide the ball spot.

14:40 So, is he this much of a jerk all the time?

14:42 [laughter]

14:43 This is freaking serious.

14:44 And if this is a joke to you, then tell me, cuz it's not a joke to me.

14:47 AND THAT MEANS YOU DON'T TAKE YOUR PANTS DOWN.

14:50 IS THIS FUNNY TO YOU?

14:52 REALLY?

14:52 NO.

14:53 THIS MAN IS MONTHS AWAY FROM LOSING HIS HOUSE.

14:56 AND YOU CAN'T EVEN FREAKING SEE ME.

14:58 YOU'RE SO DAMN DRUNK.

14:59 I am.

15:00 Listen, this is Young stuff.

15:02 YOU WORK HARD, YOU PLAY HARD.

15:05 SO, THIS IS THE WAY YOU'RE GOING TO TAKE CARE OF YOUR FAMILY.

15:08 I WON'T SAVE YOUR ASS WHEN YOU'RE LIKE THIS.

15:11 GUESS WHAT?

15:12 NOT ONLY WILL I NOT LOSE MY ASS, I WILL NOT LOSE THIS PART.

15:15 LOOK IN THERE.

15:16 SEE THE FACE OF YOUR SON?

15:18 THEN DRINK YOU ASSH.

15:20 It's a better looking face than yours.

15:23 Look at me.

15:24 Shut the up.

15:25 GO SIT DOWN IN A CORNER LIKE A CHILD.

15:28 YOU as [music] I won't deal with this.

15:31 Get your brother to get his back together and I'll come

15:33 back tomorrow cuz he's so drunk I can't even talk to him.

15:37 Hey, before you leave though,

15:39 go yourself.

15:40 Come here and come and do a shot for me, you[ __] What?

15:43 Laughable, right?

15:44 the ultimate jerk.

15:46 As he loses his house, I'm going to run away.

15:52 Let's have a shot tomorrow.

15:54 I'll listen to him tonight.

15:57 I'm drinking.

15:58 I don't give a everybody.

16:02 I almost Is today Friday?

16:04 Today is Monday.

16:06 I lost it.

16:08 I had A

16:11 JOHNNY.

16:10 Give me a minute.

16:11 John, WILL YOU JUST SHUT the you come on, man.

16:17 For stress test, I want John working in the kitchen and Louis

16:20 working on the floor so we can get his fire back.

16:23 Welcome to the Royal Oaks and enjoy yourself.

16:26 Let's go.

16:27 Let's go.

16:28 But most important, I want the two of them respecting

16:31 each other so they can work together as a cohesive team.

16:36 Oh boy.

16:37 Come on, let's get some money in.

16:39 And what can I get for you?

16:42 Three points.

16:48 Aria, you got to look up, honey.

16:49 We got four or five guys waving cash.

16:52 All right, Louie, you can take food orders, right?

16:54 You know how to start a

16:56 Let's do it.

16:56 Let's do it.

16:57 Get to bloody work.

16:58 Do some productive.

17:06 Um, the service is not too good.

17:09 I don't know if the if they even have servers to come out.

17:12 WHO WANTS TO ORDER FOOD?

17:15 Get the HELL OUT FROM BEHIND A BAR AND GO GET THEM FOOD ORDERS.

17:19 Stop making a fool out of yourself.

17:21 Oh yeah.

17:21 Come on, man.

17:23 You guys need any food orders?

17:27 Hold on there.

17:29 Hold up, man.

17:29 You a order up.

17:30 You don't think you just come in and drop a damn order up?

17:33 Yes.

17:33 Order up.

17:36 So we are crashing big time in the front.

17:38 Your brother waited almost 20 minutes to bring the first food order in.

17:41 He can go jump in in front.

17:43 Take care of the problem.

17:44 You're on your own, man.

17:44 You hear what I'm saying?

17:45 I want to get ice.

17:48 Ice, John.

17:50 John.

17:50 Ice.

17:52 I got you.

17:55 Come on.

17:56 And get ice.

17:58 Damn it.

17:59 I've had better days in my life.

18:02 So, John had to leave to go get ice.

18:05 So Louie is running this place by himself right now.

18:08 As horrifying a thought as that is [music] got an order up.

18:13 Food up.

18:14 Let's go.

18:17 [music] Yell it out.

18:22 Order up.

18:22 Just yell right there.

18:24 Order up.

18:24 You have orders up.

18:32 This is a mess.

18:34 Lou, I got food without a fork down here.

18:38 Speak in English.

18:39 Food without a fork.

18:41 An unhappy customer.

18:45 Nice, clean, organized bar.

18:49 I have no ice machine.

18:50 Ice machine's broke.

18:52 Jesus Christ.

18:54 Does that say a brought with two slo?

18:56 Wait, no.

18:58 You got the wrong ticket.

19:01 It's cluster.

19:02 The whole the whole system.

19:04 Who hasn't gotten a drink yet?

19:06 Nobody in the back row.

19:08 Let's go.

19:09 No communication.

19:10 This guy's taking food.

19:12 Who's got food?

19:12 It's pretty much a bust.

19:19 Took 40 minutes to take my order.

19:21 Didn't ask us if we wanted anything to drink,

19:23 so we don't have anything to drink.

19:26 It's a nightmare out there.

19:28 Only about 25% of the room has drinks.

19:31 What?

19:31 The drinks are too labor intensive.

19:33 THE DRINKS ARE NOT TOO LABOR INTENSIVE.

19:35 YEAH, WHATEVER.

19:37 People don't want these drinks.

19:38 They want beers.

19:39 They don't need this fivepart medley of concoction.

19:44 Beer or shots?

19:46 That's going to be the quickest [music] and easiest thing to get out.

19:50 Let me ask you a question.

19:52 Could I make your business better if they were pouring shots right now?

19:56 Would there be any purpose to ME BEING HERE WHATSOEVER IF I did that?

20:01 WHEN DO YOU GET IT, MAN?

20:03 YOU GOT TO GIVE PEOPLE WHAT THEY

20:05 GET IT.

20:06 THIS IS ABOUT TRAINING.

20:07 IF YOU GUYS GET IT, DON'T YOU?

20:10 THIS IS ABOUT TRAINING.

20:12 IF I give you all beers, ARE THEY GOING TO LEARN ANYTHING?

20:16 SON, do you get it?

20:19 This idiot does it.

20:21 This stress test is a failure.

20:23 No trained bartenders, no systems, no way to get food to the right tables.

20:27 John is trying to bail out the kitchen and bail out the bar.

20:31 And he's sinking as his brother just smiles through failure.

20:36 This is a complete nightmare.

20:37 The only thing that I got to say was good tonight was John.

20:42 Louis is [music]

20:45 it was going good at first, then Louie came back and then John took off.

20:48 There's no communication, just chaos.

20:50 Got a lot of work to do, guys.

20:51 Yeah, let's go do it.

20:53 There's Dalia.

20:53 She's our owner.

20:55 Okay.

20:55 My tits are not sweaty.

20:56 Look.

20:57 Oh, please.

20:59 They're not sweaty.

21:01 All I have to say is real women have curves.

21:04 Chill out.

21:05 Relax.

21:06 I don't care what people think.

21:07 There's Crystal.

21:08 Crystal is Dalia's [music] daughter and a bartender.

21:11 Do you have a card or can I start your time?

21:14 There's Melissa.

21:14 She's a bartender.

21:16 Everybody's just standing around and I'm just

21:18 doing everything like always cuz I'm the badass.

21:21 Not exactly the sweetest girl I've ever seen.

21:24 What are you doing?

21:25 Ed.

21:26 Ed is a bar back.

21:27 I set up the bar a certain way.

21:28 That's why how I want it.

21:30 There's Carara.

21:31 She's a bartender.

21:33 Who's got the balls to flip me for the HOUSE AROUND?

21:36 I BUY OR YOU BUY.

21:37 I say Tails never fails and you're buying the house around.

21:42 There you go.

21:43 Ready?

21:43 That's a [screaming] Why would she do that when people are already drinking?

21:48 I won't honor this.

21:49 I will buy the house around, but it's my choice.

21:52 You don't pick, mother.

21:54 Washington around the [cheering] You're already drinking.

21:59 If you're wearing a promotion, people might come for [music] it,

22:01 but if they're already there, you're just costing yourself money.

22:04 Exactly.

22:04 Cheers to the shot that Dalia bought for the house for no reason.

22:12 Oh, no more shots tonight.

22:14 That's enough.

22:14 [music] You need to simmer down.

22:16 Act like Can you act like a grandma, please?

22:20 Hey, this is how it's really done.

22:22 [music]

22:22 Okay, Melissa, no more shots.

22:24 No more shots.

22:24 That's enough.

22:25 You better not be drinking this, Melissa.

22:27 No more drink.

22:27 Don't tell me drinks.

22:28 I'll take both of these shots.

22:29 This [music] is the most obnoxious bar staff I've ever seen.

22:34 She's drunk and it let her up on your bar.

22:36 What is [laughter] she doing?

22:37 Melissa, if you fall, it's on your own,[ __] I know.

22:41 [screaming] This is actually insane.

22:45 Look at my big boobs, guys.

22:47 Yeah, this girl is all about her.

22:49 Yes, I'm beginning to understand why this bar is packed with men.

22:54 Get it.

22:55 Get it.

22:59 She on me.

23:00 That[ __] don't have nothing on me.

23:05 This is a freak show.

23:06 I'm going to have a promotion.

23:09 Okay, this is going to be outrageous.

23:10 I'm going to run a shot special.

23:12 [screaming] [groaning]

23:14 I'M GONNA HAVE A $5 SHOT SPECIAL RIGHT NOW.

23:18 You want to drink a shot in my chest?

23:20 It's $5.

23:21 Nobody wants to take that FOR $5.

23:23 I'LL SELL THAT FOR $2.

23:25 CLEARLY, Dalia is proud of her chest

23:29 and likes them to be a point of attention [music] and conversation.

23:33 Mhm.

23:33 Cuz she's putting them out there every chance she gets.

23:35 Certainly is.

23:36 I want everyone to line up for a $5 shot special.

23:39 Any tagers?

23:41 Any tagers?

23:42 Oh, wait.

23:42 No, not a No taggers.

23:45 Nobody wants to take a shot out of your orangutang and tits.

23:50 I want a shot.

23:55 There's no takers.

23:56 I'm going to go in and I'm going to have a $5 boob shot.

23:59 Go enjoy that, John.

24:01 [music] It's all about the bling.

24:05 You psycho.

24:07 It's all about the bling.

24:10 The bling.

24:10 That's our This our bling.

24:15 Excuse me.

24:17 Excuse me.

24:18 [music] What are you doing right now?

24:20 Having a great time.

24:23 NOW, IF YOU OFFER A BOOB SHOT AND NOT ONE

24:25 MAN IN A BAR TAKES IT, WHAT DOES THAT SAY?

24:30 MAYBE YOU SHOULDN'T DO THAT ANYMORE.

24:33 Would you like to have one?

24:34 TRY IT.

24:35 NO, I WOULDN'T ACTUALLY.

24:36 I HAVE NO INTEREST IN your freak show.

24:40 Really?

24:39 And you're THE WORST OF ALL.

24:42 HOW MANY TIMES DID YOU say behind that barn tonight?

24:45 Did you see it?

24:48 A few.

24:48 A few.

24:49 So, she chased out a few.

24:52 You chased out a few.

24:54 Who's left?

24:57 Your business is like your boobs.

24:59 It's sagging.

25:01 You're wrong because you know what?

25:02 My boobs stand up like the American flag.

25:06 My ass might have a little hail damage, but not my boobs.

25:12 Hello.

25:13 Hi.

25:13 What's your name?

25:15 Crystal.

25:14 And Crystal, what is your relation to her?

25:17 That's my mom.

25:18 That's your mom?

25:19 Are you proud of your mom or ashamed of your mom?

25:21 Tonight I was ashamed.

25:22 How far in debt are you?

25:24 Maybe 144,000.

25:26 $144,000.

25:28 And how much money are you losing a month?

25:30 Sometimes 4,000, sometimes 6,000.

25:32 So, how much money do you have left?

25:36 Nothing.

25:36 Nothing.

25:36 How's your house mortgage doing?

25:39 I'm in the hole.

25:40 Oh, are you going to lose your house?

25:42 If things don't get better, yes.

25:43 So, how's the whole boob thing working out for you then?

25:47 Well, if you want to see it, I'll let you know.

25:49 I don't want to see it.

25:50 Okay.

25:51 You want to have a drink and talk about it one more time?

25:53 She just wants to have a drink, doesn't she?

25:55 If you don't want to do this, I'll leave right now.

26:00 [music] JOHN TAFFER.

26:02 JOHN TAFFER.

26:04 J O N A T A F F E R.

26:07 I need YOUR HELP.

26:09 COME BACK, PLEASE.

26:11 Is what YOU'RE DOING WORKING?

26:14 NO.

26:14 ARE YOU FAILING?

26:16 YES.

26:16 WHY ARE YOU FAILING?

26:17 BECAUSE I'M A LOSER.

26:19 SO, ARE YOU READY TO NOT BE A LOSER?

26:21 I NEED YOUR HELP.

26:22 ARE YOU READY TO STOP BEING A LOSER?

26:24 YES.

26:25 WELL, THEN SAY IT.

26:27 I AM A LOSER AND I WANT TO STOP.

26:29 SAY IT.

26:30 I'M A loser and I want you to help me.

26:33 DO YOU REALLY GET ANYWHERE FLASHING YOUR TITS?

26:35 DO YOU?

26:37 NO.

26:37 Do you want to grow up?

26:40 Yes.

26:40 I will put money in your wallet if you keep your tits in your shirt.

26:44 That's the deal.

26:47 Okay.

26:46 It isn't about your boobs anymore.

26:48 It's about them and this business.

26:51 Yes, sir.

26:52 Thank you.

26:53 Talk to your mother.

26:54 I'll straighten her ass out tomorrow.

27:03 That was unbelievable.

27:07 So, you going to stop being a dirty slo?

27:09 John Taffer said I had saggy boobs.

27:11 YOU DO.

27:12 JOHN TAFFER doesn't know what the he's talking about.

27:15 My tit stand up like the American flag.

27:18 Look, she's doing it already.

27:19 Oh my goodness.

27:20 I'm not even out of there a minute.

27:22 Do you not understand you need his help?

27:24 Do you want to lose your home?

27:25 He made me sound old and disgusting.

27:27 But you are.

27:29 I'm not old and disgusting.

27:30 You need to shut the up and take the goddamn pill.

27:34 I don't talk to you crazy, but if you don't shut the up,

27:36 you take the You're not moving it with me.

27:38 Act like a adult.

27:40 You're drunk.

27:41 Let it go.

27:41 Oh, y'all need to go back to work.

27:43 I asked you not to show or move your boobs.

27:47 WITHIN ONE MINUTE OF WALKING OUT OF HERE, YOU WERE STANDING THERE LIKE THIS.

27:52 IF YOUR CHEST IS MORE IMPORTANT TO YOU than your wallet, you're an idiot.

27:56 DO YOU GET THAT?

27:57 YOUR MOTHER HAS A SICKNESS.

27:59 IF YOU CAN'T EXPOSE YOURSELF, YOU HAVE NO REASON TO LIVE.

28:05 UNDERSTAND?

28:05 If she does this one time, I will leave here and I will not come back.

28:09 Your mother is in debt $140,000.

28:12 She's going to be living where?

28:13 When she loses her house?

28:14 With me.

28:15 And I can't deal with that stress.

28:17 You're going to blow this.

28:18 Move in with your DAUGHTER WHO DOESN'T WANT YOU.

28:22 Isn't [music] that an ass?

28:23 That's kind of cruel, but yes.

28:25 If it's truthful, then it's not cruel.

28:27 Say it again.

28:28 Is that a mother who's an assh?

28:30 YES, MR.

28:30 TAFFER.

28:31 I'M A[ __] You like it?

28:32 Yes.

28:33 Thank you very much.

28:34 Doesn't bother me cuz you're the ass.

28:36 You see, I'm an assh when I want to be.

28:38 You're an assh all the time.

28:40 AND THAT'S THE DIFFERENCE.

28:42 I act like one.

28:43 You are one.

28:45 Okay.

28:45 Then help me.

28:46 CHANGE ME.

28:47 HELP me the out of debt.

28:49 You help me.

28:50 Don't ask me to show me.

28:52 Show you how.

28:53 You told me you will help me right now.

28:56 So show me.

28:57 Don't tell me how.

28:59 Are you going to help?

29:00 First of all, don't tell me not to anything.

29:03 You don't say to me anything.

29:05 I do what I want.

29:06 And your job is to say yes, sir, Mr.

29:09 Taffer.

29:09 And I'll save your ass, but I won't save YOUR TITS.

29:13 THEY'RE LONG GONE.

29:15 YOU GET THAT?

29:16 I GUESS SO.

29:17 You got to straighten her ass out.

29:18 I will.

29:18 Or this is If you don't, she loses her money and she's your problem.

29:23 Stuck living in your house.

29:25 And what do you do then?

29:26 Let me talk to her.

29:27 Your life is on the line because YOU HAVE AN ASS MOTHER.

29:30 Shut up and listen.

29:33 TAFFER.

29:33 OH MY GOD.

29:34 Tell her.

29:34 I will.

29:35 I will.

29:35 I promise.

29:36 I'll be

29:38 I'll behave.

29:38 I swear to God.

29:39 Whatever he wants, I'll do.

29:40 I cannot lose my house, my business.

29:43 Everything's in his stake at this point.

29:46 [music] Please.

29:47 This is bull because she knew all this yesterday, didn't she?

29:49 Yes, but I don't.

29:50 BUT YOU DID IT ANYWAY.

29:52 If you call me tomorrow, I'll come back for you, not for her.

29:58 Always working, girl.

29:59 I'm always working.

30:00 So, there's Heather.

30:02 Okay.

30:02 She's the owner.

30:02 I didn't take

30:03 And I have a bar, so when I'm drinking, I'm working.

30:05 Yeah.

30:05 [laughter]

30:07 All right.

30:08 There's Heather's husband, Howard.

30:11 They're losing $2,000 a month.

30:12 Now Howard has to give Heather the money

30:15 that he earns to cover the losses in the bar.

30:17 It's got to be a big strain on the relationship.

30:19 You would think [music] so, right?

30:28 What's wrong?

30:28 She need some training or what?

30:30 Yeah.

30:31 [laughter] Did you see him smiling?

30:34 Not at all.

30:40 [screaming]

30:40 And she's sitting there with her girlfriends [music] just having shots.

30:43 He's not having any drinks.

30:44 He's sober, isn't he?

30:45 He's serious.

30:45 He's watching the business.

30:47 I'm guessing at any point how we could say that's enough, right?

30:51 When that gravy train stops, that's when we straighten up, right?

30:54 Just continue to work.

30:55 I don't need to work anymore.

30:56 Just continue to try to take care of the guest.

31:00 Terrible.

30:59 Okay, well, I'll just leave a minute.

31:03 Thanks.

31:03 It's all about her party.

31:04 You notice that?

31:04 I need some shots.

31:06 This is her party, her place.

31:08 Shots.

31:08 [music] And I find it interesting that her husband pays the bills.

31:11 Y'all ready for some shots?

31:12 But she's sitting there drinking his booze and she's

31:15 buying the drinks for all of her girlfriends.

31:17 I'm ready.

31:17 I've probably started.

31:18 [music] Yes or no?

31:20 Two.

31:20 All right.

31:21 Are you buying those or what?

31:22 Yeah, I'm buying them.

31:24 Someone give me 50 shots.

31:28 And you get a shot.

31:29 And you get a shot.

31:31 And you get a shot.

31:32 And the whole body gets a shot.

31:35 You're like a drunk white Oprah.

31:38 [laughter]

31:40 What's the count?

31:43 20.

31:43 20 shots.

31:44 [music]

31:44 I didn't think that with that many people here.

31:46 She's months from losing the whole damn place.

31:48 And you wonder what the hell is she happy about?

31:52 She has none of the risk involved in losing this.

31:54 So, she's just [music] having a grand old time

31:55 with her girlfriends like she's at a private house party.

31:58 You ever have one?

31:59 Heather get one.

32:00 Oh, I'm missing one for me.

32:01 You don't need one.

32:02 [music]

32:03 Oh, please over there.

32:09 He's watching her have fun as she burns the money.

32:14 Yep.

32:13 Hey, it's not funny.

32:14 Really?

32:16 She's drunk.

32:17 You know what, guys?

32:18 I'm going to do something I've never done before.

32:20 I want to see if she can do this.

32:22 I'm going to go in there right now.

32:23 I'm going to order so many drinks.

32:25 Oh, man.

32:26 So, I'm going to go in and I'm going to do my own freaking reconing.

32:29 This is going to be great.

32:30 Let's see what she's got.

32:35 And oh my god, another shot.

32:41 [music] Boy, look at this, guys.

32:49 We're just lining them up here.

32:51 Did you pay for this?

32:52 I'm Howard really bought it for her, didn't he?

32:55 Yes, sir.

32:55 How many drinks did you buy her tonight, Howard?

32:59 You don't even know, do you?

33:00 NO SIR.

33:01 AND WHY?

33:02 I DON'T GET THIS.

33:03 WHY?

33:04 WHY?

33:07 Cuz you like to have a good time.

33:09 So you like to have a good time at his expense.

33:12 So And are these your buddies?

33:15 Yes.

33:14 And they come here and drink for free, don't they?

33:17 No, they have tabs sometimes.

33:20 Sometimes.

33:21 Yeah.

33:21 Right.

33:23 Yes.

33:22 CUZ HE'S WORKING HIS ASS OFF.

33:24 AND YOU'RE PARTYING YOURS MONTH AFTER MONTH.

33:27 HOW MANY TIMES HAVE YOU WRITTEN CHECKS, HOWARD?

33:29 25 at least.

33:30 25 CHECKS FOR $2,000 AND NICK IS WHAT YOU DO IN FRONT OF HIM.

33:38 SOMETIMES.

33:38 SOMETIMES.

33:39 She says I GOT HIS BACK.

33:41 SO, I WANT TO SEE WHAT YOU GOT.

33:43 COME BEHIND THE BAR.

33:44 I'M GOING TO DO MY own recon.

33:46 All right.

33:47 WHAT'S YOUR FAVORITE DRINK TO SELL?

33:49 NOT TO DRINK.

33:50 HEATHER,

33:50 CAN I make a cucumber shots?

33:52 No, not shots.

33:53 A cocktail.

33:54 CAN YOU MAKE A MARGARITA?

33:56 SURE.

33:56 OKAY.

33:56 Make me 15 of them right now.

33:58 15?

33:58 Yes.

33:58 Make me 15 of them right NOW [music] CUZ I'M GOING TO DO WHAT HOWARD DOES IT.

34:02 I'M GOING TO CALL YOU OUT.

34:04 HE'S BEING WAY TOO NICE.

34:06 LET'S SEE WHAT YOU GOT.

34:07 All right.

34:08 15 of them.

34:09 Let's go.

34:09 I got it.

34:10 I got it.

34:11 It's the most POPULAR DRINK IN AMERICA.

34:13 HEATHER, you should be able to do it.

34:14 You're right.

34:19 Now, do it without putting your hands all over the top of the glass.

34:22 You're just running your fingers through your hair and everything else.

34:26 We going to be here all night, Harry?

34:27 No, it looks like it.

34:29 Shut up.

34:31 This is amazing.

34:33 I'm working fast.

34:34 If she was sober, could she do this?

34:36 Oh, yeah.

34:36 I am sober.

34:37 Yeah, but she can't do it.

34:38 Why?

34:39 I'm I'm not.

34:39 Because she's had probably [music] five or six shots since we've been here.

34:43 So, is she more generous when she's drunk?

34:46 Absolutely.

34:46 Is [music] she more flirty when she's drunk?

34:49 Absolutely.

34:49 Do you LOSE MORE MONEY WHEN she's drunk?

34:52 Absolutely.

34:52 So, why the hell are you drunk?

34:54 I'm not drunk.

34:55 You're taking shots, sitting here with your girlfriends.

34:57 What did you do tonight that was work?

35:03 You know, Howard, the quicker you tell her you're not writing any more checks,

35:06 the quicker she straightens up.

35:07 You know that.

35:09 Yeah, I know that.

35:10 But you know that it's a little hard to do.

35:11 I get it.

35:12 But you're enabling it, aren't you?

35:13 No, he's not.

35:16 Give me a minute.

35:16 Give me a minute.

35:17 So, now I've been waiting what, 7, 8 minutes for these drinks?

35:20 You just told me and make them.

35:21 Give me a chance [music] to make them.

35:22 Doesn't that bother you that you're freeloading off your husband to party?

35:27 Doesn't that bother you?

35:32 How do you make a margarita?

35:34 Should it be shaken or should it be built in a glass?

35:39 Should be shaken.

35:42 Thank you.

35:43 Don't point at me.

35:44 Now shake them and start over again.

35:46 Every time.

35:49 Divorce.

35:48 Every time.

35:49 It should BE SHAKEN.

35:50 NO.

35:51 I'M GLAD YOU THINK this is funny while [music] he keeps writing the CHECKS

35:54 CUZ YOU'RE DUMPING MORE OF HIS BOOZE down the drain now, aren't you?

35:58 Well, it's our money.

35:58 I put a lot of money in, too.

36:00 It's not just about him.

36:00 I have worked my ass.

36:02 He's writing the checks and going to a job

36:04 right now.

36:04 Yes, but I also put audition all my money in.

36:06 The hell with you?

36:08 No.

36:08 Howard, I got your back, but I don't want to do this for her.

36:11 THIS IS OUTRAGEOUS.

36:12 IT'S INCREDIBLY DISRESPECTFUL, AND YOU BETTER REALIZE IT.

36:16 I WANT YOUR HELP.

36:17 I'm out of here.

36:23 [music] So, do I still make the drinks?

36:28 So, this bar is owned by Virginia.

36:30 Just kind of takes the age the edge off, you know.

36:33 There she is.

36:34 Her husband, Jim.

36:36 Salute my bread.

36:37 And you, too.

36:38 Jim is sort of the face of the bar, but yet he doesn't work very much at home.

36:43 Everybody hates me.

36:45 So, Virginia has some health issues.

36:47 years ago, about 10 years ago, she dealt with breast cancer.

36:51 She survived that.

36:52 Now, just literally a few days ago, she got out of surgery for her back.

36:58 Wow.

36:57 So, she works hard in this bar still.

37:00 And they love this place.

37:02 They love their 50s music.

37:03 They love their rockability.

37:04 They don't let any other kind of music in there.

37:07 So, they're passionate about what they do.

37:08 I'm just not sure what they do is right, Jason.

37:13 Agreed.

37:12 So, now they're in debt about 250 grand.

37:16 And as I said, they're losing 10 to$15,000 a month.

37:19 Oh my goodness.

37:20 What can I get you guys?

37:21 Do you have a menu for kids?

37:24 There you go.

37:25 Thank you.

37:26 You like a beer list, too?

37:27 Um or a cocktail?

37:29 You don't have a cocktail, but I can give you a beer.

37:31 So Jim's sitting at the bar.

37:32 He's got a beer.

37:32 He just took a shot.

37:34 If you were losing $15,000 a month, would you be doing shots?

37:38 No.

37:38 66 years old, belly up to the bar drinking when your business is losing.

37:41 This is exactly what I wouldn't be doing.

37:43 What What did you decide?

37:44 Um, we're going to do the smoked wings.

37:46 And I'm going to do a rumble burger.

37:48 Yeah, please.

37:48 So, the place isn't dirty.

37:50 No.

37:50 The bartenders don't seem terrible.

37:53 No.

37:52 Bar doesn't look disorganized.

37:54 Kitchen doesn't look disorganized.

37:56 The concept seems completely wrong.

37:59 Yes.

37:58 And it seems to me that they

38:00 could operate this flawlessly and they'd still fail.

38:03 Y, did you get a shot yet or not?

38:05 Not yet.

38:05 I'm start I'm worried about you now.

38:07 I'm getting worried about my mom.

38:09 You want something to go?

38:10 Jim's completely oblivious.

38:12 I I don't even understand why he's here.

38:13 If he's not involved, he's drinking the profits away.

38:16 He's taking up a seat at the bar, which is income.

38:18 He's not helping.

38:19 He's useless.

38:21 And he buys drinks for other people.

38:23 So, he impedes revenue.

38:24 [music] One more.

38:25 You'll never see me again.

38:27 Hey, uh, AMD, get a shot.

38:29 You're, uh, little [music] off here.

38:31 Come on.

38:32 I'm a court.

38:33 Well, don't drink the whole bottle.

38:35 I'm going to buy you a shot.

38:36 Put it down there.

38:37 All right.

38:38 Hey, there's a girl in the house.

38:40 I'm going.

38:42 Too late, man.

38:44 She's getting a restraining order on you.

38:46 Jim's not doing anything to support the business.

38:48 There's my girl right here.

38:50 And why is Virginia sitting there and doing nothing about it?

38:53 I'm going to find out.

39:00 [music] Hey guys,

39:05 how are you?

39:06 [music]

39:06 How are you?

39:06 Ryan, how's that burger?

39:09 Not bad.

39:09 How'd you order it?

39:10 Did you order medium rare or

39:13 medium?

39:13 Medium.

39:13 That's well done, isn't it?

39:15 Pretty well done.

39:15 Yeah.

39:16 So, you wouldn't drive across town for that burger, would you?

39:18 Probably not.

39:19 And you wouldn't drive across town for the drinks, would you?

39:21 Probably not.

39:22 Okay.

39:22 Thank you guys.

39:23 Thank you.

39:24 That's what I am.

39:25 You're the one in charge, huh?

39:26 No, she is.

39:27 I'm glad to hear that because I've watched him

39:29 for 45 minutes have four beers in one shot.

39:32 Yeah.

39:32 So, I'm glad he's not in charge.

39:34 I'm with you on that.

39:35 So, how many more beers you going to have tonight?

39:36 I don't know.

39:37 I'm not done yet.

39:38 I don't drive though, so I'm good.

39:39 So, don't understand.

39:41 You're going down to tubes, correct?

39:43 Right.

39:42 And he's on his fifth beer.

39:45 Yeah.

39:44 Does that seem right to you?

39:47 No.

39:47 No.

39:48 So, do you care that you're going to lose everything?

39:50 I'm not losing nothing.

39:51 How are you not losing anything?

39:53 What happens if this place closes, Jimmy?

39:55 Well, I

39:56 What happens then?

39:57 I don't know.

39:58 So, your 50 grand is gone, right?

40:00 Right.

40:00 You close in 6 months.

40:02 What happens then?

40:04 I I'll find another bar.

40:06 Find another bar to what?

40:07 Drink in or own?

40:09 Own.

40:08 So, how you going to buy it if you have no money?

40:10 Well, I didn't say I didn't have any money.

40:13 So, you have money.

40:13 She doesn't.

40:14 [music]

40:15 No, she don't got no money left.

40:17 [laughter]

40:18 What I'm saying is pretty straightforward.

40:20 You teasing her.

40:21 Do you love her?

40:21 But don't tease cuz this is serious.

40:23 No, it's too late for that.

40:24 It's too late.

40:24 Don't start that yelling[ __] man.

40:26 I don't go for that.

40:27 I'll talk to work on me.

40:28 Let's be serious.

40:29 No, let me tell you what's serious.

40:30 This is serious.

40:31 HOW ABOUT WE GO THROUGH that alley up there?

40:33 That's serious.

40:33 Oh, really?

40:33 You're going to FIGHT ME?

40:34 NO, I AIN'T GOING TO FIGHT YOU, BUT YOU'RE GOING TO NEED A makeup now.

40:38 I'm not going TO LET YOU DIAPER YOUR JOKE.

40:43 Don't start the yellow[ __] He's impossible to deal with, isn't he?

40:46 Yeah, sometimes.

40:47 [music] Sometimes.

40:48 I'm not here to make money.

40:48 I'm here to make money.

40:50 We're It's obvious to me.

40:52 When you lose the bar,

40:53 you're going to lose your friends cuz they're only here for plenty of friends.

40:56 Johnny, how many you got?

40:58 Jim.

40:58 Jim.

40:58 Jim.

40:58 down cuz

41:00 I came here to help you.

41:01 I am talking to the woman.

41:03 If you talk without yelling NOW, LISTEN.

41:05 SHUT THE HELL UP AND LISTEN.

41:06 OH, HERE WE GO, MAN.

41:07 NOW, SEE, shut the hell up.

41:09 NOW, SEE, HERE WE GO.

41:10 LISTEN BACK.

41:12 STOP.

41:12 Bring the makeup crew.

41:12 You're definitely going to need

41:14 Listen.

41:15 I'm listening.

41:16 I'm trying to talk to you.

41:17 Stop it.

41:18 Stop.

41:18 You're yelling.

41:19 [music] Stop.

41:21 Stop it.

41:21 I want to help you.

41:22 And I can't help you.

41:23 I don't want to help him.

41:24 DO YOU GET THAT?

41:25 I WANT NOTHING to do with you.

41:26 YOU'RE A JOKE.

41:27 AND CHECK OUT BACK.

41:28 VICTOR, I WILL COME back to help you tomorrow.

41:31 I want nothing to do with it.

41:32 Bring the makeup crew.

41:33 You're going to need it.

41:34 Stop it.

41:35 Glad I told you he was going to.

41:36 Stop it.

41:37 Stop.

41:38 You're embarrassing [music] everybody.

41:42 Hey, get this crap off me.

41:44 Stop, [music] Jim.

41:45 Stop.

41:46 You going to buy me a drink at the rocket?

41:48 No, Jim.

41:48 Jim, just please stop.

41:50 No, I'm already done.

41:52 I asked Jim a simple question and he completely lost it.

41:55 He says he's not there to make money.

41:57 He's just there to drink.

41:58 But Virginia is there to make money.

42:00 She wants her 250 back.

42:02 [music] If Jim doesn't get on board, Jim's going outboard tomorrow.

42:08 He's just being embarrassing.

42:09 I don't understand.

42:11 That's what alcohol does.

42:13 See?

42:18 Hi, this is John Taffer.

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