Best of Dwight’s Crew 🫡 Tulsa King (Season 3)

0:00 We need you to deliver Casey's share of

0:02 the weed proceeds.

0:03 The cash is in the

0:03 safe.

0:04 No, I'm not going to Kansas City.

0:06 Dwight wants this.

0:07 I'm speaking for Dwight.

0:09 Bodie, you don't have to go all the way.

0:11 It's a rendezvous.

0:12 There's a a midpoint.

0:13 I texted you an address.

0:14 Take Grace, pick up Tyson on the way.

0:17 Well, why don't you just send Tyson?

0:19 Jesus, Bodie.

0:21 Casey are legit gangsters.

0:23 You don't send one person, you send a team.

0:25 This is team building.

0:26 You're a team player,

0:27 right?

0:28 Is that a trick question?

0:31 Go.

0:33 Represent.

0:35 [Music] Yo, Bodie, put me on the aux, bro.

0:41 This[ __] is ass, man.

0:42 What is this?

0:43 Driver controls the tunes.

0:45 Them's the rules, Tyson.

0:46 don't even want to be in this vehicle in

0:48 the first place, dog.

0:49 We about to bump

0:49 into some gangster[ __] man.

0:51 You need a soundtrack for that, not this old 70s

0:53 porno elevator music, bro.

0:54 Fine, fine.

0:56 Anything to keep you quiet.

1:04 Hey, Bodie, what's up with this damn

1:05 car, man?

1:06 I know you trolling, right?

1:07 You drive a soccer truck or something,

1:08 man.

1:09 Let's go to Mars.

1:10 We in the future,

1:10 right?

1:12 Yeah, it's working, isn't it?

1:13 It's got Oh, wait.

1:14 Wait, we have a problem.

1:16 What?

1:17 Um well, we're supposed to meet them 5

1:19 miles past the halfway point.

1:21 Okay.

1:22 We're not going to make it.

1:24 We have to pull over to charge.

1:26 What the[ __] guy?

1:27 You serious?

1:29 Dead ass.

1:32 [Music] How was that?

1:39 Just start.

1:43 Hey, Jesus.

1:45 Hey, Tyson, what's up?

1:46 Yo, Dwight, we got to change the location for this

1:48 Casey meet up.

1:49 Why?

1:50 Cuz Bodie's toy[ __] car lost a

1:52 charge prematurely.

1:54 Ah, Jesus Christ.

1:55 Catch him bevel up,

1:56 will you?

1:59 [Music] Yeah.

2:03 Please hold for Mr.

2:03 Manfretti.

2:04 Who's Manfretti?

2:06 Hey, Bill.

2:07 I need you to talk to my man,

2:08 Tyson.

2:09 Tyson.

2:10 Talk to Bill.

2:11 Tyson?

2:12 Who who[ __] Tyson?

2:13 Is that the[ __] catcher that drives your ass

2:14 around?

2:15 Uh what the[ __] is you talking

2:16 to, man?

2:16 I'm talking to you.

2:18 Who am I[ __] talking to?

2:19 Dwight, what's up?

2:21 Just hear him out,

2:22 Bill, for Christ's sake.

2:23 Tyson, talk.

2:24 Look, there's a charging station 5 miles

2:26 south of the meeting point.

2:27 __] this nonsense, all right?

2:28 Dwight, what is this, some kind of[ __]

2:30 amateur hour?

2:31 It's no big deal, for Christ's sake.

2:32 Just send a couple guys.

2:34 I'll tell you what.

2:34 Listen to me.

2:35 Why don't you gather

2:36 your[ __][ __] have them drive

2:38 down to my house, drop my percentage at

2:40 the[ __] gate, and then[ __] off till

2:42 next month.

2:43 How's that sound?

2:43 Does that sound like a simple plan?

2:45 How's this?

2:46 It's late in the day.

2:47 We're going with a new plan.

2:48 Ciao.

2:50 You[ __] Okay.

2:53 Here we are.

2:57 Uh-huh.

2:58 Cooker and fermenter.

3:00 That there is the still.

3:03 I remember the grain handler used to be

3:05 out back.

3:06 A lot of fond memories behind

3:07 that thing.

3:08 I suggest shutting up,

3:09 Mitch.

3:10 Good idea, Mitch.

3:13 And this is where the magic happens.

3:15 Well, happened.

3:18 Uh broken conveyor.

3:20 I don't know what

3:20 half that junk is.

3:23 These are the bottling lines.

3:26 Well, what used to be the bottling lines.

3:28 Damn rats.

3:30 Sherry distillery 101.

3:32 Barrels to bung holes to not bottling.

3:35 Bung holes?

3:36 That sounds dirty.

3:38 Did you say bung holes?

3:39 Boss don't like the word bung hole.

3:40 I don't like the

3:41 word bung hole.

3:42 We got ladies here.

3:43 A little respect.

3:44 A bung hole is a circular incision bored

3:48 into a sealed barrel to allow for the

3:50 release of its contents.

3:51 That's all.

3:52 Moving on.

3:54 Dwight, listen.

3:56 Weed is up tenfold, and the casino twice

3:58 that.

3:59 Do we really need some

4:00 mold-infested firetrap?

4:01 It's history here.

4:02 This is where it all started,

4:03 Bodie.

4:04 You know, they got booze,

4:05 moonshine.

4:07 Most likely started by the Italians.

4:10 The hard stuff, wasn't that English,

4:11 Scottish, Irish?

4:13 The Italians brought breadsticks.

4:16 Like I just don't get it.

4:17 If it was so

4:18 profitable, why why did it go broke?

4:21 Dunmire killed the competition.

4:22 Made sure every other distributor wouldn't

4:24 touch us.

4:25 They were sitting on some

4:26 bread though, right?

4:27 My father was eccentric.

4:29 He agreed to sell the distillery, but not our home or

4:31 legacy.

4:33 He'd rather see the 50 state buried than

4:34 in Dunmire's hands.

4:36 So, Dunmire[ __] it.

4:37 And we unfuck it.

4:38 Ah, the grand unfuckening.

4:40 Yeah, there you go.

4:42 Why don't we get this stuff in the bottles,

4:43 put the bottles on the shelf, and put

4:46 the cash in the bank before Dunmire and

4:48 his guys get wise.

4:51 Distribution?

4:52 I got that.

4:53 Don't worry about that.

4:53 Anybody know a good plumber?

4:55 I dabble in crypto and weed, but

4:58 plungers, not so much.

5:01 Hey, y'all looking at me for?

5:03 Are y'all serious?

5:05 Y'all know Pops not about to be doing

5:07 these type of schemes in this

5:08 It's not a scheme.

5:09 It's a legit business, Tyson.

5:11 No bullets.

5:12 Real enterprise.

5:14 Talk to your father.

5:16 Cleo, out of all the local distributors,

5:18 who would you say is the friendliest?

5:20 Walden Eustace.

5:22 One more time.

5:24 Walden Eustace.

5:26 Walden?

5:28 Is there anyone in this state with a

5:29 normal name?

5:31 Like Dwight.

5:34 This is some[ __] man.

5:35 Should be going to fight with them Dunmire[ __] What the[ __] The[ __] is

5:39 Dwight at anyway?

5:40 You heard what he

5:40 said.

5:41 We're biding time.

5:42 Put that on your tombstone.

5:43 Biding time avoids the

5:44 tombstone.

5:45 Smart ass[ __] to say every[ __]

5:46 time.

5:47 Damn.

5:47 Emphasis on smart.

5:49 The skipper says to obey and execute orders.

5:52 So, that's exactly what we're going to

5:54 do.

5:54 He also said know your enemy.

5:56 So, let's get to know him.

5:57 So, when the boss

5:58 get back, we got some intel to offer.

6:00 Dwight is playing chess, and you're

6:01 playing checkers.

6:03 Don't question him.

6:05 I got to be somewhere.

6:16 I'm saying yes to fact-finding so we

6:17 know what we up against.

6:20 No time wasted.

6:29 You're actually playing?

6:31 You look like idiots.

6:32 Yeah, they're trying to win the alarm

6:33 clock.

6:34 We're not playing.

6:35 We're just watching.

6:36 This is recon.

6:37 Cole and his goons are running this operation.

6:39 [Music] Looks like Mini Dunmire is running a

6:55 scam.

6:56 A scam?

6:57 Here?

6:57 Why do you think Catholics run

6:59 bingo?

7:00 It's a[ __] racket.

7:03 Cole takes a percentage of the door.

7:08 And he plants a ringer in the room.

7:12 Collects the prize money, too.

7:16 See, I knew the Dunmires was bad at

7:18 scamming all folks.

7:20 These rednecks got to be destroyed.

7:23 You want to make this right?

7:25 Hell, yeah.

7:26 Watch and learn, children.

7:28 Watch and learn.

7:33 Um 61.

7:35 Now, something just telling me

7:36 you're the lucky lady of the evening

7:37 today.

7:37 I mean, look at your cards, you

7:39 know?

7:39 You want to share a little bit of

7:40 that with me.

7:41 Come on, Nancy.

7:42 You're irresistible.

7:43 Come on.

7:43 Come on, Nancy.

7:44 Let me know.

7:45 This is the lucky lady of the evening

7:46 right here.

7:46 16 14 [Music] Um and

7:54 44 and 44.

7:57 God damn it, he can't pull a

7:59 cheat to save his life.

8:00 I can't get you

8:00 all the weight for you.

8:01 I can't win this.

8:02 Can you get all the

8:03 I'm I'm so sorry.

8:04 Can you get me a car?

8:10 [Music] And 39 and

8:17 39.

8:19 Bingo.

8:20 [Music] Bingo.

8:24 Bingo.

8:26 Yeah, wait.

8:28 All right, hey, look look.

8:29 Lord decided to shine on me today.

8:33 What the hell are you doing here?

8:35 What it look like?

8:36 We winning.

8:37 No, you ain't winning.

8:40 As a matter of fact, I should make you

8:41 pay.

8:42 Well, you can't relate, but my

8:43 friend here won fair and square.

8:45 So, in the parlance,[ __] you, pay us.

8:49 No, you ain't getting[ __]

8:51 No payout for cheats.

8:53 Listen, pal.

8:54 You can't cheat a cheater.

8:56 You think it's a good idea to stiff one

8:58 of your winners in front of all these

8:59 other potential winners?

9:02 Not too smart, huh?

9:02 What do you think?

9:11 Pay him.

9:14 And we ain't done.

9:19 Bingo,[ __] Welcome.

9:23 Mhm.

9:24 Sure.

9:25 Yep.

9:28 The Montague 50, once thought to be a

9:31 myth, distilled by a posse of rabbit

9:33 okies, has turned into reality.

9:36 Who the hell is that?

9:37 Jasper, the most influential bourbon connoisseur in the

9:40 country.

9:41 What do you think?

9:42 He looks real, right?

9:43 Is he not?

9:44 According to his almost

9:45 100,000 followers on YouTube.

9:47 And more than 100,000 followers on

9:49 Instagram.

9:50 real.

9:50 A vibe curator.

9:52 A sip savant.

9:54 He's as real as a Tinder profile.

9:55 He's crafting the myth of the 50.

9:58 Mysterious, elusive, and worth every

10:01 penny.

10:02 All right.

10:03 This is a publicity stunt.

10:04 Yeah, that'll make us millions.

10:06 What happens when everybody finds out

10:07 he's not real?

10:08 They won't care.

10:10 As soon as they taste the 50, they'll be

10:12 thanking us.

10:14 [Music] Okay, confirmations from Whiskey

10:26 Advocate, American Whiskey, Bourbon

10:28 Plus, Wine Spirits, Spirits and Liquors.

10:31 Amazing.

10:32 Great job, Booty.

10:35 How do you mean?

10:36 I just mean getting all these critics

10:38 out here in the middle of nowhere.

10:39 Mhm.

10:40 Is there anyone in the bourbon world you

10:41 didn't contact?

10:43 Grace tell me who we

10:43 have left.

10:45 I just like done.

10:52 [Music] A bottle of the 50.

10:57 I could see that.

10:59 Where did you learn to do that?

11:00 Ice carving?

11:01 No, bricklaying.

11:03 I learned it in Kentucky.

11:05 $12.50 an hour.

11:07 You're good.

11:08 [Music] Well, the other day we had a very

11:15 successful day, but things kind of went

11:18 sideways.

11:19 So, now we got to get the

11:20 momentum going.

11:21 We got to get the

11:22 bourbon going, and we got to get our

11:24 booze delivered off board until we get

11:27 our license back.

11:28 What's off board?

11:29 We sell to special clients who don't care

11:31 so much about paperwork.

11:33 Like, moonshine highway.

11:35 I'm a little lost.

11:37 We distribute the way

11:38 they did back during prohibition.

11:40 A little before my time.

11:41 Yeah, it would be

11:42 unless you're like 135 years old.

11:45 So, we moving the stuff under the radar?

11:47 That's right.

11:48 That's right.

11:48 We got to get the

11:49 50 on the road before these inspectors

11:51 at Dead Man's know it's missing.

11:54 And I have a few connected guys from my former

11:57 life, if you know what I mean.

11:59 But these guys said they're going to

12:00 take in our product and circulate it and

12:03 keep our name out there.

12:05 But this isn't sustainable, delivering a

12:07 few cases of currently illegal bourbon.

12:11 What's the long game?

12:12 By the time we

12:12 sell our first load, we're going to be

12:15 ready to go to plan B.

12:16 And that means we're going to be dealing with other

12:19 brands, which there are about 8,000

12:21 different brands, not including wine.

12:24 That's going to be the business model.

12:27 We're going to take the proceeds, and

12:28 we're going to get into national

12:30 distribution.

12:31 That's where the money's

12:32 at.

12:33 That's going to be the ultimate win.

12:36 So, why don't you all take off?

12:38 I got to start to draw out the routes.

12:40 Mitch, you and Cleo,

12:44 you head down to Shreveport.

12:45 You're going to meet this guy named Johnny

12:47 Wednesday.

12:48 He's an old friend of mine,

12:49 but he's a little crazy, you know,

12:50 eccentric.

12:52 But he's connected, so just

12:53 work with him.

12:54 Clear.

12:55 Great.

12:56 I love our road trips.

13:06 How hard can these old things be pushed?

13:10 They've gone over them really good.

13:11 They're going to get you there quick.

13:13 I think they're better than new.

13:15 I tend to agree.

13:16 You got dealer plates.

13:18 I'll buy it.

13:19 I'll state the obvious.

13:21 We now have transport, and yet

13:23 no booze.

13:26 Shall we remedy that?

13:29 [Music] Pay attention.

13:33 [Music] Afternoon.

13:35 Where the hell you think you're going?

13:37 Hey, just let my bag inside.

13:44 Not good to get in my ass.

13:48 [Music] [Music] [Applause] [Music]

14:10 What are these?

14:12 My gummies.

14:13 Every road trip needs

14:14 snacks.

14:15 Thank you.

14:17 And a CB radio, apparently.

14:20 Is it your plan to touch everything in

14:21 the car?

14:26 [Music] That's the thing.

14:31 You know that, right?

14:32 Yeah.

14:34 But that's what it takes.

14:58 This frat, they supply most of the

15:00 campus and a lot of Tulsa.

15:02 Sure.

15:02 100%.

15:03 I party with them.

15:04 Trust fund kids, oil

15:05 money douchebags who love rolling on E.

15:08 This is the spot.

15:09 Sounds promising.

15:11 Yo, let's bust a move.

15:12 Easy, cowboy.

15:13 We got to do recon.

15:15 The[ __] you talking about?

15:17 My ass is on the line with the white,

15:18 bro.

15:19 Come on, man.

15:20 I don't got no time for

15:21 this "Oh, this is what the boss wants

15:22 ass"[ __] When you paint the room,

15:25 you got to do your prep work first.

15:27 Oh, here he goes with this[ __]

15:30 How about I do it?

15:31 I don't know.

15:32 What experience do you have uh Getting into

15:33 frat houses?

15:36 More than anyone here.

15:39 All right.

15:41 Tomorrow, then.

15:41 Tomorrow?

15:42 How about right now?

15:44 Easy.

15:45 I got to get the badges.

15:47 And I'm going to need to know the number

15:48 of guys in there,

15:50 how to get into the basement, and if

15:52 there's a guard dog.

15:54 That last one is very, very important.

15:58 You think she's good in there?

16:00 Yeah, what are they going to force you to do a

16:01 keg stand?

16:02 You got the badges, right?

16:03 Of course.

16:05 Oh,[ __] Oh,[ __]

16:09 How you come up on this, bro?

16:11 I know a motivated seller.

16:12 Yeah, they they they

16:13 look real as[ __] And of course they

16:15 are.

16:16 All right, here she comes right here.

16:27 What's the word?

16:28 Six guys in the common area playing

16:29 Xbox.

16:30 A couple of tied, the other two

16:31 just look pretty lame.

16:33 Basement is past the kitchen on the left.

16:37 No dog.

16:38 Good.

16:40 You finally ready to do this?

16:41 Yes, let's do it.

16:42 I want to go with you.

16:43 What what?

16:43 No way.

16:44 You did your part.

16:45 This is ours.

16:50 [Music] Ready?

16:57 __] yeah.

16:58 One, two, one, two,

17:00 three.

17:08 Police, show me your Get your[ __]

17:09 hands UP.

17:10 HANDS UP.

17:10 HANDS UP.

17:11 Get your[ __] hands up.

17:12 That was very credible.

17:13 You like that, huh?

17:15 Get on your[ __] knees.

17:16 Don't you[ __] move.

17:17 Get on your[ __] knees.

17:22 No shotgun, GET YOUR[ __] HANDS UP.

17:24 AND ON YOUR KNEES.

17:27 SHUT YOUR MOUTH.

17:29 MOVE.

17:30 MOVE.

17:30 TYSON?

17:32 It's Ben.

17:32 We Criminology 101, freshman

17:34 year.

17:35 __] you're a cop now?

17:36 __] get the[ __] up.

17:38 Get the[ __] up.

17:39 Where the contraband at?

17:41 Huh?

17:41 [Music] Very good.

17:51 This is all of it, huh?

17:52 Everything?

17:52 Yep.

17:53 [Music] I'm glad we went to school together,

17:58 man.

17:58 I'll spare your ass today.

18:00 We ain't going in jail.

18:06 [Music] Are we like under arrest?

18:12 You didn't read us our rights or

18:13 anything.

18:13 Listen up, fox face.

18:15 You don't want to

18:15 end up in jail.

18:16 Your skinny ass will get

18:17 winged on day one.

18:19 we can come up with some type of

18:19 agreement to you know, keep you and your

18:21 boys out the system, huh?

18:27 [Music] We good.

18:51 We good.

18:52 [Music] We good.

18:55 What's my cut?

18:56 Already?

18:57 Look, I appreciate the moxie, but that's not how

18:59 this works.

19:00 This is like a thousand heads.

19:01 Yo, what's miss?

19:02 What's what's the name

19:02 of the bar you work at again?

19:04 Is it Spit?

19:04 Splat Spit?

19:06 She's going to work up

19:06 a sweat selling all that.

19:08 Great, but what's my finder's fee?

19:09 Relax, we'll work something out.

19:12 All right, look.

19:14 I'm taking 50% of the cash.

19:16 The pills, that's you two.

19:17 I want nothing to do

19:18 with it.

19:18 Dwight'll take me apart if he

19:19 ever found out.

19:20 Hey, miss.

19:20 I need to know, can can you

19:21 really sell this[ __] fast?

19:22 I know every bartender and DJ in the

19:24 city, every club and rave.

19:26 I can sell this[ __] in 10 minutes.

19:29 But I want 50%

19:30 of the gross.

19:31 That's how it works.

19:32 50% What kind of business classes did

19:33 you take in?

19:34 What is this son of my worst[ __]

19:36 enemy showing up here for?

19:38 He wants to help.

19:39 He talks, not you, okay?

19:41 No, as a matter

19:42 of fact,[ __] it.

19:45 I'm debating whether to put your brains

19:47 all over this table rather than hear you

19:49 out.

19:50 I ain't got a clue who you is, but you a

19:53 one lucky[ __] You see that expression right there?

19:59 That expression usually means your ass

20:01 ought to be in a box in the ground.

20:06 I want to help.

20:11 I talked to your sister.

20:13 She's okay for now.

20:17 I'm done following my father around

20:20 doing his dark[ __] So this[ __] is a

20:22 bad[ __] look.

20:23 Cole helped save a lot

20:24 of people and Margaret in the hotel explosion.

20:27 He was the one that warned us.

20:30 Now you know I done looked in the eyes

20:32 of a whole bunch of lying[ __]

20:35 before I took their soul before I

20:37 pressed that trigger.

20:38 You have.

20:40 This boy right here?

20:42 He telling the truth.

20:45 He wants to atone.

20:48 Don't you, son?

20:49 Yes, sir.

20:59 Somebody get me a pad and pencil.

21:02 Hey.

21:03 How many men they got up there?

21:05 Around 20.

21:06 How many weapons?

21:07 They got a damn armory in the building

21:08 next to the house.

21:09 All right.

21:13 You going to draw me a detailed map of

21:15 the house you're living in, every room,

21:16 every corner, every exit, every

21:18 entrance, every inch.

21:23 And you're going to tell me which room

21:24 my sister is in.

21:29 Start writing.

21:33 [Music] [Music] What the hell?

21:55 [Music][ __] Jordan!

22:34 Open the trunk.

22:37 I got this.

22:37 Come on.

22:38 Come on.

22:38 I got you.

22:41 Stay with me.

22:42 Who was that?

22:43 Dory.

22:44 Mitch.

22:44 Take her.

22:45 Get her to the mayor.

22:45 She'll be okay.

22:46 I got it.

22:47 You got it?

22:47 Yeah, I got I'm going after Dunmore.

22:49 Nobody follow me.

22:51 Copy.

22:51 [Music] Runner.

23:07 Go ahead, John.

23:09 One more.

23:11 And that's fun.

23:13 [Music] Can we have a big data bear on the top

23:21 row, please?

23:27 [Music]